Category Archives: Television

#145 – Footloose

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#145 – Footloose by Kenny Loggins

 – I couldn’t even imagine what my favorite memory about this song would be when it came out in 1984. Let’s just start by saying I was pleasantly blindsided by Footloose, and it only took a little over three decades for it to happen.

But I’m getting ahead of myself…

Movie fans will know Footloose was the title song for the 1984 Kevin Bacon star-maker movie of the same name. Okay, I know he earned a lot of notice for supporting roles in Animal House and Diner, but this is the one that put him on posters hung in teenaged girls’ bedrooms and convinced a lot of shy guy teens that dancing could be a way to get noticed by those girls. For the boomer generation it would be comparable to the beach party movies of the 1960’s. The main difference was the costume designers were inspired by Stetsons, jeans and boots, rather than bleached hair, bikinis and baggies (for you surfer dudes).

He’s a dancing machine!

But Footloose wasn’t just a hit for the rural teenage crowd. I remember seeing it with my girlfriend at a theater in New York City and enjoying the music and energy. It wasn’t a classic like Animal House and Diner, but it was a fun night out. There’s also a good chance we went line dancing in an urban club afterwards.

The song by 80’s hit-maker Kenny Loggins was on every jukebox in New York City during the winter of 1984. And if no one sacrificed a quarter to play it, chances were good you’d still hear it. Since MTV was actually a music video station at the time, television sets hanging over every bar would rely on the channel for a background soundtrack. Since the Footloose music video was in heavy rotation, you could look up once or twice every hour to view clips of Loggins lip-syncing and Bacon boot scootin’.

The song scooted through my mind on the morning of January 27. I didn’t own a copy at that time even though I do know, thanks to the explanation why coming shortly. But I couldn’t remember the last time I’d heard it, so this 80’s dream-maker joins the subliminal category of Dream Songs.

Looking back three decades, I always felt January in NYC was the dreariest time of year. I loved the holiday decorations that filled the city with lights and a festive mood through December and until after the New Year’s celebrations, but January is when they all came down. Along with everybody’s celebratory spirits.

Christmas in the city.

Okay, that’s not true because there was always something exciting to do in the city. It just seemed good to write that to raise the dramatic effect for my following story.

So, to continue, when the Christmas lights came down it signaled the start of a long cold wait until spring.

I was never a fan of that mood shift and did my best to prolong the season and avoid the dreary. I’m pretty sure my best effort was during the winter of Footloose. At the time I was managing and bartending at a cozy restaurant in Gramercy Park. And since I had some, very slight control over the place, I told the staff to leave the Christmas lights up a little longer than usual.

In fact, if I had my way Christmas lights would be a year round decorative mainstay.

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Have you finished your holiday shopping?

Give them three of the wildest concerts in Beatles – and rock & roll – history!

The Beatles At Shea Stadium:

The Story Behind Their Greatest Concert

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The Beatles In Cleveland:

Memories, Facts & Photos About The Notorious 1964 & 1966 Concerts

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Both books available in paperback and eBook through Amazon.com

For information about Dave’s author programs visit BeatlesProgram.com

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When you think about it, they pretty much are when you visit tropical island resorts – whether in the tropics or Manhattan – or even as summer lighting at many outdoor restaurants today. Wish I could take credit for that, but I doubt our place in Gramercy Park would qualify as an inspiration. Plus my request didn’t last as long as I wanted. When the owners were calling the shots during one of my days off, I came back to work to find the only exciting light came from MTV videos on the television over the bar. The decorations had been packed away in the restaurant’s basement for another year.

But that didn’t prevent me from making my point at home.

We had celebrated Christmas with a real tree in my apartment on East 22nd Street. After it had dried out enough to be declared a fire hazard, we took off the lights and decorations and moved it outside onto my small balcony. I felt it gave us a forest view rather than an urban view when looking out of the window. Plus, it looked great after a snowfall. Another bonus was as a guaranteed conversation starter if we had guests or when any of my friends felt like shouting three floors up from the sidewalk with jokes about my outdoor decorating skills.

A little too late

That particular Christmas tree lasted until May when it became too obvious enough was enough. Spring had sprung in the city and it was time to sweep off the dried needles and get the hibachi and a couple of chairs ready for summer.

It was time for the disposal…

Manhattan bars and restaurants could stay open until 4 am, which is when my shift would start to end. I say “start” because that was when the regular customers had to leave. I would need to close up, count the money and clean up (a bit anyway), while making sure I kept a few friends’ glasses full, so I’d have late-night company. It was a cheap way to avoid being in a dark Midtown Manhattan bar alone. On this particular night, my girlfriend was part of this posse since we still had another job to do later.

We knew garbage pickup was that morning and we needed to have our final Christmas relic off the balcony and on the curb.

We walked up to 22nd Street and she waited on the sidewalk while I took the elevator upstairs. I opened the sliding door to our balcony, grabbed the tree (if I forgot to tell you it was large – it was), and dangled it over the metal railing. I waited for her to give me the “okay” sign and when she signaled no one else was in sight, I let it go.

The tree fell three floors and hit the sidewalk with a soft explosion of dried pine needles.

I took the elevation down and dragged it to the curb where we left it resting on top of the building’s garbage pile. Then laughed for a few weeks imaging the faces on the pickup crew. They had to be at least a bit confused wondering what kind of misfits would wait until May to throw out their Christmas tree.

Ho, ho, ho!

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Okay, fast forward three decades.

The movie Footloose was turned into a Broadway musical in 1998. It’s gone on to be a favorite production in theaters around the world. In 2016 it was being produced as an Equity (that’s the actor’s union and a big deal) show in a large outdoor venue near us. And as luck would have it, our son Paul was cast as Ren McCormack (Kevin Bacon’s role). I’m sure my wife Dancin’ Deb and I weren’t there for every show, but we came pretty close. We also dragged as many family and friends as possible to watch his star-making, and Equity-card earning performance.

And as chance would have it, Kevin Bacon and his band The Bacon Brothers had a gig one evening just a few miles away. No, don’t get your hopes up for a BIG surprise because he didn’t make an appearance. Of course, I still can’t figure out why since I sent him a personal invitation via Twitter to check out the new kid who was getting the dancing ban lifted in Bomont, Texas. If you know the movie or the show, you know what I’m referring to. I’m also sure Bacon didn’t know me, but since The Classic Rocker is so…

Okay. On second thought, maybe he didn’t see the tweet.

The bottom line is as an over-enthusiastic and over-proud stage dad, The Classic Rocker not only owns a copy of the song Footloose, but also the entire Broadway show soundtrack. And as a small admission of guilt that only those of you reading this far will know, my playlist includes our son’s live performance. It’s lucky we have recording devices small enough to fit in a dad’s pocket and not noticeable to theater ushers.

Unlike a Christmas tree on a New York City apartment balcony in May.

For my own entertainment purposes, I’ll throw in an extra video. Below is the Kenny Loggins / Kevin Bacon 1984 MTV mainstay. Following that, I hope you’ll stick around long enough to enjoy an energetic curtain call as Paul makes his bow memorable during his reign as Ren more than three decades later. Yep, just call me an over-enthusiastic and over-proud stage dad.

Here’s a video of Kids Gone Wild from the movie Footloose. Oh yeah, vocals by Kenny Loggins:

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And for an energetic curtain call, here’s son Paul as Ren McCormack about three decades later:

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To purchase the movie soundtrack with Footloose by Kenny Loggins, visit Amazon.com

Have a comment? Please use the form below. Thanks – and keep rockin’!

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2020 – North Shore Publishing

#149 – Bonanza

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#149 – Bonanza Television Series Theme Song

The Cartrights

– Hearing this song during the early to mid-1960s was the signal for battle lines to be drawn on the home front. At least that’s how I feel some of us belonging to the younger edge of the baby boomer demographic would remember it. Then again, it all depended on the opponents you were battling against.

For the preteens, a good guess would be our parents.

First of all, Bonanza is one of the most recognizable and catchy television theme songs of all time. And several different versions received plenty of airplay while the show was a prime time, Sunday evening ratings hit from 1959 to 1973. Each episode opened and closed with a “ride’em cowboy” instrumental version, which is the one that landed on this Dream Song list.

But there were other instrumentals and also record releases with lyrics sung by everyone from Lorne Greene, who played the father Ben Cartright on Bonanza, to Johnny Cash who gave it more of his trademark Nashville twang than you might have heard on The Ponderosa.

Little Joe, Adam, Ben & Hoss

And if you don’t recognize my reference to The Ponderosa Ranch, or know Ben Cartright and his three sons by three different wives, Adam (Pernell Roberts), Hoss (Dan Blocker) and Little Joe (Michael Landon)… Well, you were either doing your homework or going to bed at a decent hour because it was a school night. I knew that, but it didn’t really matter since just hearing the theme song come through the tiny speakers on our black and white television meant I was usually heading into the thick of a battle and had no time to learn much about the characters or episodes.

Wait. I wasn’t fan of Bonanza?

Honestly, I don’t remember ever wanting to watch it EXCEPT as an excuse to stay up past the bedtime my mother thought was reasonable for good-parenting. The problem was, I knew even then through my preteen wisdom that I was meant to stay up later than her 9:30 pm lights out deadline. For as long as I can remember, my body clock has always kicked into a higher gear once the sun went down. I just couldn’t get my mom and dad… and the public school system (to start classes at a later time) to realize, acknowledge and accept that fact.

So, here’s how it would go.

We would watch The Ed Sullivan Show on CBS from 8 to 9 pm. After that I was supposed to get ready for bed. But a quick (pre-remote control) turn of the dial to the NBC channel would launch the theme song from Bonanza, which as mentioned above, was not only a very catchy song, but also energetic enough to get the adrenaline running through the system of any preteen boy too wide awake to even think about going to sleep.

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Three of the wildest concerts in Beatles – and rock & roll – history!

The Beatles At Shea Stadium:

The Story Behind Their Greatest Concert

+

The Beatles In Cleveland:

Memories, Facts & Photos About The Notorious 1964 & 1966 Concerts

*

Both books available in paperback and eBook through Amazon.com

For information about Dave’s author programs visit BeatlesProgram.com

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My mom would lead the charge with, “Turn off the television and get ready for bed!” I would lead the resistance with, “I’m not tired!” Then the real fun would begin…

Since it was on throughout the 1960’s, here’s how it would play out:

  • Pre-Beatles the 9:30 bedtime was still a battle.
  • After February 9, 1964 it was all out war.

Map of The Ponderosa

When I think of the Bonanza song, that’s where my mind goes. But honestly, as also mentioned above, I really wasn’t a fan of the show or any of the “cowboy” shows for that matter. The longest running series in the history of television was Gunsmoke and to this day I’ve never watched an episode. Sitcoms, variety and game shows – in that order – were all that interested me.

Even on the Sunday nights when I was allowed to stay up later because of snow days, holidays or summer vacation, I’d listen to the theme song and then start channel surfing (though we only had three networks) for something else to watch. For a couple years it would be The Ed Sullivan Show – again!

How did that happen?

In the mid-1960’s Ohio, where I was brought up, was divided in half by two time zones. Cleveland was in the Eastern Time Zone, while Toledo was on Central time. We lived between the two and could pick up the television signals from both markets. That meant I could watch The Beatles (and all the other British Invasion groups) at 8 pm EST out of Cleveland – then switch to the Toledo station to watch again as they were aired in the different time zone at 8 pm CST (9 pm EST).

Time Zones gave us encores!

And yeah, it was a very fab quirk!

Somewhere around that time they ironed out the differences so the entire state was on the same time. That cancelled out my every Sunday double dose of Ed Sullivan. But in early 1967, The Smothers Brothers Comedy Hour took over that viewing gap for me. By the time they were fired by CBS in June 1969 for catering to younger viewers like myself and other boomers, I had won the parental war and outgrown a mandatory bedtime.

Yeah, I was a teenager. How grown up… (I write dripping with sarcasm).

As for Bonanza, it was definitely a hit show and if I remember reading this correctly, it’s still the second longest running cowboy (western) show in network television history. And as far as I’m concerned, there’s no better cowboy show theme song.

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At least that’s how it sounded in my waking mind on November 20th. This classic theme song goes into the subliminal category of Dream Songs since I can’t remember the last time that I’ve heard it. And of course, I don’t own a copy because – let’s face it – if I did and my mom happened to be visiting and heard it, she might just instinctively tell me it was bedtime. Which come to think of it, wouldn’t be a bad idea anymore – especially since I lost the battle with my own kids many years ago, I can now appreciate a good night’s sleep.

Here’s the opening AND closing of Bonanza with the foot-tapping, “ride’em cowboy” theme song.

 

You can purchase seasons of Bonanza at Amazon.com.

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2020 – North Shore Publishing

 

August 15, 1965 – The Beatles At Shea Stadium

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– It started earlier than you might think…

sidbernstein

Sid Bernstein

During the winter of 1963 Sid Bernstein, a New York producer and entrepreneur, decided to expand his horizons by taking a course in Political Science. The instructor said if students wanted learn about democracy they need to study Great Britain, so Bernstein trekked down to Times Square every week and bought the British newspapers.

After reading updates about the government, he turned to where his real interests were – the entertainment section. He noticed the name of a pop group called The Beatles. At first the articles were small, but each week they continued to grow in size. They also included two words about their performances that caught Bernstein’s eye:

SOLD OUT!

To his producer’s way of thinking, these were the same words that described fame-predicting appearances by Frank Sinatra and Elvis Presley, two of the BIGGEST names in showbiz. Since expanding his horizons could also mean taking a chance, he located the Beatles’ manager Brian Epstein and booked the group – then unknown in the U.S. – for two shows in February 1964 at Carnegie Hall in New York.

Epstein Beatles

Brian Epstein and “The Boys”

When dealing with Epstein there were always stipulations. If The Beatles were not getting radio airplay in the U.S. by December 1963, the deal was off. It was a long wait, but as history tells us they made the deadline. I Want To Hold Your Hand broke the airwave barrier, they were scheduled for three February appearances on The Ed Sullivan Show – and Bernstein SOLD OUT both shows at Carnegie Hall.

Following the Beatles summer and fall 1964 tour of North America, Bernstein took another chance and scheduled them to appear in the brand new, state of the art Shea Stadium in Flushing, Queens. Again there were stipulations that included no advertising without a paid deposit, but Bernstein made a bold guarantee and backed it up by selling 55,600 seats through word of mouth. Once again…

SOLD OUT!

Nothing on this scale for a pop concert had ever been attempted before. Elvis had performed a handful of stadium shows leading up to his army induction, but the largest had been in front of 26,000 fans at The Cotton Bowl. The Beatles had to more than double that number to fill Shea Stadium.

Dressing Room

Away from the crowd

On August 15, 1965 The Beatles landed on top of a building at the neighboring New York World’s Fair and were delivered into Shea Stadium via a Wells Fargo armored truck. The dressing room was crowed with visitors including Mick Jagger, Keith Richards and future kingpin business manager for Apple Corp and three of the four Beatles, Allen Klein.

If only Brian Epstein had known…

Their entire visit to New York, beginning Friday, August 13th through Tuesday, August 16th, was filmed for a Beatles In New York (not the title, but the idea) television special. Only backstage and concert footage was used for the final version.

Introduced by Ed Sullivan, John Lennon, Paul McCartney, George Harrison and Ringo Starr ran to a small stage set up over second base on the baseball playing field and performed ten songs in about thirty-seven minutes. Whether anyone heard them depended on where they were seated, if they were screaming – or if they were next to someone screaming. Many of the male fans thought they sounded great. Many of the female fans don’t remember.

Shea on stage

Never before in the history of popular music…

Filmed in 35mm, the quality of the concert footage is similar to blockbuster Hollywood movies of the era. For comparison, The Monterey Pop Festival and Woodstock movies were filmed in 16mm.

The resulting television special, The Beatles At Shea Stadium, was planned for holiday (Christmas) airing in December 1965. One member of the Beatles inner circle approved the version submitted by Ed Sullivan Productions, while five others didn’t. A secret recording session took place in January 1966 to correct the sound and the special wasn’t broadcast in the U.S. until a year later. By that time fans were only weeks away from the release of Penny Lane and Strawberry Fields Forever by a mustached, psychedelic-clothes-wearing, pre-Sgt. Pepper’s Lonely Hearts Club Band.

The film has been restored, color-corrected with both the overdubbed and original audio remastered for mono and stereo. It has yet to be released.

But on television that January evening in 1967 they were still the mop-topped Fab Four riding high on the release of their summer 1965 film, Help! And they played, sang, laughed and sweated during a hot New York August night in front of a SOLD OUT audience of 55,600 fans.

It was 50 years ago on August 15, 1965.

It was the birth of stadium rock.

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2015 – North Shore Publishing

 

February 9, 1964

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I was taken by complete surprise. Well, almost.

Jack Parr

Jack Parr

I had heard of The Beatles before February 9th only because my mom let me stay up late the night Jack Parr aired a brief clip during The Tonight Show on January 3, 1964. It had to be a Friday night and not a school night, but I’m not sure. And it wasn’t because we knew The Beatles were going to be on. Again, I had never even heard of them. We just enjoyed watching Jack Parr. For me it was his sense of smug humor (for lack of a better term). I always thought it was a bit risqué to watch his show because I was still a preteen and he was for adults. It reinforces my opinion that my mom was a little more with it than other parents who wouldn’t let their children stay up late to watch when Parr was host of The Tonight Show.

I also thank her and my dad for taking me to a Beatles concert. Again, I’ve heard too many stories from other young fans “under parental control” who were not allowed.

Other than Parr’s brief clip I have no memory of hearing anything else about The Beatles until February 9th. There was too much other “stuff” going on. I’ve been very clear about my recollections of this time in past Classic Rocker columns and my books The Beatles At Shea Stadium and The Beatles In Cleveland. We were still dealing with a very bleak time in our country’s history following JFK’s assassination in Dallas on November 22nd. We watched the funeral and news updates on television and heard discussions at home and in school about The Cold War and The A-Bomb. Even my neighbor had a bomb shelter and as a preteen baby boomer it was obvious things had changed very quickly.

I often describe my memories during these days as being in black and white. That probably comes from remembering and still seeing reruns of newsreels and television shows from that era being broadcast in black and white. The Beverly Hillbillies, The Dick Van Dyke Show, The Patty Duke Show. You know the ones I’m talking about, so no need to mention them all. All the shows were in black and white which undoubtedly affects my memories.

I didn’t even know anyone who owned a color television in February 1964 – not even my neighbor with the bomb shelter. But having a color television wouldn’t have made a difference. The Ed Sullivan Show was broadcast in black and white.

Ed Beatles 2

Rehearsal pre-fab

My dad, mom, little sister and I had been on a four day family vacation that started on Wednesday, February 5th. It was a driving trip to Washington, DC and we arrived home in the early evening of Sunday February 9th.  I had no plans to do anything except eat dinner and avoid doing any homework until the last minute. As we did just about every Sunday at 8 pm we all sat down in front of our only television (“The black and white one,” as John Lennon described A Hard Day’s Night at their legendary Shea Stadium concert about a year and a half later) to watch The Ed Sullivan Show.

Dad, mom and sis were on the couch. I sat on the floor with my back against the couch. I remember it as vividly as where I was when my fifth grade teacher announced to the class President Kennedy had been shot. There are a few dates you’ll always remember if you were alive at that time. These are two of the earliest for me.

It would be cool to say we watched because of The Beatles, but don’t remember it that way. We always watched Ed Sullivan. Like for many of us in the U.S. he was part of our television family on Sunday nights.

As the first performers, he announced The Beatles.

Beatles Ed Sullivan

A moment in time

For myself at that moment and for millions of others watching, our world immediately went from black and white to color. It was that dramatic. To use a comparison from my book The Beatles In Cleveland it was like the film The Wizard of Oz. Dorothy was swept away from a black and white Kansas and unexpectedly dropped in colorful Oz.

And The Ed Sullivan Show was broadcast in black and white!!

Beatles music has been listened to, analyzed, discussed, broken down, recreated, and even taught and studied in universities since. There’s no need for me to do that now. The influence is still felt over half a century later.

But it wasn’t just the music. They had an image unlike anyone else before them. You can talk about how shocking Madonna, Michael Jackson and Prince appeared twenty years later, or even more recently with Lady Gaga, Lil’ Wayne and Miley Cyrus. In February 1964 the Beatles’ “look” was shocking compared to what was considered “normal” at the time.

To put it into a baby boomer context based on our television viewing habits. No man in 1964 had hair like that except for Moe from The Three Stooges.

John Lennon MarriedInstead of letter sweaters and slacks, the Beatles wore business suits with tight pants, skinny ties and boots with pointy toes and high heels (Cuban heeled Beatle Boots). It was shocking! And I only learned their first names because they were flashed under their individual shots on the television screen. The music was lively and happy, the Beatles bounced in time and the girls screamed. Then it was over.

Well, not quite for me. Where we lived in northern Ohio, the dividing line between Eastern Standard Time and Central Standard Time in 1964 was drawn between Cleveland and Toledo. That meant we had two separate television markets airing shows an hour apart. At 8 pm EST I watched the Beatles live on The Ed Sullivan Show. An hour later at 8 pm CST I tuned into the Toledo CBS affiliate and watched it again. I did that for each of their three appearances that month.

Beatles Ed 2

Long haired rock’n roll

I was able to watch their U.S. debut on The Ed Sullivan Show twice that same night. It was also rerun later that year, but then I never saw it again until buying a bootleg videotape on 8th Street in Manhattan more than twenty years later. Now like many other fans, I own a legit DVD copy of The Ed Sullivan Show appearances and pretty much have every moment memorized.

The very next day it was also obvious things had changed.

On the Wednesday before, I had left school early for our drive to Washington, DC. There had been no mention of The Beatles in my classroom or anywhere that I can recall.

On Monday morning following The Ed Sullivan Show most of the girls in my fifth grade class had Beatles fan magazines hidden in their desks and their television debut was the main topic of conversation. The guys tried to act cool about it – or at least that’s my perception because we weren’t supposed to be attracted to them like the girls were. They were in love and lust. But I remember listening to their conversations and know some of the guys, me included, wanted to be like The Beatles. It seemed a lot more fun than kicking a ball around the playground.

I’m sure it was also within that first week one of the guys in my class came to school with a Beatles wig. I bought one myself and still have it. There were also a lot of Beatles trading cards, photos, magazines and other merchandize brought to school that would be considered valued collectors items today.

Beatles Bowing

From black & white to color

Of course, there was the music. By the Saturday following their debut on The Ed Sullivan Show I owned the LP Introducing The Beatles as a gift from my parents after listening to me beg for a week. The next Saturday (after more pleading) I had a copy of Meet The Beatles. Somewhere within that time frame I came up with the sixty cents (somewhere in that $$ neighborhood at that time) for the 45 rpm record I Want To Hold Your Hand b/w I Saw Her Standing There.

The floodgates were open and haven’t been closed since. It was February 9, 1964. It all changed that evening and nothing was ever the same again. Thank you to John, Paul, George and Ringo. It’s been a memorable journey to say the least.

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Dave Schwensen is The Classic Rocker and the author of The Beatles In Cleveland and The Beatles At Shea Stadium

Visit Dave’s author page on Amazon.com at THIS LINK.