Category Archives: Stadium Rock

#175 – Up Where We Belong


#175 – Up Where We Belong by Joe Cocker and Jennifer Warnes

 – If you were a Boomer in 1982 and involved in any type of romantic relationship, it’s almost impossible to separate this song from the movie An Officer and a Gentleman. The grand finale when Richard Gere walks into the factory wearing his Navy whites and sweeps Debra Winger off her feet is still a highlight in the drama/romance genre and the movie soundtrack played an instrumental version of this song as it was all coming down.

The film was a box office hit that summer and made it a must-see for the romantic generation. I remember lines at the theaters in New York City, where I was living at the time, and if you fit into the relationship category mentioned above, chances are you were standing in one of those lines with your significant other.

But let’s call it what it is (or was). And I don’t mean this as a put-down at all because I actually remember An Officer and a Gentleman being a good movie. But in all honestly, it fell into the category of “chick flick.”

I’m not sure if some Boomer-guy invented that sexist category, but we might as well go ahead and claim it. After all, our generation seemed to put tags on everything from hippies and straights to rock and bubble gum (music – not chewable items). It was because of our generation that movies began to be rated G, PG, R and X. The older folks had to maintain some type of restrictions over what we viewed in theaters and at drive-in movies since they had lost any control over what music we were listening to.


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Again – no disrespect intended.

I just don’t remember any of my guy-friends making An Officer and a Gentleman a “must see” movie. If there was no girlfriend or wife involved, odds heavily favored us standing in lines with our pals to see Rocky III, Fast Times at Ridgemont High or Poltergeist during the hottest months of ’82.

And now that I have that guy-thing out of the way…

Up Where We Belong is really a great song that fits the times. You didn’t even have to attend Ridgemont High to realize that. It’s a soaring, romantic uptempo duet following the trend for power ballads that teased-hair rock groups used to make it onto MTV playlists in the 1980’s. These songs would put stadium audiences into mellow, cigarette-lighter-waving moods before exploding with endings that had everyone on their feet cheering for more.


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If you need a reminder to figure out what I’m talking about, check out Home Sweet Home by Motley Crue, Faithfully by Journey or Keep On Loving You by REO Speedwagon. It was the trend.

Up Where We Belong joined this Dream Song List on August 18th. But I have no reminder to figure out why. I don’t own it and hadn’t heard it in… like… forever. In fact, I don’t think I’ve even seen the movie since standing in line with an ex-significant other in 1982. So we’ll check this one into the subliminal category.


The teaming of Joe Cocker and Jennifer Warnes seemed interesting at the time… to say the least. Warnes was new on the scene, but Joe had been a classic boomer favorite since growling through With A Little Help From My Friends at Woodstock in 1969. Though John Belushi did his best to keep the Cocker legend going with a great impersonation on Saturday Night Live – actually performing next to the real deal himself – his star had faded a bit as we got into the 1980’s. Whether Warnes was a friend or a record company-made partnership, it didn’t matter.

This little help from a more recent hit-maker put them both at the top of the music charts.

A gentleman and an officer

Unfortunately, or maybe I should say fortunately for you, this song really brings back no other memories. I don’t even remember the ex-significant other I saw the movie with. I guess it will have to stay that way until my married-significant other decides to include An Officer and a Gentleman on her Richard Gere viewing list.

Since I’ve sat through Pretty Woman with her probably more times than I’ve heard this song, I’ll go ahead and assume it won’t be too long before that happens.

But until then…

Have a comment? Please use the form below – and keep rockin’!

Here’s a video of Joe Cocker and Jennifer Warnes performing Up Where We Belong.


To purchase The Best Of Joe Cocker with Up Where We Belong visit



Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on

Copyright 2018 – North Shore Publishing


August 15, 1965 – The Beatles At Shea Stadium


– It started earlier than you might think…


Sid Bernstein

During the winter of 1963 Sid Bernstein, a New York producer and entrepreneur, decided to expand his horizons by taking a course in Political Science. The instructor said if students wanted learn about democracy they need to study Great Britain, so Bernstein trekked down to Times Square every week and bought the British newspapers.

After reading updates about the government, he turned to where his real interests were – the entertainment section. He noticed the name of a pop group called The Beatles. At first the articles were small, but each week they continued to grow in size. They also included two words about their performances that caught Bernstein’s eye:


To his producer’s way of thinking, these were the same words that described fame-predicting appearances by Frank Sinatra and Elvis Presley, two of the BIGGEST names in showbiz. Since expanding his horizons could also mean taking a chance, he located the Beatles’ manager Brian Epstein and booked the group – then unknown in the U.S. – for two shows in February 1964 at Carnegie Hall in New York.

Epstein Beatles

Brian Epstein and “The Boys”

When dealing with Epstein there were always stipulations. If The Beatles were not getting radio airplay in the U.S. by December 1963, the deal was off. It was a long wait, but as history tells us they made the deadline. I Want To Hold Your Hand broke the airwave barrier, they were scheduled for three February appearances on The Ed Sullivan Show – and Bernstein SOLD OUT both shows at Carnegie Hall.

Following the Beatles summer and fall 1964 tour of North America, Bernstein took another chance and scheduled them to appear in the brand new, state of the art Shea Stadium in Flushing, Queens. Again there were stipulations that included no advertising without a paid deposit, but Bernstein made a bold guarantee and backed it up by selling 55,600 seats through word of mouth. Once again…


Nothing on this scale for a pop concert had ever been attempted before. Elvis had performed a handful of stadium shows leading up to his army induction, but the largest had been in front of 26,000 fans at The Cotton Bowl. The Beatles had to more than double that number to fill Shea Stadium.

Dressing Room

Away from the crowd

On August 15, 1965 The Beatles landed on top of a building at the neighboring New York World’s Fair and were delivered into Shea Stadium via a Wells Fargo armored truck. The dressing room was crowed with visitors including Mick Jagger, Keith Richards and future kingpin business manager for Apple Corp and three of the four Beatles, Allen Klein.

If only Brian Epstein had known…

Their entire visit to New York, beginning Friday, August 13th through Tuesday, August 16th, was filmed for a Beatles In New York (not the title, but the idea) television special. Only backstage and concert footage was used for the final version.

Introduced by Ed Sullivan, John Lennon, Paul McCartney, George Harrison and Ringo Starr ran to a small stage set up over second base on the baseball playing field and performed ten songs in about thirty-seven minutes. Whether anyone heard them depended on where they were seated, if they were screaming – or if they were next to someone screaming. Many of the male fans thought they sounded great. Many of the female fans don’t remember.

Shea on stage

Never before in the history of popular music…

Filmed in 35mm, the quality of the concert footage is similar to blockbuster Hollywood movies of the era. For comparison, The Monterey Pop Festival and Woodstock movies were filmed in 16mm.

The resulting television special, The Beatles At Shea Stadium, was planned for holiday (Christmas) airing in December 1965. One member of the Beatles inner circle approved the version submitted by Ed Sullivan Productions, while five others didn’t. A secret recording session took place in January 1966 to correct the sound and the special wasn’t broadcast in the U.S. until a year later. By that time fans were only weeks away from the release of Penny Lane and Strawberry Fields Forever by a mustached, psychedelic-clothes-wearing, pre-Sgt. Pepper’s Lonely Hearts Club Band.

The film has been restored, color-corrected with both the overdubbed and original audio remastered for mono and stereo. It has yet to be released.

But on television that January evening in 1967 they were still the mop-topped Fab Four riding high on the release of their summer 1965 film, Help! And they played, sang, laughed and sweated during a hot New York August night in front of a SOLD OUT audience of 55,600 fans.

It was 50 years ago on August 15, 1965.

It was the birth of stadium rock.



Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on

Copyright 2015 – North Shore Publishing