Category Archives: Record Companies

#200 – I Can’t Get No Nookie

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#200 – I Can’t Get No Nookie by The Masked Marauders

masked marauders – I didn’t get completely taken in by this hoax in late 1969, but I’ll admit to being on the fence for a listen or two. It was an era of rock music exploding into different genres and groupings. Cream and Traffic had formed Blind Faith. The Byrds, Buffalo Springfield and The Hollies begat Crosby, Stills, Nash and Young. The Yardbirds had morphed into Led Zeppelin.

But the biggest supergroup of them all was The Masked Marauders. But then again, not really.

I remember “sort of” a rock and roll revival happening that fall with my buddies that were into music. The big album, of course, was Abbey Road. Paul McCartney’s song Oh Darling was a throw back to a 1950’s sound with pounding piano and raspy voice. I don’t know if that’s what triggered it, but a few of us started looking back to that decade to hear the originators.

It’s important to remember we were at the younger end of the baby boomer generation. The early rock’n rollers had been replaced by the watered down versions being fed to us in the early 1960’s. For example, we weren’t exposed to Little Richard singing Tutti Frutti. Nope. Instead we saw Pat Boone singing his tepid version on our black and white family television shows.

Lennon Jagger

Lennon and Jagger unmasked

I only knew songs like Roll Over Beethoven, Long Tall Sally and many more classics because they were covered by The Beatles. That was also true for releases by The Rolling Stones, Herman’s Hermits and other British Invasion bands. They were reworking American rock and roll hits and bringing them to my generation for “seemingly” the first time. The originals were standards for the older kids who were already teenagers when we were in preschool.

Around the time of Oh Darling and my early teenage years I wanted to know where this music came from.

I had a friend who went by his initials “BS.” He was one of the smarter guys in my high school class, but also an agitator who wasn’t afraid to use his column in the school newspaper to stir up trouble between the “jocks” and the “brains.” His initials stood not only for his first and middle name, but also the slang you might use to tell someone they’re “full of it.”

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The dates are a little out of whack, but I distinctly remember him turning me on to I Hear You Knocking by Dave Edmunds in late 1970. This was a throw back to real, three chord rock and roll from the 50’s while the Beatles, Led Zeppelin and other rock acts at the time were going for more complicated songs, sounds and arrangements. So along with those albums, including Abbey Road and Led Zeppelin I, we were digging through record bins for vinyl by Chuck Berry, Little Richard and Elvis.

But I bring up BS and sharing our rock music research because I distinctly remember him telling me about this supergroup called The Masked Marauders. I hadn’t read the Rolling Stone Magazine article that started the “buzz” but with Blind Faith and CSN&Y the hot groups at the moment, anything seemed possible.

Stones Dylan

Keef, Mick & Bob marauding about.

According to rumor, The Masked Marauders were made up of John Lennon, Paul McCartney, Bob Dylan and Mick Jagger. There were also hints that Keith Richards and Donovan were part of the lineup, but there was no way this could be confirmed. In an era many decades before the internet and social media, all we could rely on were rumors and our ears.

In late fall 1969 or early winter 1970, BS informed us he had a copy of the self-titled Masked Marauders LP and invited us to his house to listen. Three or four of us sat through both sides of the disk with individual reviews of “no… yes… well, maybe?

I’m sure BS claimed it was real, but I left highly doubtful.

I know because if I had believed this gathering of my favorite rock stars had joined forces near Canada’s Hudson Bay (on the liner notes) and recorded an entire album, I would have run out and bought a copy. I never did.

masked-marauders-news-clipping

It wasn’t long after that everyone found out The Masked Marauders was an elaborate hoax from Rolling Stone Magazine. An article satirizing the trend for “supergroups” was a little too believable for many fans of the above mentioned (supposed) members. In taking the hoax a step further, a California based group was hired – along with Dylan, Jagger and Lennon impersonators – to record the album.

The Masked Marauders LP was released by Reprise Records in November 1969. It goes down in history as the only record ever on their just-made-up Deity label.

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I compare it to Orson Wells reading War Of The Worlds over the radio on Halloween in 1938. A lot of people bought into it and caused a panic that Martians were really landing. In 1969 the same “blind faith” almost landed The Masked Marauders onto the Billboard Hot 100 Album Chart.

One of the (many) fun things about writing The Classic Rocker is not knowing where the next song is coming from. If you’ve read the concept and followed any of these ramblings, some songs are from recent memories while others have been embedded in my subconscious and somehow just came out. In this case, the song I Can’t Get No Nookie has to hold the longevity record for being buried under decades of useless information before climbing to the top of my morning music chart. It happened on April 29th and I’m more surprised than anyone to add it to the subconscious list.

I’m sure someone must have played it when we were in college. Otherwise, the last time I heard it had to be in 1969 or 1970. The mind plays strange tricks – and in this case, strange music.

Dylan Jagger

Bob, Mick and Jack

I Can’t Get No Nookie has to be a play on (I Can’t Get No) Satisfaction. On the MM LP the lead vocal is by the Mick Jagger impersonator. It’s also a catchy tune and with the word “nookie” I’m also sure as teenage guys we sang it for laughs more than a few times in high school or cruising around in cars on weekends.

There’s also another credit I can throw to this fake album.

Using the excuse mentioned above about not hearing the original rock’n rollers until after The British Invasion calmed down, I’ll embarrassingly admit The Masked Marauders introduced me to the classic Duke Of Earl. It was a track supposedly sung by Bob Dylan, but it connected with us as a new song. None of our favorite groups by 1969 had covered it and since there were no oldies stations on our radios at the time, chances were good we hadn’t heard – or remembered hearing – the original by Gene Chandler in 1962.

It made such an impression that for our high school talent show in the spring of 1970, we put together a group to perform the song. On the stage in our school auditorium we had a piano, bass, electric guitar (me) and drums. A few pals stood around one microphone singing back up (“Duke, Duke, Duke, Duke Of Earl, Duke, Duke…“) while our friend Gary did the lead vocals. Not that he was the best singer, but probably because he’s the only one that knew the words.

And before we started, we plugged in a string of Christmas lights draped over the upright piano as our “light show.” Both the lights and our song drew big applause.

david-1971

Classic Rock(er)

For the next year’s talent show we went even more retro with our rock’n roll revival adding greased hair, rolled up t-shirt sleeves, cuffed jeans and sunglasses. We called our group Peter Priest & The Rabbis (in good humor) and with two electric guitars, bass, drums and my pal Tim as lead singer, we rocked through loud versions of Blue Suede Shoes and Long Tall Sally.

We did two shows and played “by the rules” for only the first.

During the second show for the younger kids (9th and 10th grades) we decided to keep playing until we were chased off stage. Once we started some of the girls from our class ran into the auditorium and stood by the stage screaming. And after we finished our second song, we kept tearing through three-chord 1950’s rock’n roll until the teachers realized we had no intention of stopping.

The curtain was closed and as our class advisor ran on stage waving his arms for us to stop, Gary (our lead singer from the year before) opened them back up. The advisor ran off in a panic and we kept playing.

Finally he pulled the plug.

Since we were seniors graduating in less than a month and basically good kids, we didn’t get into any trouble. In fact there were more laughs than any supposed punishment over our “hoax” to keep the show going. We never went on to become an undiscovered supergroup, but like the legendary Masked Marauders we had our brief moment in the spotlight.

And it was very rock and roll.

Of course there is no video of the elusive Masked Marauders, but for your listening pleasure…

To purchase The Masked Marauders with I Can’t Get No Nookie visit Amazon.com

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2017 – North Shore Publishing

Beatles Program

#203 – Billie Jean

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#203 – Billie Jean by Michael Jackson

Michael 1One of the best things about living in New York City (and there are many) is never knowing whom you might meet next. Sometime between the months of March and May 1983 I met a very interesting guy in my Gramercy Park neighborhood. Now don’t get excited and think I’m going to drop Michael Jackson’s name, because I can’t. I never met him.

But I was forewarned that his performance of Billie Jean on the television special Motown 25: Yesterday, Today, Forever was going to be earth shattering.

The guy that told me this knew what he was talking about because he had been at the taping. In fact, he played a big role not only behind the scenes but also on camera.

I hung with a tight group of friends in Gramercy Park. I’ve always compared living in NYC to living in a small town. It’s a BIG place made up of small neighborhoods. We’d go Uptown, Downtown, Midtown and to The Boroughs for concerts, dinners, ballgames – whatever. But when it was time to go “home” we’d end up back in our neighborhood. And the main hangout was our own Cheers style bar restaurant, The Honey Tree, on the corner of 3rd Avenue and East 20th Street.

It was the type of place where everybody knew your name. And when someone new walked in and got involved in one of our conversations, arguments or just plain stupidity (“How’s it goin’ Norm?!“) it made the evenings into late nights a lot more interesting. Some of the names that dropped in were Robin Williams, Peter O’Toole, Ed O’Neill and the entire band Journey.

But those are stories I’ve already told or saving for later.

The Jacksons

The Jacksons

Since most of us were in our late-20’s and had the ripe old age of 30 directly in our sights, we were pretty set in our musical tastes. The jukebox at The Honey Tree was filled with classic oldies from the 60’s and 70’s. If you wanted to hear disco or punk, there were other neighborhood hangouts, which is another great thing about NYC.

When you’re looking for something else it can always be found.

So even though you’d have to live under a rock not to have heard of Michael Jackson, in 1983 more than a few of us would rather listen to his old songs with The Jackson 5. We really weren’t looking for something else. These were the big Motown hits, I Want You Back, The Love You Save and I’ll Be There. My girlfriend (at the time) and I would be up and dancing whenever one of these songs was placed on the jukebox turntable.

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Of course The Jackson 5 was only one of the many artists that put Motown on the music map forever. Boomers grew up listening to The Temptations, The Four Tops, The Supremes, Stevie Wonder and the other amazing artists that made up the Detroit sound. And it was a big deal when it was announced the television special celebrating 25 years of the record label would air on May 16th.

Lester Wilson

Lester Wilson

One night during the months mentioned above, a guy walked in and before too long he was in the middle of one of our conversations. Or it might have been stupidity… But that doesn’t matter. He seemed funny and had a lot of personality, so he fit right in. His name was Lester Wilson and when we asked what he did, he said he was a dancer.

We didn’t know any professional dancers, so we started with the questions. He told us he was also a choreographer, had worked on Broadway and in films, and had just finished working on Motown 25. Since I’m working off memory, I can’t remember why he was in NYC at this time – but after checking out his bio online it had to be something good. I’ll also guess he was staying at The Gramercy Hotel which is why he was a regular part of our Cheers crowd for the next few months.

Lester told us about Michael Jackson’s Billie Jean performance. I can’t remember the adjectives, but mind-blowing would be a good description. He kept saying we’re not going to believe it when we see it. So on May 16th we watched.

jjkrcyOkay, we all know the legend. Michael reunited with his brothers to sing our favorite Jackson 5 hits. When they finished the brothers left the stage and Michael pulled out the sequined glove, the fedora and moonwalked into music history.

But what was especially cool for us was seeing our new pal Lester dancing center stage during the show’s gala opening number. If you want to check it out, below is a link for the entire show. You only need to watch the first four minutes – he’s the guy in the red sweater with the long hair. The group is also billed as The Lester Wilson Dancers.

Motown 25: Yesterday, Today, Forever.

Since The Classic Rocker is all about memories I can’t simply focus on Motown 25 or Lester when I hear Billie Jean. Whether you like Michael Jackson or not this was his moment – similar to The Beatles debut on The Ed Sullivan Show. He already had a successful solo career, but this put him in the stratosphere of pop music. Elvis was the 50’s, The Beatles were the 60’s and Michael was the 80’s. The other decades have their own musical personas, for example the 70’s went from hippies to heavy metal to punk to disco. The 90’s were grunge, hip-hop and rap. But those periods never had a single artist that overwhelmingly dominated and influenced our popular culture as these three.

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Billie Jean dominated my Classic Rocker mind on the morning of April 26th. At the time I didn’t own a copy, but that’s changed since and now it’s on my digital playlist joining my Motown and Jackson 5 favorites. But because I hadn’t heard it for a long time until that waking moment, it’s on my subliminal music chart.

Temptations and 4 Tops

The Temptations and 4 Tops

Lester Wilson was a very interesting guy. I can’t remember how long he was part of our neighborhood scene, but that’s another thing about living in NYC. People come and go (including me) and when you’re part of it, life is rarely boring.

Since I’ve always been a huge Motown fan I remember going with my girlfriend (at the time) to see The Temptations and The Four Tops on Broadway. It was at least a year later because the show opened with Levi Stubbs (lead singer for The Tops) singing Marvin Gaye’s hit What’s Going On to open the show. Gaye had been murdered by his father on April 1, 1984 and this was soon after. The curtain was closed and just a single spotlight was aimed at the stage. There wasn’t a dry eye in the house when Stubbs finished, but within moments everyone was on their feet dancing along to one of the best concerts I was ever fortunate enough to attend.

Afterwards we went to our neighborhood Cheers for a nightcap and Lester was at the bar. We raved about the show and I remember saying he should have warned me Levi Stubbs had grown a beard. I wasn’t used to seeing him that way from photos. Yes, that’s a small detail – but one I remember from our conversation, which also helps put all these years in some type of order.

I did an online search for Lester Wilson and learned he was much bigger than he had let on during this time. Not only did he choreograph Motown 25 and Broadway musicals, but also the movies Saturday Night Fever (coached John Travolta), The Wiz, Funny Lady, Sister Act and others. But I’m sad to learn he passed away only ten years after we met in 1993 at the youthful age of 50.

As I mentioned above, you never know whom you might meet next in NYC. I may not have met Michael Jackson, but I had been warned the music scene was on the verge of changing by a guy who had.

Here’s a video of Michael’s performance of Billie Jean on Motown 25: Yesterday, Today, Forever.

To purchase The Essential Michael Jackson with Billie Jean visit Amazon.com

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2017 – North Shore Publishing

#204 – I Got You Babe

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#204 – I Got You Babe by Sonny & Cher

– It was all about the look when this duo hit the pop scene in 1965. Yes, they had a very catchy number one pop song with I Got You Babe, but the look was a publicist dream and what landed them not only on the covers of teen magazines, but also featured in mainstream newspapers and magazines.

Their attention grabbing look – or in showbiz terms, hook – happened because no one else looked like Sonny and Cher.

In this era of The British Invasion, if someone wasn’t tuned-in to the pop music scene (think older generation or too young to really know or care), it was easy to confuse one group with another. The look for most of the British groups included mop top hair, matching suits, Beatle boots and guitars.

I’m pretty sure even my dad, who was cool enough to take me to a Beatles concert in 1966, had a hard time figuring out what group I was watching on The Ed Sullivan Show, Shindig or Hullabaloo. It could the The Hollies, Herman’s Hermits or The Animals. Was that Peter and Gordon or Chad and Jeremy? A lot of adults weren’t exactly sure.

If you lived through it – you know what I’m talking about.

Borscht Belt comics (think Jackie Mason, Milton Berle and Jack E. Leonard) and television hosts (think Dean Martin introducing The Rolling Stones on The Hollywood Palace TV show) made jokes about all of the pop stars looking alike. They couldn’t tell one group from another and they all made the same “noise.”

Then they got a look at Sonny & Cher.

sonny-and-cher

They got the look!

I’ll go ahead and call them the first hippies, even though the term (derived from being hip or hep in the 1940’s) hadn’t even been used to define the counterculture when I Got You Babe was topping the music charts in August 1965. Sonny’s hair was shaggier than even The Stones or The Kinks (noted for being shaggier than the combed and blown-dried Beatles) and Cher fit the Carnaby Street look with bangs to her eyes and straight hair over her shoulders. But the look went way beyond that.

The first time I remember seeing bellbottoms, other than my dad’s Navy uniform or in WW2 movies, was either in a photo or television appearance by Sonny & Cher. There were no suits or “party dresses” that talent managers convinced their acts to wear to attract a larger audience (think Brian Epstein getting The Beatles out of their leather gear). They wore fuzzy sheep wool vests, striped pullover shirts, silky bellbottoms, wide belts and whatever other accessories you might find wandering around thrift shops and beach shacks in Southern California.

Their outfits were certainly nothing we would ever find in a department store in the Midwest.

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The Beatles At Shea Stadium

The story behind their greatest concert and making the TV special

20% OFF Retail Price with FREE Shipping (Continental U.S. Only)

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For comics their names became the punch lines. For adults they could finally pick out Sonny & Cher from the other acts. And for boomers, they signaled a new trend. Within two years the newly-named hippies took S&C’s look and added on.

I Got You Babe had the necessary music and lyric hooks to compete with The British Invasion and the oncoming American groups like The Lovin’ Spoonful and The Byrds. The song was constantly on the radio during the late summer of 1965 and impossible to ignore. And once it was in your head, it stayed there for awhile, which is how it landed on this Dream Song List on April 21st. I hadn’t heard it in a long time so it’s one of the subliminal tunes and has made a lasting impression.

It also has a lasting memory…

For a week in August 1965 my 14-year old cousin Johnny and I “camped out” in a large tent my dad’s cousin had set up for us in the backyard of his house in Sandusky, Ohio. I’ve been fortunate because most of my relatives are “colorful” people. That’s a term of endearment for me. I’ve always enjoyed being around people who are different, adventurous, opinionated, and in some ways a bit “crazy.” It seems my family has handed down those traits through generations, which makes reminiscing or eventually confessing to past discretions just as funny as a night in a comedy club.

Sign here please!

Sign here please!

I was only 12 years old and Cousins Carl and wife Melba were older than my parents – and at the top of my list when it came to “colorful.” I can’t remember ever being bored or not laughing when they were around. Their daughter and my cousin Mimi was a Rockette at Radio City Music Hall in New York, which always added more “colors” to our get-togethers. If you’ve read my book The Beatles At Shea Stadium, Mimi had dinner with The Beatles the night before the concert in The Rainbow Room at the top of 30 Rockefeller Center.

We were at their house in Sandusky when she told me the story and gave me Ringo’s autograph on the back of a Rockette rehearsal schedule.

Carl had set up a huge canvas tent in their backyard. I noted it as “camping out” earlier because it was nothing like that in reality. Yeah, Johnny and I slept in sleeping bags on army cots, but we had electricity through an extension cord plugged into the house and full use of the kitchen, bathroom, record player and television. There was no “roughing it” when we “camped out.”

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Since I don’t have an older brother, John (we’ll drop the “ny” for now since we’re both a few decades older) was given that position in my mind. Our families are close and I can’t remember a Christmas night we didn’t spend together while growing up. And since we only lived a couple miles from each other (and still do) we shared many adventures. One includes the Beatles concert mentioned earlier.

John taught me the fine art of being an “all-nighter.” We’d have sleepovers at each other’s houses, which included mini “vacations” each summer. At those events bedtime was nonexistent. Parents would go to sleep and we’d sit up playing board games and watching old black and white movies until the channels signed off. There was no such thing as 24-hour television in the mid-60’s and it took years of mental reprogramming to not think The National Anthem ended with an electronic signal and TV test pattern.

To understand what I’m talking about, here’s a video of a channel sign-off from the 60’s.

In the summer these all-nighters would be outdoor adventures. Either walking or riding our bikes we could be cruising through our hometown anytime between midnight and dawn. In the 1960’s it was safe and that’s undoubtedly why I still find the nighttime much more interesting and exciting. I’ve never reprogrammed from that mental state and there’s a good chance it will be closer to sun-up than sundown when I post these ramblings.

1964_blue_streak

Cedar Point postcard

But we didn’t limit ourselves to nocturnal travels. One great adventure included taking a ferry from downtown Sandusky to the world famous “roller coast” of Cedar Point Amusement park. We stayed until closing and while taking the last ferry back we were caught in the middle of a loud and wild, Lake Erie wind-blown thunderstorm. I still remember the lightening and heavy rain as the large boat rocked through the waves. But we didn’t see it as any big deal since we grew up on the lake and after walking the couple miles through the damp darkness to Carl’s tent we spent a few more hours playing Monopoly under electric candlelight and listening to AM Top 40 radio.

And speaking of Cedar Point, the next year John and I finagled our way into a Dick Clark television special and rode go-carts with Chad and Jeremy for a couple hours.

But since that duo doesn’t finagle their way onto this Dream Song List until later, I’ll save the story for now.

During one of our daylight treks we walked a few miles to a shopping center where I bought the LP The Early Beatles on Capitol Records. It was the same as Introducing The Beatles on VeeJay Records, which I’d had since February 1964. But as a dedicated fan I needed this version for my collection.

sonny and cher fur

I got fur babe!

I also picked up I Got You Babe. The look may have caught my attention at first, but the catchy tune got my money. And since I’d had every song on the “latest” Beatles album memorized for a year and a half (Capitol Records also had a way of getting our money), it was good to have something actually new.

“They say we’re young and we don’t know…”

That first lyric by Sonny Bono says a lot to the Baby Boomer Generation. But my best memory is that we were still very young when I Got You Babe came out – and were in the process of learning. It brings back the first real feelings of freedom and independence that continued to grow during our teenage years. Sonny & Cher never made an impact on our generation like The Beatles and The Stones, but at this moment in 1965 they had the look and the sound of being different. And that’s a big part of how many of us remember the 1960’s.

Here’s a video of Sonny & Cher performing I Got You Babe from 1965…

 

 

To purchase The Best of Sonny & Cher with I Got You Babe visit Amazon.com

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2017 – North Shore Publishing

#206 – She Loves You

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#206 – She Loves You by The Beatles

She Loves You – This was the drum roll into the 1960’s as many of us prefer to remember the decade. Yeah (yeah yeah), the “official” turn of the clock from the 50’s was four years earlier for U.S. baby boomers, but play any of us the opening of She Loves You and the reaction is similar to the first time we ever saw a color television.

Our senses took a direct hit and we were launched into the Swingin’ 60’s.

Okay, for a lot of us in early 1964 the only swingin’ we did was on a grade school playground, but it was obvious our world was changing. Only three months before (the length of summer vacation from school) JFK was in The White House and clean-cut pop crooners dominated the music charts. Folk music was considered edgy and the older generation(s) still made the rules.

Then it all changed. I set the date for this new wave at February 9, 1964.

My first notice of The Beatles was on Friday, January 3rd when Jack Parr showed a short film clip focused mainly on the group’s apparently out-of-control screaming audiences. At the beginning you can barely hear the song From Me To You. Then it switches to shots of The Beatles in collarless jackets performing She Loves You. This was after Parr’s tenure as host of The Tonight Show. Johnny Carson had taken over late nights in 1962 and The Jack Parr Program aired in primetime on NBC for one hour every Friday.

For many of us it was our first exposure to the now famous lyrics, “Yeah, yeah, yeah.”

That’s important to note because it became a hook for The Beatles early fame in the U.S. From my memory it was pretty common for the older reporters to throw in a “Yeah, yeah, yeah” somewhere in their headlines or articles referring to what “the kids of today” liked or the simplicity of pop music when compared to the older standards.

There was even a report from the British theater world about how the Beatles’ music and influence was infiltrating the upper society in a not-so-sophisticated way. When the 1963 Broadway musical She Loves Me debuted at The West End Theater in London, one of the characters says to another, “She Loves You.” And of course someone in the audience had to finish the obvious by calling out, “Yeah, yeah, yeah.”

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The Beatles At Shea Stadium

The story behind their greatest concert and making the TV special

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Signed by the author and only through the website – BeatlesSheaStadium.com

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Since the two song snippets aired by Jack Parr were not enough to really grasp onto, most of us didn’t experience the full force of Beatlemania until Ed Sullivan introduced them on February 9th. The first complete song I heard by The Fab Four was All My Loving. Reviewing their performance from that Sunday evening, it’s no wonder we were knocked into another dimension of pre-(or-full-on) teenager. Every song including their rendition of the Broadway showstopper ‘Til There Was You is considered a Beatles classic.

And with She Loves You we were hooked by three shaggy heads singing, “Yeah, yeah, yeah.”

Hold Your HandI still find it strange this wasn’t the song that broke them in America. That didn’t happen until their next single, I Want To Hold Your Hand started getting U.S. radio play in December 1963. Capitol Records, the Beatles’ U.S. record company, refused to even release She Loves You – at first. The 45 rpm vinyl came out on Swan Records and did absolutely nothing until Beatlemania hit about six months later. Then it followed I Want To Hold Your Hand as the No. 1 song in March 1964.

Capitol wised-up that the group was making money for a rival label and very quickly took ownership from Swan and included the hit song on The Beatles Second Album released in April.

I’m sure The Beatles, their manager Brian Epstein and also movie director Richard Lester understood that “Yeah, yeah, yeah” was an important element in the group’s carefree image portrayed in the film A Hard Day’s Night. Though She Loves You would have already been considered an “oldie” (recorded in July 1963) when the Beatles’ first film was released in the summer of 1964, it was still included with their latest songs in the final concert sequence. I Want To Hold Your Hand wasn’t.

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Painesville, Ohio – Monday, December 19, 2016.

1966 Poster

The Classic Rocker will present The Beatles In Cleveland at Morley Library. Doors open at 6:30 pm with a display of Beatles memorabilia and FAB music. Program begins at 7 pm. Admission is FREE but seating is limited. Reservations are suggested by calling 440-352-3383. Includes rare films of the riotous concerts at Public Hall and Cleveland Stadium and never-before published photos. Books will be available at a special library discount following the program (think holiday shopping!). Morley Library is located at 184 Phelps Street, Painesville, OH 44077. Hope to see you there!

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Now putting my personal memory to use…

Following their February 9th debut on The Ed Sullivan Show, kids I knew had to have a copy of I Want To Hold Your Hand. I don’t remember how I got to my local record store since February in northern Ohio has always been too cold for a bike ride, but somehow I scored a copy of the 45 rpm (backed with I Saw Her Standing There) that week. But I really wanted an album.

That Saturday night my parents went on a “date night” shopping trip and surprised me with the LP Introducing The Beatles. Yeah (yeah, yeah) I had cool parents. But I really wanted the album showing their faces in half shadow and with shaggier hair. A week later I tagged along on their “date night” (three’s a crowd?) and came home with Meet The Beatles.

But none of these included She Loves You (no, no, no!). Once again, since I was only ten years old and my bike was not going to see the light of day until after the first thaw of spring, I had to rely on frequent Top 40 AM radio play to hear the song. Eventually within a couple weeks I ended up in a department store record section with a copy of She Loves You.

swanIt was on the smaller Swan label – and yes I still have it.

The song earned a spot on the Dream Song List on April 16th. Of course I own numerous copies, but it hadn’t been on my digital playlist for awhile, so it goes down as a subliminal memory. But with a hook as powerful as “Yeah, yeah, yeah” I’m sure it’s also been subliminally stuck in many other baby boomer’s minds for over half a century.

The song’s brief opening drum riff immediately transports us back to this era. It’s as important to the Beatles unique soundtrack as the count “1, 2, 3, FOUR!” in I Saw Her Standing There and the opening chord of A Hard Day’s Night. The song could have just opened with John, Paul and George singing “She Loves You, yeah, yeah, yeah” but it wouldn’t have been the same. The powerful impact of the drums sets the frantic tone that follows.

RingoThis credit goes to Ringo Starr. A number of years ago some music novices tried to downplay his importance and even suggested he wasn’t a great drummer. I’m pretty sure these knucklehead critics were either shouted down or embarrassed into obscurity. Their preferred heavy-fisted drum pounders or light-touching jazz percussionists could never have had the same impact. Ringo’s playing enhanced the vocalists and kicked in a beat that set the song’s pace without overwhelming what followed.

In my book that makes Ringo one of the best rock and roll drummers of all time. Case closed.

In 2009 it was announced She Loves You was the Beatles’ all time, top-selling single in England. That’s more than Hey Jude, I Want To Hold Your Hand and all the others. I’m sure it had to do with the hook. “Yeah, yeah, yeah” is tough to forget – even more than a half century later.

And here they are – in the glorious early days of technicolor – The Beatles singing She Loves You (yeah, yeah, yeah)!

To purchase The Beatles 1+ with She Loves You and every “must have” song visit Amazon.com

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2016 – North Shore Publishing

 

#209 – Hey Jude

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#209 – Hey Jude by The Beatles

heyjude2 – It’s easy to look back at an event and think, “Yeah, that’s when that happened.” Time gives you a historical perspective or as the old saying goes, “Hindsight is 20/20.” To go even further with this thought and put it into Classic Rocker terms, I’ll borrow a 1972 a song title and lyric from Johnny Nash:

I Can See Clearly Now.

There have been countless books written about the Beatles and like most dedicated fans, I’ve read many of them. With the passage of time, more often than not researchers and historians who are not first generation fans write the latest books. There’s nothing wrong with that. It’s similar to new books about George Washington or Abraham Lincoln. No one writing these books was alive when these presidents were changing the world, but that doesn’t mean the authors are not experts on their subjects. They just have to look at their subject’s life from a historical point of view.

In other words, researching and writing on what has already happened. They have the benefit of clear hindsight and already know how each story ends.

But people living through these important moments don’t know – at the time – how important they might be in the long run. For example, no one including Sam Phillips had any idea how earth shattering the results would be when Elvis Presley first walked into the Sun Recording Studio in Memphis.

John and Paul AppleThe same can be said when the Beatles released Hey Jude. When we first heard it in August 1968 there was nothing on the radar – or even a hint – that we were entering the final phase of their earth-shattering career as a group. It was tuneful, uplifting and joyful. It was the first release on their newly formed Apple Records and would eventually become the Beatles’ all-time biggest selling single.

But looking back clearly with historic hindsight, it’s obvious something was different. First generation fans just didn’t know it at the time.

The Beatles had always been seen as a group. Again with hindsight we can see that wasn’t always exactly the case. For instance, when they performed live the 1963 album track All My Loving, Paul McCartney and George Harrison harmonized on the final verse. This is how it was presented to U.S. fans as the first song during their debut on The Ed Sullivan Show in February 1964. But read the back cover notes on Meet The Beatles (UK title: With The Beatles) and you’ll see Paul double tracked both vocals in the recording studio. Even during their years as a touring band Paul recorded as a “solo artist” on Yesterday, Eleanor Rigby and For No One. Beatles historians know this is also true with various songs by John Lennon and George, with the remaining three primarily serving as a backup band.

But to us they were still a group and everything we looked forward to in 1968 would still be a group effort. Hey Jude didn’t change that perspective, but the demise was on the radar and the final phase was in progress.

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The Beatles At Shea Stadium – Restored and Remastered

Read the story behind their greatest concert and making the TV special!

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Following the Revolver album and final tour ending in August 1966, it was almost like they hung a Closed sign on the Beatles shop. After expecting at least two albums a year (more in the U.S. thanks to giving us less songs per LP) and a hit single every couple months, things went silent. The Monkees took over the Fab Four reign for younger teens and the rest of us had to wait until February 1967 for Penny Lane and Strawberry Fields Forever. And it’s no strain of the imagination to say these songs signaled a new psychedelic phase that included Sgt. Pepper and Magical Mystery Tour.

All the backward tape loops, studio effects and trippy lyrical images came to an almost immediate halt just over a year later in March 1968 with Lady Madonna. The song could be considered the group’s original Get Back – since it went back to a basic rock and roll feeling. I say almost because the flip side was the Eastern sitar raga rock track The Inner Light, which was George’s turn as a “solo artist.”

Then they seemed to close up shop again.

maharishi-mahesh-yogiExcept this time they should have hung up a sign saying “On Vacation” since they ditched their world-shattering ways and headed for India to meditate with their guru, Maharishi Mahesh Yogi.

In my opinion (and I’ll never say humble opinion because The Classic Rocker doesn’t have one) something happened. It wasn’t earth shattering enough to make the world news. In fact, if you’ve read enough books on the topic it basically seems like India was a laid-back (boring?) time of reenergizing by the most famous frazzled foursome of their era. But they definitely changed. I believe India is where the cracks that eventually caused the final split started. Each member vacationed into his own mind and spirit and stopped being the shared four-headed monster as Mick Jagger described them during his Rock and Roll Hall of Fame induction speech.

They wrote enough songs to fill the upcoming double album The Beatles (renamed The White Album by first generation fans) but when they returned to the recording studio and the public eye they weren’t the Beatles of All My Loving, Sgt. Pepper or even Lady Madonna. The dynamics had changed. Hey Jude was by Paul McCartney and the Beatles while the flip side, Revolution, could be credited to John Lennon and the Beatles.

And it would continue this way until The End (final song on Abbey Road). And by the way – I told you I’m not humble in my opinions. We didn’t know it at the time, but hindsight makes it all very clear.

Hey Jude joined the Dream Song List on March 20th. From my opinionated dissertation above you already know I own more than a few copies including my original vinyl 45 rpm. And though it’s hard to believe because the song is still the flag-waving “hey remember us!” standard everyday reminder of the Beatles earth-shattering and world-dominating career and is a constant on every respectable classic rock radio playlist – I hadn’t heard it in awhile. So surprisingly, it goes into the subliminal chart listing.

Wait – a Beatles fan that hadn’t heard Hey Jude in awhile? Please don’t go for a non-humble bad opinion of me. But I’ll have to admit if there is one Beatles song that could ever possibly be overplayed, this is it. Of course now that I’ve written these ramblings while listening to Hey Jude it turns out I can’t hear it enough. It’s currently set for an unlimited run on my digital playlist.

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August 1968 was the first new music we had from the Beatles in at least five months. It was only one month less than the length of time we waited between Revolver and Penny Lane. In hindsight it seems like a blink of an eye. But when you lived through it their absence made us feel they were on a permanent vacation and the shop was closed for good. Fortunately we still had a couple years left but in hindsight the writing was on the wall.

My first memory of Hey Jude was on a Friday evening at the beginning of my sophomore year in high school. Summer vacation was history and I was psyched and nervous for my first show as a member of the school marching band. Since I was still almost a year away from being old enough to drive, I was hanging around in my uniform waiting for one of my buddies to pick me up when this instant classic came on the radio. If he was outside in his car waiting I didn’t notice. There was no way I was leaving until the final “Na-na-na’s” had faded out.

Hey Jude CameraBut (another) wait – The Classic Rocker wasn’t a jock in school? Don’t make quick opinionated judgments. I had more fun playing music, even though I could run faster and jump higher than maybe one or two guys I went to school with. I proved that on the basketball and track teams through junior high and into high school. But when it became all too apparent I had zero interest in touching a basketball when there was a guitar or trumpet nearby and found running around a track as boring as listening to a radio station that didn’t play the Beatles, the jock stuff went on vacation and eventually closed down.

The decision wasn’t difficult to make, especially when an idiotic (told you I was opinionated) gym teacher (slash) basketball coach told me my (perhaps an inch long?) hair made me look like a girl. It didn’t because in those days there were still school dress codes for boys that included hair off our ears and collars. But wanting me to emulate his outdated crew cut style was a challenge worthy enough to be called a boomer generation dividing line.

And besides, like many musicians before and after, I found it was a lot more fun riding in the bus to sporting events and sitting in the stands with a bunch of girls rather than with a bunch of sweaty jocks. It didn’t take hindsight to know that at the time – and I don’t see it any clearer now than I did in 1968. And to prove that in historical proportion, years later I married one of the marching band majorettes from my high school – so score another one for the music department.

We can also score a HUGE classic rock hit for The Beatles with Hey Jude. Since they had stopped touring two years earlier, here’s the closest any of us ever got to seeing the group perform the song live. Because the musicians union in England prevented musicians from lip-syncing their songs on television, the instrumental backing is pre-recorded, while the microphones are live. Listen carefully and you can hear Paul’s recorded voice under his live vocals. The clip includes a fab introduction by TV host David Frost and an even “fabier” musical intro by the lads themselves.

 

 

To purchase The Beatles 1 with all their No. 1 songs including Hey Jude visit Amazon.com

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2016 – North Shore Publishing