Category Archives: Radio

#200 – I Can’t Get No Nookie

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#200 – I Can’t Get No Nookie by The Masked Marauders

masked marauders – I didn’t get completely taken in by this hoax in late 1969, but I’ll admit to being on the fence for a listen or two. It was an era of rock music exploding into different genres and groupings. Cream and Traffic had formed Blind Faith. The Byrds, Buffalo Springfield and The Hollies begat Crosby, Stills, Nash and Young. The Yardbirds had morphed into Led Zeppelin.

But the biggest supergroup of them all was The Masked Marauders. But then again, not really.

I remember “sort of” a rock and roll revival happening that fall with my buddies that were into music. The big album, of course, was Abbey Road. Paul McCartney’s song Oh Darling was a throw back to a 1950’s sound with pounding piano and raspy voice. I don’t know if that’s what triggered it, but a few of us started looking back to that decade to hear the originators.

It’s important to remember we were at the younger end of the baby boomer generation. The early rock’n rollers had been replaced by the watered down versions being fed to us in the early 1960’s. For example, we weren’t exposed to Little Richard singing Tutti Frutti. Nope. Instead we saw Pat Boone singing his tepid version on our black and white family television shows.

Lennon Jagger

Lennon and Jagger unmasked

I only knew songs like Roll Over Beethoven, Long Tall Sally and many more classics because they were covered by The Beatles. That was also true for releases by The Rolling Stones, Herman’s Hermits and other British Invasion bands. They were reworking American rock and roll hits and bringing them to my generation for “seemingly” the first time. The originals were standards for the older kids who were already teenagers when we were in preschool.

Around the time of Oh Darling and my early teenage years I wanted to know where this music came from.

I had a friend who went by his initials “BS.” He was one of the smarter guys in my high school class, but also an agitator who wasn’t afraid to use his column in the school newspaper to stir up trouble between the “jocks” and the “brains.” His initials stood not only for his first and middle name, but also the slang you might use to tell someone they’re “full of it.”

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The dates are a little out of whack, but I distinctly remember him turning me on to I Hear You Knocking by Dave Edmunds in late 1970. This was a throw back to real, three chord rock and roll from the 50’s while the Beatles, Led Zeppelin and other rock acts at the time were going for more complicated songs, sounds and arrangements. So along with those albums, including Abbey Road and Led Zeppelin I, we were digging through record bins for vinyl by Chuck Berry, Little Richard and Elvis.

But I bring up BS and sharing our rock music research because I distinctly remember him telling me about this supergroup called The Masked Marauders. I hadn’t read the Rolling Stone Magazine article that started the “buzz” but with Blind Faith and CSN&Y the hot groups at the moment, anything seemed possible.

Stones Dylan

Keef, Mick & Bob marauding about.

According to rumor, The Masked Marauders were made up of John Lennon, Paul McCartney, Bob Dylan and Mick Jagger. There were also hints that Keith Richards and Donovan were part of the lineup, but there was no way this could be confirmed. In an era many decades before the internet and social media, all we could rely on were rumors and our ears.

In late fall 1969 or early winter 1970, BS informed us he had a copy of the self-titled Masked Marauders LP and invited us to his house to listen. Three or four of us sat through both sides of the disk with individual reviews of “no… yes… well, maybe?

I’m sure BS claimed it was real, but I left highly doubtful.

I know because if I had believed this gathering of my favorite rock stars had joined forces near Canada’s Hudson Bay (on the liner notes) and recorded an entire album, I would have run out and bought a copy. I never did.

masked-marauders-news-clipping

It wasn’t long after that everyone found out The Masked Marauders was an elaborate hoax from Rolling Stone Magazine. An article satirizing the trend for “supergroups” was a little too believable for many fans of the above mentioned (supposed) members. In taking the hoax a step further, a California based group was hired – along with Dylan, Jagger and Lennon impersonators – to record the album.

The Masked Marauders LP was released by Reprise Records in November 1969. It goes down in history as the only record ever on their just-made-up Deity label.

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I compare it to Orson Wells reading War Of The Worlds over the radio on Halloween in 1938. A lot of people bought into it and caused a panic that Martians were really landing. In 1969 the same “blind faith” almost landed The Masked Marauders onto the Billboard Hot 100 Album Chart.

One of the (many) fun things about writing The Classic Rocker is not knowing where the next song is coming from. If you’ve read the concept and followed any of these ramblings, some songs are from recent memories while others have been embedded in my subconscious and somehow just came out. In this case, the song I Can’t Get No Nookie has to hold the longevity record for being buried under decades of useless information before climbing to the top of my morning music chart. It happened on April 29th and I’m more surprised than anyone to add it to the subconscious list.

I’m sure someone must have played it when we were in college. Otherwise, the last time I heard it had to be in 1969 or 1970. The mind plays strange tricks – and in this case, strange music.

Dylan Jagger

Bob, Mick and Jack

I Can’t Get No Nookie has to be a play on (I Can’t Get No) Satisfaction. On the MM LP the lead vocal is by the Mick Jagger impersonator. It’s also a catchy tune and with the word “nookie” I’m also sure as teenage guys we sang it for laughs more than a few times in high school or cruising around in cars on weekends.

There’s also another credit I can throw to this fake album.

Using the excuse mentioned above about not hearing the original rock’n rollers until after The British Invasion calmed down, I’ll embarrassingly admit The Masked Marauders introduced me to the classic Duke Of Earl. It was a track supposedly sung by Bob Dylan, but it connected with us as a new song. None of our favorite groups by 1969 had covered it and since there were no oldies stations on our radios at the time, chances were good we hadn’t heard – or remembered hearing – the original by Gene Chandler in 1962.

It made such an impression that for our high school talent show in the spring of 1970, we put together a group to perform the song. On the stage in our school auditorium we had a piano, bass, electric guitar (me) and drums. A few pals stood around one microphone singing back up (“Duke, Duke, Duke, Duke Of Earl, Duke, Duke…“) while our friend Gary did the lead vocals. Not that he was the best singer, but probably because he’s the only one that knew the words.

And before we started, we plugged in a string of Christmas lights draped over the upright piano as our “light show.” Both the lights and our song drew big applause.

david-1971

Classic Rock(er)

For the next year’s talent show we went even more retro with our rock’n roll revival adding greased hair, rolled up t-shirt sleeves, cuffed jeans and sunglasses. We called our group Peter Priest & The Rabbis (in good humor) and with two electric guitars, bass, drums and my pal Tim as lead singer, we rocked through loud versions of Blue Suede Shoes and Long Tall Sally.

We did two shows and played “by the rules” for only the first.

During the second show for the younger kids (9th and 10th grades) we decided to keep playing until we were chased off stage. Once we started some of the girls from our class ran into the auditorium and stood by the stage screaming. And after we finished our second song, we kept tearing through three-chord 1950’s rock’n roll until the teachers realized we had no intention of stopping.

The curtain was closed and as our class advisor ran on stage waving his arms for us to stop, Gary (our lead singer from the year before) opened them back up. The advisor ran off in a panic and we kept playing.

Finally he pulled the plug.

Since we were seniors graduating in less than a month and basically good kids, we didn’t get into any trouble. In fact there were more laughs than any supposed punishment over our “hoax” to keep the show going. We never went on to become an undiscovered supergroup, but like the legendary Masked Marauders we had our brief moment in the spotlight.

And it was very rock and roll.

Of course there is no video of the elusive Masked Marauders, but for your listening pleasure…

To purchase The Masked Marauders with I Can’t Get No Nookie visit Amazon.com

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2017 – North Shore Publishing

Beatles Program

#202 – Hold Me Now

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#202 – Hold Me Now by Thompson Twins

Thompson Twins – We were definitely into the MTV era when this song was riding high on the video charts during the winter into spring 1984. That’s when the network’s initials really meant what it provided: Music Television. And for that reason, Hold Me Now seems more of a fashion statement to me than just a catchy tune. It also stirs thoughts of a reality statement that carries a deeper message.

Let me explain that better…

MTV ran 24/7 and during the early years it was the same format as AM Radio. VeeJays played music videos, instead of spinning disks. And for the artists to make a splash – an impact – the visuals became just as important as the music.

But in reality, it’s always been that way with pop music – and real life.

Elvis’ greasy hair, sideburns and gyrations were visual magnets to teenagers and a nightmare for their parents. The same could be said about The Beatles’ mop tops and high heeled, pointy-toed boots. Along with the music, their appearances made enough of a splash to be the topics of news reports, comedian punch lines and an older generation’s scorn.

Thompson 2

A different look

Much of what made them different was how they looked.

Part of being an artist is having a recognizable image and as pop progressed into rock it seemed the coming generation has always tried to outdo its predecessor. Jimi Hendrix, Alice Cooper, The Ramones… Okay, those are only a few off the top of my head, but you know what I mean. Mention any of them and chances are good you’ll also have a strong mental visual image because they looked different.

So by the time MTV was pushing both visuals AND music into our lives 24/7 the artists that wanted to make a splash had to go all out. For your own visual think of the two biggest pop stars at that time – Michael Jackson and Madonna. Their songs alone were good enough to be hits on the radio, but add their unique images and the combination is a reason why both are still considered icons today. Mention Michael’s sequined glove or Madonna’s wedding veil and you’ll immediately “picture” the songs (Billie Jean and Like A Virgin).

You might also remember a portion of society did not like them because of how they looked.

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Hold Me Now had the same visual effect in 1984. (The) Thompson Twins were noticeable to a lot of us at first because there were actually three members instead of (two) twins. Funny. Also MTV threw this song into heavy rotation so it seemed whenever we actually looked at the television screen rather than treating it as background music, we would catch the video. And from my memory, it was part of the Big Hair Era the 80’s is still famous for.

Some liked the look – some didn’t and still don’t.

My NYC cohorts (as part of the boomer generation) were past the age of trying to shock the older generation with our looks. And I don’t remember being a big fan of 80’s music or fashion while it was happening. It all seemed more comical to me than cool. But I’m totally into creative artists expressing themselves through whatever medium they choose to work in. And during this segment of the 80’s it seemed like pop musicians were more concerned with grabbing attention visually rather than with music.

The Midnight Runners with Dexy

Looking different

They wanted to look different.

An example of what I mean would be Dexys Midnight Runners in 1983 with Come On Eileen. They wore bib overhauls and came off more as street urchins than musicians. And why am I suddenly thinking of the Broadway musical Oliver as I write this…?

Okay, there’s absolutely nothing wrong with that when you consider all the fashion trends we’ve lived through. Even Ann and Nancy Wilson from one of my favorite rock bands from the 1970’s, Heart, moved into bigger success with the 80’s MTV generation when their managers reinvented the sisters with teased hair, frilly dresses and too much makeup. I read Nancy’s book and they weren’t happy about it. They were rockers closer to Led Zeppelin than The Go Go’s, but it was standard wear if you wanted to sell records and concert tickets via MTV.

You had to sound AND look different to stand out from the crowd. If you don’t believe me, ask Boy George.

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Thompson Twins are remembered because of Hold Me Now and a look that’s somewhere between big hair and street urchin. It’s a catchy song and definitely memorable since I’ve never owned a copy, but woke up with it in my mind on April 27th. That gives it a hold in the subliminal playlist of Dream Songs.

No, look at me now!

Way different!

A lot of the girls I ran with or saw around NYC were into the Madonna look that included teased hair and worn high. Yeah, a few even wore their bras outside their shirts. And Thompson Twins included three distinct looking characters that could be called MTV fashion icons in 1984. As the music scene continued through the decade, the clothes seemed to get even more outrageous and hair on both girls and guys was teased and sprayed higher and higher.

And you know what? Not everyone liked the look. It seemed some people were more concerned about it, rather than simply hearing the music. In a visual society first impressions often make lasting opinions.

And it’s always been like that.

But the good thing about being different simply through fashion is that images are easy to change. That’s why we can look back at the 1970’s fashions and cringe (at least some of us!) but not be labeled with how we looked in the past. Leisure suits, big bellbottoms, platform shoes, droopy mustaches and… Well, I’m done cringing. They’re all long gone and I won’t be looking at any old photos from that era any time soon. I’ve changed.

Which brings me to a more important opinion.

With the benefit of hindsight, I’ll compare the general outrageousness (looking to make a splash) of the 80’s to the 1960’s. But it’s not the 1960’s of shocking society with Beatles haircuts or hippie clothes. I’m talking about the differences in looks that lead to inequalities.

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For a showbiz example (this is The Classic Rocker after all), what I’m talking about is depicted in the 1988 movie Hairspray and the later Broadway musical and film. In the story there was a segment of society that wanted to hold back – discriminate against – people because of how they looked. It’s about the struggle and fight for equal rights and not being accepted based solely on appearance. The main characters were not accepted by the powers that be. The message is racism, but it occurs on many levels. Motor Mouth and Seaweed weren’t accepted because they were black. Tracy was kept out of the “in-crowd” because she was overweight.

Some people make judgments only on appearance. But wait, am I getting too deep based on a simple 1980’s pop song that actually has nothing to do with this topic? Well, as The Classic Rocker I’m allowed an opinion – and in my opinion that’s despicable, racist and wrong. It just took Hold Me Now with a visual image that some people didn’t like to remind me of it.

Too different?

Too different?

Like Elvis in the 50’s and The Beatles in the 60’s, many pop stars of the 80’s including Thompson Twins, Dexy, Michael, Madonna and Boy George were often judged on their appearance. They were expressing themselves as artists, but some people wouldn’t listen because they didn’t like the way they looked. And using Hairspray as a fictional account for what was actually going on in real life, it was much deeper than that. Some people are too quick to judge based on first impressions. And when it comes to equal rights you can’t just change your status by changing clothes or hairstyle.

It’s a problem that rocked the 60’s and is still around today.

But other than the more important and continual campaign for equal rights, a common thread between the two decades was making a splash. The ones who appeared different were the ones that were noticed first and were either admired or scorned because of it. So when I hear Hold Me Now I have a visual image of an era when the trend was big hair – teased, shaved, weaved, braided, curled, uncombed and sprayed. I thought the visual was comical in some ways, but didn’t knock it because it was different.

It also didn’t affect how I heard the music.

In the BIG picture we’re still looking for many preconceived opinions and inequalities based on appearances to disappear from society forever. The BIG fight for equal rights should never stop until it’s won. But in a very small way, fortunately for me and other boomers we were past the stage of shocking the older generation with our looks when Thompson Twins and the others were dominating MTV. And for that reason, our 80’s photos aren’t as cringe-worthy as they could have been. At least for some of us…

Here’s the video of Thompson Twins that was in heavy MTV rotation in 1984.

To purchase Thompson Twins – Greatest Hits with Hold Me Now visit Amazon.com

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2017 – North Shore Publishing

#204 – I Got You Babe

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#204 – I Got You Babe by Sonny & Cher

– It was all about the look when this duo hit the pop scene in 1965. Yes, they had a very catchy number one pop song with I Got You Babe, but the look was a publicist dream and what landed them not only on the covers of teen magazines, but also featured in mainstream newspapers and magazines.

Their attention grabbing look – or in showbiz terms, hook – happened because no one else looked like Sonny and Cher.

In this era of The British Invasion, if someone wasn’t tuned-in to the pop music scene (think older generation or too young to really know or care), it was easy to confuse one group with another. The look for most of the British groups included mop top hair, matching suits, Beatle boots and guitars.

I’m pretty sure even my dad, who was cool enough to take me to a Beatles concert in 1966, had a hard time figuring out what group I was watching on The Ed Sullivan Show, Shindig or Hullabaloo. It could the The Hollies, Herman’s Hermits or The Animals. Was that Peter and Gordon or Chad and Jeremy? A lot of adults weren’t exactly sure.

If you lived through it – you know what I’m talking about.

Borscht Belt comics (think Jackie Mason, Milton Berle and Jack E. Leonard) and television hosts (think Dean Martin introducing The Rolling Stones on The Hollywood Palace TV show) made jokes about all of the pop stars looking alike. They couldn’t tell one group from another and they all made the same “noise.”

Then they got a look at Sonny & Cher.

sonny-and-cher

They got the look!

I’ll go ahead and call them the first hippies, even though the term (derived from being hip or hep in the 1940’s) hadn’t even been used to define the counterculture when I Got You Babe was topping the music charts in August 1965. Sonny’s hair was shaggier than even The Stones or The Kinks (noted for being shaggier than the combed and blown-dried Beatles) and Cher fit the Carnaby Street look with bangs to her eyes and straight hair over her shoulders. But the look went way beyond that.

The first time I remember seeing bellbottoms, other than my dad’s Navy uniform or in WW2 movies, was either in a photo or television appearance by Sonny & Cher. There were no suits or “party dresses” that talent managers convinced their acts to wear to attract a larger audience (think Brian Epstein getting The Beatles out of their leather gear). They wore fuzzy sheep wool vests, striped pullover shirts, silky bellbottoms, wide belts and whatever other accessories you might find wandering around thrift shops and beach shacks in Southern California.

Their outfits were certainly nothing we would ever find in a department store in the Midwest.

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For comics their names became the punch lines. For adults they could finally pick out Sonny & Cher from the other acts. And for boomers, they signaled a new trend. Within two years the newly-named hippies took S&C’s look and added on.

I Got You Babe had the necessary music and lyric hooks to compete with The British Invasion and the oncoming American groups like The Lovin’ Spoonful and The Byrds. The song was constantly on the radio during the late summer of 1965 and impossible to ignore. And once it was in your head, it stayed there for awhile, which is how it landed on this Dream Song List on April 21st. I hadn’t heard it in a long time so it’s one of the subliminal tunes and has made a lasting impression.

It also has a lasting memory…

For a week in August 1965 my 14-year old cousin Johnny and I “camped out” in a large tent my dad’s cousin had set up for us in the backyard of his house in Sandusky, Ohio. I’ve been fortunate because most of my relatives are “colorful” people. That’s a term of endearment for me. I’ve always enjoyed being around people who are different, adventurous, opinionated, and in some ways a bit “crazy.” It seems my family has handed down those traits through generations, which makes reminiscing or eventually confessing to past discretions just as funny as a night in a comedy club.

Sign here please!

Sign here please!

I was only 12 years old and Cousins Carl and wife Melba were older than my parents – and at the top of my list when it came to “colorful.” I can’t remember ever being bored or not laughing when they were around. Their daughter and my cousin Mimi was a Rockette at Radio City Music Hall in New York, which always added more “colors” to our get-togethers. If you’ve read my book The Beatles At Shea Stadium, Mimi had dinner with The Beatles the night before the concert in The Rainbow Room at the top of 30 Rockefeller Center.

We were at their house in Sandusky when she told me the story and gave me Ringo’s autograph on the back of a Rockette rehearsal schedule.

Carl had set up a huge canvas tent in their backyard. I noted it as “camping out” earlier because it was nothing like that in reality. Yeah, Johnny and I slept in sleeping bags on army cots, but we had electricity through an extension cord plugged into the house and full use of the kitchen, bathroom, record player and television. There was no “roughing it” when we “camped out.”

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Since I don’t have an older brother, John (we’ll drop the “ny” for now since we’re both a few decades older) was given that position in my mind. Our families are close and I can’t remember a Christmas night we didn’t spend together while growing up. And since we only lived a couple miles from each other (and still do) we shared many adventures. One includes the Beatles concert mentioned earlier.

John taught me the fine art of being an “all-nighter.” We’d have sleepovers at each other’s houses, which included mini “vacations” each summer. At those events bedtime was nonexistent. Parents would go to sleep and we’d sit up playing board games and watching old black and white movies until the channels signed off. There was no such thing as 24-hour television in the mid-60’s and it took years of mental reprogramming to not think The National Anthem ended with an electronic signal and TV test pattern.

To understand what I’m talking about, here’s a video of a channel sign-off from the 60’s.

In the summer these all-nighters would be outdoor adventures. Either walking or riding our bikes we could be cruising through our hometown anytime between midnight and dawn. In the 1960’s it was safe and that’s undoubtedly why I still find the nighttime much more interesting and exciting. I’ve never reprogrammed from that mental state and there’s a good chance it will be closer to sun-up than sundown when I post these ramblings.

1964_blue_streak

Cedar Point postcard

But we didn’t limit ourselves to nocturnal travels. One great adventure included taking a ferry from downtown Sandusky to the world famous “roller coast” of Cedar Point Amusement park. We stayed until closing and while taking the last ferry back we were caught in the middle of a loud and wild, Lake Erie wind-blown thunderstorm. I still remember the lightening and heavy rain as the large boat rocked through the waves. But we didn’t see it as any big deal since we grew up on the lake and after walking the couple miles through the damp darkness to Carl’s tent we spent a few more hours playing Monopoly under electric candlelight and listening to AM Top 40 radio.

And speaking of Cedar Point, the next year John and I finagled our way into a Dick Clark television special and rode go-carts with Chad and Jeremy for a couple hours.

But since that duo doesn’t finagle their way onto this Dream Song List until later, I’ll save the story for now.

During one of our daylight treks we walked a few miles to a shopping center where I bought the LP The Early Beatles on Capitol Records. It was the same as Introducing The Beatles on VeeJay Records, which I’d had since February 1964. But as a dedicated fan I needed this version for my collection.

sonny and cher fur

I got fur babe!

I also picked up I Got You Babe. The look may have caught my attention at first, but the catchy tune got my money. And since I’d had every song on the “latest” Beatles album memorized for a year and a half (Capitol Records also had a way of getting our money), it was good to have something actually new.

“They say we’re young and we don’t know…”

That first lyric by Sonny Bono says a lot to the Baby Boomer Generation. But my best memory is that we were still very young when I Got You Babe came out – and were in the process of learning. It brings back the first real feelings of freedom and independence that continued to grow during our teenage years. Sonny & Cher never made an impact on our generation like The Beatles and The Stones, but at this moment in 1965 they had the look and the sound of being different. And that’s a big part of how many of us remember the 1960’s.

Here’s a video of Sonny & Cher performing I Got You Babe from 1965…

 

 

To purchase The Best of Sonny & Cher with I Got You Babe visit Amazon.com

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2017 – North Shore Publishing

#206 – She Loves You

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#206 – She Loves You by The Beatles

She Loves You – This was the drum roll into the 1960’s as many of us prefer to remember the decade. Yeah (yeah yeah), the “official” turn of the clock from the 50’s was four years earlier for U.S. baby boomers, but play any of us the opening of She Loves You and the reaction is similar to the first time we ever saw a color television.

Our senses took a direct hit and we were launched into the Swingin’ 60’s.

Okay, for a lot of us in early 1964 the only swingin’ we did was on a grade school playground, but it was obvious our world was changing. Only three months before (the length of summer vacation from school) JFK was in The White House and clean-cut pop crooners dominated the music charts. Folk music was considered edgy and the older generation(s) still made the rules.

Then it all changed. I set the date for this new wave at February 9, 1964.

My first notice of The Beatles was on Friday, January 3rd when Jack Parr showed a short film clip focused mainly on the group’s apparently out-of-control screaming audiences. At the beginning you can barely hear the song From Me To You. Then it switches to shots of The Beatles in collarless jackets performing She Loves You. This was after Parr’s tenure as host of The Tonight Show. Johnny Carson had taken over late nights in 1962 and The Jack Parr Program aired in primetime on NBC for one hour every Friday.

For many of us it was our first exposure to the now famous lyrics, “Yeah, yeah, yeah.”

That’s important to note because it became a hook for The Beatles early fame in the U.S. From my memory it was pretty common for the older reporters to throw in a “Yeah, yeah, yeah” somewhere in their headlines or articles referring to what “the kids of today” liked or the simplicity of pop music when compared to the older standards.

There was even a report from the British theater world about how the Beatles’ music and influence was infiltrating the upper society in a not-so-sophisticated way. When the 1963 Broadway musical She Loves Me debuted at The West End Theater in London, one of the characters says to another, “She Loves You.” And of course someone in the audience had to finish the obvious by calling out, “Yeah, yeah, yeah.”

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The Beatles At Shea Stadium

The story behind their greatest concert and making the TV special

20% OFF Retail Price with FREE Shipping (Continental U.S. Only)

Signed by the author and only through the website – BeatlesSheaStadium.com

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Since the two song snippets aired by Jack Parr were not enough to really grasp onto, most of us didn’t experience the full force of Beatlemania until Ed Sullivan introduced them on February 9th. The first complete song I heard by The Fab Four was All My Loving. Reviewing their performance from that Sunday evening, it’s no wonder we were knocked into another dimension of pre-(or-full-on) teenager. Every song including their rendition of the Broadway showstopper ‘Til There Was You is considered a Beatles classic.

And with She Loves You we were hooked by three shaggy heads singing, “Yeah, yeah, yeah.”

Hold Your HandI still find it strange this wasn’t the song that broke them in America. That didn’t happen until their next single, I Want To Hold Your Hand started getting U.S. radio play in December 1963. Capitol Records, the Beatles’ U.S. record company, refused to even release She Loves You – at first. The 45 rpm vinyl came out on Swan Records and did absolutely nothing until Beatlemania hit about six months later. Then it followed I Want To Hold Your Hand as the No. 1 song in March 1964.

Capitol wised-up that the group was making money for a rival label and very quickly took ownership from Swan and included the hit song on The Beatles Second Album released in April.

I’m sure The Beatles, their manager Brian Epstein and also movie director Richard Lester understood that “Yeah, yeah, yeah” was an important element in the group’s carefree image portrayed in the film A Hard Day’s Night. Though She Loves You would have already been considered an “oldie” (recorded in July 1963) when the Beatles’ first film was released in the summer of 1964, it was still included with their latest songs in the final concert sequence. I Want To Hold Your Hand wasn’t.

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Painesville, Ohio – Monday, December 19, 2016.

1966 Poster

The Classic Rocker will present The Beatles In Cleveland at Morley Library. Doors open at 6:30 pm with a display of Beatles memorabilia and FAB music. Program begins at 7 pm. Admission is FREE but seating is limited. Reservations are suggested by calling 440-352-3383. Includes rare films of the riotous concerts at Public Hall and Cleveland Stadium and never-before published photos. Books will be available at a special library discount following the program (think holiday shopping!). Morley Library is located at 184 Phelps Street, Painesville, OH 44077. Hope to see you there!

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Now putting my personal memory to use…

Following their February 9th debut on The Ed Sullivan Show, kids I knew had to have a copy of I Want To Hold Your Hand. I don’t remember how I got to my local record store since February in northern Ohio has always been too cold for a bike ride, but somehow I scored a copy of the 45 rpm (backed with I Saw Her Standing There) that week. But I really wanted an album.

That Saturday night my parents went on a “date night” shopping trip and surprised me with the LP Introducing The Beatles. Yeah (yeah, yeah) I had cool parents. But I really wanted the album showing their faces in half shadow and with shaggier hair. A week later I tagged along on their “date night” (three’s a crowd?) and came home with Meet The Beatles.

But none of these included She Loves You (no, no, no!). Once again, since I was only ten years old and my bike was not going to see the light of day until after the first thaw of spring, I had to rely on frequent Top 40 AM radio play to hear the song. Eventually within a couple weeks I ended up in a department store record section with a copy of She Loves You.

swanIt was on the smaller Swan label – and yes I still have it.

The song earned a spot on the Dream Song List on April 16th. Of course I own numerous copies, but it hadn’t been on my digital playlist for awhile, so it goes down as a subliminal memory. But with a hook as powerful as “Yeah, yeah, yeah” I’m sure it’s also been subliminally stuck in many other baby boomer’s minds for over half a century.

The song’s brief opening drum riff immediately transports us back to this era. It’s as important to the Beatles unique soundtrack as the count “1, 2, 3, FOUR!” in I Saw Her Standing There and the opening chord of A Hard Day’s Night. The song could have just opened with John, Paul and George singing “She Loves You, yeah, yeah, yeah” but it wouldn’t have been the same. The powerful impact of the drums sets the frantic tone that follows.

RingoThis credit goes to Ringo Starr. A number of years ago some music novices tried to downplay his importance and even suggested he wasn’t a great drummer. I’m pretty sure these knucklehead critics were either shouted down or embarrassed into obscurity. Their preferred heavy-fisted drum pounders or light-touching jazz percussionists could never have had the same impact. Ringo’s playing enhanced the vocalists and kicked in a beat that set the song’s pace without overwhelming what followed.

In my book that makes Ringo one of the best rock and roll drummers of all time. Case closed.

In 2009 it was announced She Loves You was the Beatles’ all time, top-selling single in England. That’s more than Hey Jude, I Want To Hold Your Hand and all the others. I’m sure it had to do with the hook. “Yeah, yeah, yeah” is tough to forget – even more than a half century later.

And here they are – in the glorious early days of technicolor – The Beatles singing She Loves You (yeah, yeah, yeah)!

To purchase The Beatles 1+ with She Loves You and every “must have” song visit Amazon.com

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2016 – North Shore Publishing