Category Archives: Producers

#160 – Those Were The Days

Standard

#160 – Those Were The Days by Mary Hopkin

 – Take an old Russian folk song, rewritten English lyrics, a talent show winner and a Beatle and you come up with a 1968 hit record. That was the formula for one of the earliest releases by Apple Records that hit number one in England. In the States it was kept from the top spot by another early Apple release, Hey Jude by the same Beatle and his three business partners.

Working off trivia memory that I must have read somewhere, Paul McCartney heard this song performed in a London club by Gene Raskin, an American folksinger. Raskin is the guy that wrote the English lyrics, which is information I can’t claim to have in my memory bank. He’s given songwriter credit on the record.

One Beatle and Mary

McCartney liked the song, but never had any intention for the Beatles to record it. Those Were The Days was so very different than anything else on the pop charts that he needed someone very different to record it. When Mary Hopkin won the televised British talent show Opportunity Knocks, he found the voice. Taking a break from recording The Beatles (The White Album) he took her into EMI Studios and produced this very different sounding song.

It was also a very different way to wake up on September 21st with Mary Hopkin’s voice singing this song in my mind. It’s not one you hear… well, at all on Classic Rock Radio. And since I don’t own a copy and haven’t heard it in… well, it seems like forever, it goes in the subliminal category of Dream Songs.

But I did own a copy at one time. It’s a very catchy tune and after hearing it on Top 40 AM Radio late that summer, I bought the 45 rpm single. But it wasn’t the type of song my friends and I would play at parties because it wasn’t exactly uplifting. It wasn’t the vinyl you’d put on a turntable to get everyone up to dance.

But speaking of parties…

My best friend and I were fifteen years old and had summer jobs at my family’s bakery when this song was climbing the charts. We lived in a tourist town on the shores of Lake Erie and though we started work early in the morning, we’d usually be finished around noon. That gave us plenty of daytime to hang out at the beach or ride our bikes around town looking for adventures. And since fifteen year old guys don’t need a lot of rest, we’d stay up most of the nighttime supposedly sleeping outside in one of our backyards (both with and without a tent), which was actually an excuse to have no parental supervision. That meant we could also ride our bikes around town all night looking for more adventures.

————————————————————————

20% OFF Author Signed Copies!

The Beatles At Shea Stadium

The Story Behind Their Greatest Concert

20% OFF Retail Price with FREE Shipping (Continental U.S. Only)

Signed by the author and only through the website – BeatlesSheaStadium.com

————————————————————————

We were pretty much inseparable and kept ourselves – and our circle of friends – very entertained.

I’ll go ahead and say Kevin and I were ringleaders of fun because we always had ideas and something going on. One of our objectives was to have parties so we could hang out with the cool girls in our class. But we didn’t want to throw a party like everyone else. We had to make it seem like an event, which meant we would have a theme.

Our most popular was a movie premier.

If you wanted to see a movie in 1968 you either went to the local theater or watched television. There were no video rentals, we had never even heard of Beta, VHS or the very futuristic DVDs, cable, internet or streaming services. Of course that lack of technology wouldn’t stop this great theme idea. We just had to make our own to make it happen.

Something like this!

Kevin’s family had a home movie camera (we’re talking about using a reel of film) so we became producers, writers, actors and directors. Kevin and I were cast as the stars (hey, it was our movie) and if we needed villains for any scenes, we’d use his younger brother and best friend. We’d pick on them anyway, so the only difference would be filming it.

We’d create short scenes of craziness and comedy bits, separated by brief psychedelic light shows. This visual effect was accomplished by holding the camera lens directly on different colored light bulbs for a few seconds each, resulting in changing color bursts when we projected it on a screen, signaling the end of one bit and the beginning of the next.

We had no editing capabilities, so whatever we shot would be in the movie. There was also no sound with 1968 home movie cameras (at least not on the one we had), so like silent movies we had to write out any important dialogue on poster boards and hold it up in front of the lens. It’s no wonder our sight gags (silent) worked the best.

Much of this is lost to memory, but one bit is worthy of being stuck in my mind.

————————————————————————

Classic Rock Logo

Follow The Classic Rocker!

Then visit Dave’s author page on Amazon.com

————————————————————————

The scene opened with me sitting at an empty kitchen table. I’d rub my stomach acting like I was hungry, act like I had a great idea and snap my fingers. Kevin would stop the film and I’d stay motionless as he put an empty dinner plate in front of me. He’d start the film and just like in the television show Bewitched, it looked like I had magically made the plate appear. We continued with the routine until I had silverware, a napkin, lit candles, a wine glass and then the glass filled (but not with wine). In what should have been my final finger snap conjuring up a delicious meal, an old shoe appeared on the dinner plate.

But wait – that wasn’t the end of the bit. Acting disgusted, I snapped my fingers again. Then, like magic, I disappeared and Kevin was sitting in my chair at the table with a sandwich on the plate. Acting happy, he reached for the wine class (not with real wine) and took a sip.

Laughter and applause from our audience, a psychedelic light show on the screen – and then onto the next scene.

Samantha Stevens

As the scene’s featured thespian my emotions had to run from hungry, to surprise, to almost elated and at the end, disappointment. Too bad we never came up with an awards ceremony theme to our parties because I would’ve been a shoe-in (pun intended – thank you).

The final films were about ten minutes long. But just so our invited guests (especially the cool girls) didn’t have to watch a completely silent movie, we’d also record a soundtrack playing various instruments (we had some talent) onto my reel-to-reel tape recorder. We’d do our best to sync the sound and film when we’d hit “play” on both at the same time.

Together we were also a good promotional team and built up the anticipation for these premiers that would happen at one of our houses. And since we also had a good group of friends these were successful parties. There were always enough laughs for us to show the latest film a few times, then play the latest records, dance, laugh some more and talk up the cool girls. And if our star power was bright enough (like a psychedelic light show) the evening might end with a kiss, or two… or three.

So, would I say those were the days? Yeah, they really were fun.

But even though I enjoy reminiscing as The Classic Rocker, and Mary Hopkin with Those Were The Days stirred up memories of my cinematic career as a fifteen year old child actor (where was The Disney Channel when I was looking for a job?) I don’t think I’d ever want to go back. Just like each song on this countdown serves as a reminder, I think there are plenty of adventures, laughs – and even a little magic – down the long and winding road ahead. I’m still finding ways to entertain myself. Yesterday was cool, but you never know – tomorrow might be even cooler.

I just wish there was a psychedelic light show I could use to signal my next bit. Why? Because it would look very cool projected on a screen before my entrance into the new scene.

Have a comment?

Please use the form below – and keep rockin’!

Here’s a video from 1968 (with production quality a lot better than mine!) of Mary Hopkin performing Those Were The Days.

 

To purchase Come and Get It: The Best of Apple Records with Those Were The Days and Mary’s follow up hit Goodbye (written by Paul McCartney) visit Amazon.com

——————————————————————————–

Twitter

Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2019 – North Shore Publishing

 

Advertisements

#162 – The Mighty Hercules Theme Song

Standard

#162 – The Mighty Hercules Theme Song by Johnny Nash

 – Surprised? Yeah, I was too. I had no idea the singer, producer and songwriter of the 1972 Reggae hit, I Can See Clearly Now, was the same voice leading us into each episode of this 1963-1966 cartoon series. It’s amazing what can be learned through a quick online search for something – really, anything – about an obscure and mostly forgotten television cartoon theme song.

Okay, maybe not completely forgotten if you’re old enough to have watched and have a talent (or curse) for remembering catchy tunes. Since I fall into both categories, Hercules was muscling its way onto this Dream Song list on the morning of September 19th. And when you think about it, that means it’s been simmering in my mind for decades.

Do I own a copy? You’re kidding – right? This one is definitely subliminal, but admittedly a fun addition.

The Mighty Hercules was one of the many cartoons rushed into production and aimed specifically for the younger segment of baby boomers. Even though a television set was becoming fairly common in homes during the 1950s, the preteens of the early 1960s were the ones that didn’t know what life was like before the small screen became a regular piece of living room furniture.

Johnny Nash

I’m sure you realize that unlike Johnny Nash, Hercules was a mythical Greek strongman who could probably take Superman the distance. If you need a reference, think Rocky vs. Apollo Creed. Based on pure speculation and memories, the cartoon Hercules was sent down from the Mount Olympus of animation to ride the then current trend for Greek Mythology adventures. As young kids we still pulled ourselves away from the television for our hometown movie theaters where I remember watching the films Jason and The Argonauts (released on my birthday in 1963) and The Three Stooges Meet Hercules (1962) on a big screen.

On college campuses the trend was a little more risqué than heroic with toga parties. But I didn’t study that aspect of Greek Mythology until watching the frat boy documentary Animal House on another big screen over a decade later.

In our preteen version during the early 1960s, we’d run home from these movies and reenact our Hercules and Argonaut adventures. We’d crash through solid walls of cardboard boxes and sword fight using the cardboard tubes we’d slide out of the wrapping paper rolls our mothers were saving for Christmas or birthday gifts.

Think how much money they could’ve saved shopping if they had just given us the cardboard rolls and boxes as presents. Call it a Hercules Power Gift Pack and we would’ve been happy.

————————————————————————

20% OFF Author Signed Copies!

The Beatles At Shea Stadium

The Story Behind Their Greatest Concert

20% OFF Retail Price with FREE Shipping (Continental U.S. Only)

Signed by the author and only through the website – BeatlesSheaStadium.com

————————————————————————

Come to think of it, we might also have sung The Mighty Hercules Theme Song after a hard-fought victory and total destruction of our cardboard city walls. Maybe that’s why I remember more of the words to this song than I do the arithmetic formulas we were supposed to learn in grade school.

Truthfully, which is what I imagine they’d expect on Mount Olympus, I was never into The Mighty Hercules cartoons. At the age of ten it would only be a few months before The Beatles changing everything with their first appearance on The Ed Sullivan Show and my most entertaining piece of furniture would move from the television set to the record player. The Hercules shorts (lasting no more than five minutes each) were probably part of my early morning TV viewing during breakfast before rushing out to catch the bus for school.

And when I think about it (again) the song has stayed with me for longer than I Want To Hold Your Hand. Yeah, it’s amazing (again) and I didn’t have to do an online search to realize that.

————————————————————————

Classic Rock Logo

Follow The Classic Rocker!

Then visit Dave’s author page on Amazon.com

————————————————————————

On another note, this cartoon along with others rushed out for boomer entertainment, were not exactly works of art. The colorfully drawn cartoons our parents watched in movie theaters when they were kids were later packaged as kid’s programming and aired on television in black and white for our generation. And as mentioned in earlier Classic Rockers, that was also how we discovered The Three Stooges and The Little Rascals (Our Gang) from decades before.

The cartoons produced in the 1930’s, 40’s and early 50’s were made to be shown in theaters with feature films. Hercules and many others from the 60’s were quickly drawn to be watched on a small screen.

Clutch Cargo

Another I distinctly remember from this era was the series Clutch Cargo. It also couldn’t be classified as artistically drawn, but it was fascinating to watch since human mouths were somehow superimposed over the characters animated faces. If you know what I’m talking about – watching these cartoon characters “talking” – I’m sure, you’ll agree. But if not don’t think I’m being weird.

You had to see it to believe it.

It would be another decade before I’d hear the name Johnny Nash and as mentioned earlier, many more before I’d discover his link with The Mighty Hercules. But during my college daze in 1972, somewhere deep in my mind, the mythological cartoon connections to Mount Olympus must have still been simmering. Otherwise I have no excuse for wearing a toga at a frat party and doing my best dance moves to I Can See Clearly Now.

Have a comment?

Please use the form below – and keep rockin’!

Here’s the opening theme for The Mighty Hercules sung by Johnny Nash

 

 

To purchase The Mighty Hercules on DVD visit Amazon.com

——————————————————————————–

Twitter

Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2019 – North Shore Publishing

August 15, 1965 – The Beatles At Shea Stadium

Standard

– It started earlier than you might think…

sidbernstein

Sid Bernstein

During the winter of 1963 Sid Bernstein, a New York producer and entrepreneur, decided to expand his horizons by taking a course in Political Science. The instructor said if students wanted learn about democracy they need to study Great Britain, so Bernstein trekked down to Times Square every week and bought the British newspapers.

After reading updates about the government, he turned to where his real interests were – the entertainment section. He noticed the name of a pop group called The Beatles. At first the articles were small, but each week they continued to grow in size. They also included two words about their performances that caught Bernstein’s eye:

SOLD OUT!

To his producer’s way of thinking, these were the same words that described fame-predicting appearances by Frank Sinatra and Elvis Presley, two of the BIGGEST names in showbiz. Since expanding his horizons could also mean taking a chance, he located the Beatles’ manager Brian Epstein and booked the group – then unknown in the U.S. – for two shows in February 1964 at Carnegie Hall in New York.

Epstein Beatles

Brian Epstein and “The Boys”

When dealing with Epstein there were always stipulations. If The Beatles were not getting radio airplay in the U.S. by December 1963, the deal was off. It was a long wait, but as history tells us they made the deadline. I Want To Hold Your Hand broke the airwave barrier, they were scheduled for three February appearances on The Ed Sullivan Show – and Bernstein SOLD OUT both shows at Carnegie Hall.

Following the Beatles summer and fall 1964 tour of North America, Bernstein took another chance and scheduled them to appear in the brand new, state of the art Shea Stadium in Flushing, Queens. Again there were stipulations that included no advertising without a paid deposit, but Bernstein made a bold guarantee and backed it up by selling 55,600 seats through word of mouth. Once again…

SOLD OUT!

Nothing on this scale for a pop concert had ever been attempted before. Elvis had performed a handful of stadium shows leading up to his army induction, but the largest had been in front of 26,000 fans at The Cotton Bowl. The Beatles had to more than double that number to fill Shea Stadium.

Dressing Room

Away from the crowd

On August 15, 1965 The Beatles landed on top of a building at the neighboring New York World’s Fair and were delivered into Shea Stadium via a Wells Fargo armored truck. The dressing room was crowed with visitors including Mick Jagger, Keith Richards and future kingpin business manager for Apple Corp and three of the four Beatles, Allen Klein.

If only Brian Epstein had known…

Their entire visit to New York, beginning Friday, August 13th through Tuesday, August 16th, was filmed for a Beatles In New York (not the title, but the idea) television special. Only backstage and concert footage was used for the final version.

Introduced by Ed Sullivan, John Lennon, Paul McCartney, George Harrison and Ringo Starr ran to a small stage set up over second base on the baseball playing field and performed ten songs in about thirty-seven minutes. Whether anyone heard them depended on where they were seated, if they were screaming – or if they were next to someone screaming. Many of the male fans thought they sounded great. Many of the female fans don’t remember.

Shea on stage

Never before in the history of popular music…

Filmed in 35mm, the quality of the concert footage is similar to blockbuster Hollywood movies of the era. For comparison, The Monterey Pop Festival and Woodstock movies were filmed in 16mm.

The resulting television special, The Beatles At Shea Stadium, was planned for holiday (Christmas) airing in December 1965. One member of the Beatles inner circle approved the version submitted by Ed Sullivan Productions, while five others didn’t. A secret recording session took place in January 1966 to correct the sound and the special wasn’t broadcast in the U.S. until a year later. By that time fans were only weeks away from the release of Penny Lane and Strawberry Fields Forever by a mustached, psychedelic-clothes-wearing, pre-Sgt. Pepper’s Lonely Hearts Club Band.

The film has been restored, color-corrected with both the overdubbed and original audio remastered for mono and stereo. It has yet to be released.

But on television that January evening in 1967 they were still the mop-topped Fab Four riding high on the release of their summer 1965 film, Help! And they played, sang, laughed and sweated during a hot New York August night in front of a SOLD OUT audience of 55,600 fans.

It was 50 years ago on August 15, 1965.

It was the birth of stadium rock.

————————————————————————

Twitter

Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2015 – North Shore Publishing