Category Archives: She’s A Rainbow

#205 – She’s A Rainbow

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#205 – She’s A Rainbow by The Rolling Stones

Satanic Majesties Cover – Was it just me, or did everyone know the album Their Satanic Majesties Request was already outdated when it was released in December 1967? I don’t mean that as any kind of anti-Stones thing since I’m a huge fan of the group. But seriously, the psychedelic Summer Of Love had hit auto drive with Sgt. Pepper’s Lonely Hearts Club band more than six months earlier and by Christmas shopping season boomers were coasting into the pre-Woodstock era.

The pop/rock music scene was all over the place as we entered 1968 and The Stones would play a major role as they morphed into “The Greatest Rock ‘n’ Roll Band In The World,” according to Mick Jagger’s self-proclaiming introduction kicking off one of the greatest live albums of all time, Get Yer Ya Ya’s Out. But with this release at the end of 1967 they were setting themselves up to have their rock and roll guitar licks thrown back in their faces by The Who, The Doors, Cream, Iron Butterfly and Jimi Hendrix. I didn’t even mention The Beatles since they were in a class by themselves. They hit their own speed bump with Magical Mystery Tour as their Christmas product that year, but they were the ones that set the standard with Sgt. Pepper in the first place. They could be excused even when the follow-up LP (in the U.S.) filled up side two with months old psychedelia (Strawberry Fields Forever) but also included future mega classics like I Am The Walrus and Fool On The Hill.

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Back on track

Lucky for all of us The Stones got back on track in May 1968 with Jumpin’ Jack Flash. But at the tail end of Flower Power they gave us Their Satanic Majesties Request with She’s A Rainbow. I’m not going to say it’s a bad song, but along with the album it doesn’t go down as one of the band’s highest moments.

On second thought, it was probably the result of some higher moments. One of the reasons the album didn’t make it into the actual soundtrack of The Summer Of Love was because of the group’s various drug busts, court appearances and jail time. Guess you could say the legal itinerary disrupted their scheduled recording dates and deadlines.

I remember seeing the album in stores that winter and picked it up only to watch the 3D photo on the cover. When you moved it around The Stones’ heads would turn. That was cool for a couple times, but then just as boring as any child’s game and definitely not as cool as the Sgt. Pepper cover.

We also heard the music that way.

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The album scored on the charts, but dropped out of sight fast. I never met anyone in my life that actually owned a copy until I went to college years later. One of my best pals was a Stones freak and owned every album, including the early ones before Satisfaction and Get Off My Cloud pushed them ahead of the other British Invasion acts, but still second tier to The Beatles. I wrote earlier about a road trip I made with college pals from Northern Ohio to New Orleans, through Texas and back in three days with Satanic Majesties as one of our few 8-tracks. We listened way more than a few times and dug it, but after that weekend as a captive audience in a Vega station wagon, my immediate reaction was similar to the music charts.

The album had been a hit for a few days and then done and gone. But not forgotten…

She’s A Rainbow joined this Dream Song List on April 17th. And as mentioned above, I’m a big Stones fan so – of course – I own a copy (but not the album). I had just heard it the day before, so this one goes into the recent memory list.

Steel Wheels Tour

Steel Wheels Tour

Though She’s A Rainbow is probably the best known song from the album, I rank 2000 Light Years From Home as one of my favorite all-time Rolling Stones songs. So it was a thrill to see them perform it live…

After about a decade of hard feelings between Mick Jagger and Keith Richards, The Stones regrouped for a new album and tour in 1989 both titled Steel Wheels. Since their solo careers had not reached the same heights as The Stones you could say they were watching each other’s backs (and bank accounts).

I was living in New York City and when it was announced they would play the legendary Shea Stadium not once or twice – but for six concerts – my pals and I joined forces to score tickets. In those ancient times of rock and roll there were no online sales. You went to the nearest Ticketmaster in a neighborhood record store and hoped the line moved fast enough to purchase seats before all the outlets working in combination sold-out.

After the first two concerts on October 10 and 11, they would play four shows in Los Angeles and then back to Shea for four more. With a few of us working Ticketmaster outlets in Manhattan and Queens, we grabbed blocks of seats for three Shea Stadium shows.

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Of course every song at a Stones concert is a highlight and these shows were like a greatest hits rundown. Steel Wheels was a popular LP, so even when they played the new songs we listened. Based on Stones’ concerts I had seen in 1972 and 1975 I never would’ve expected a song from Their Satanic Majesties Request. So when 2000 Light Years From Home was played between Paint It Black and Sympathy For The Devil it really came out of nowhere. Wait… I’ll rephrase that.

With the fog and strobe lighting stage effects it could’ve been from outer space. It was a very psychedelic musical and visual trip back to 1967. All that was missing was a drug bust.

Here’s a video of the live version from the Steel Wheels Tour with added 3D effects.

When The Rolling Stones end a show, no one working today outside of Paul McCartney has a catalog of rock standards that can match. Following Sympathy For The Devil they worked the crowd into a frenzy with Gimme Shelter, It’s Only Rock ‘n Roll, Brown Sugar, Satisfaction and (encore) Jumpin’ Jack Flash.

Are you kidding me?? My head almost exploded just typing out the titles of those songs. Put those on your playlist one after another and for dedicated Classic Rockers it’s impossible to sit still.

And it was also impossible to sit still at Shea Stadium in 1989.

For two of the concerts we were in the middle (mezzanine) section. But for one of those classic rock ‘n’ roll nights we were in the upper deck facing the stage. And anyone that’s ever been in the upper deck of a stadium during an important sporting event or rock concert knows, the steel structures act differently in that higher atmosphere.

rolling-stones-1989

Know how to close!

Once The Stones started bringing in the big guns to close the concert, everyone was on their feet and acting like they were Jumping’ Jack Flash. The effect made the upper deck bounce up and down like we were standing on the end of a diving board.

I knew what it was like to stand on the end of a diving board, but I had never felt this effect in the upper deck of a huge baseball stadium until that night. It was really intense, but none of us were about to sit down. But since we were seriously bouncing around so much it was hard to stay balanced and I remember my best pal Chris grabbing onto the back of my jacket to keep me from disaster. I’d grab my girlfriend (at the time) and we all felt like we were on an amusement part ride.

Honestly, I was glad he grabbed me. A few times it felt like we’d rock ‘n’ roll over the railing.

After the concert we were walking to catch the train back to Manhattan and I thanked him for hanging onto me. Then I asked why he would’ve saved me but left my girlfriend (at the time) to bounce around on this major league scale trampoline. “Because I can’t stand her,” he said. We laughed, but as guys we both knew he wasn’t lying.

When she dumped me a few months later (she wanted a wedding ring for Christmas and I probably gave her a Stones album) I knew what he meant. She was gone but we were still buddies. Sort of like Mick and Keith, it was good to know he had my back.

It doesn’t seem The Rolling Stones ever made an “official” music video for She’s A Rainbow.

I searched around online and found one that’s a bit strange, it’s labeled “1966” (release wasn’t until December 1967), but includes the song with video snippets from the band’s entire career. Included are shots of Brian Jones who was still the band’s master musician at this point, but would soon be spiraling out of control and eventually, out of the band and out of this world.

 

To purchase Their Satanic Majesties Request with She’s A Rainbow and 2000 Light Years From Home – which are also both on a lot of Rolling Stones compilation releases – visit Amazon.com

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

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