#190 – Strutter by KISS
– On July 25, 1980 I was getting ready to hang out in New York City. I didn’t have any specific plans, but the great thing about living in Manhattan was just going out and always knowing something would happen.
I can’t remember how I’d heard the news, but word reached me that KISS would be performing a special concert that night at The Palladium on East 14th Street. Usually the band played stadiums and sports arenas so appearing at the 3,000 seat venue was a big deal. Already having seen quite a few shows at the former Academy of Music, I knew no matter where you sat it would be a lot more intimate and close-up compared to sitting in the upper levels of Madison Square Garden or The Meadowlands in New Jersey.
But here’s some inside information. I really wasn’t a fan of KISS.
The band seemed to break with the younger crowd around my senior year in college. I was locked into The Stones, Led Zeppelin, The Who and other rockers, so when the freshmen in my frat house (yeah, I was a frat boy) hung up posters of these guys wearing Kabuki makeup and alien spacesuits (whatever), my college crowd pretty much laughed them off. And when we watched the fire-breathing, blood-spitting performance clips on television it seemed more like a circus than a rock ‘n’ roll show.
The only song I knew was Rock And Roll All Night, mainly because the younger crowd had it on heavy turntable rotation and cranked up to full volume. We’d try to drown it out by blasting the latest and classic hits by our classic favorites.
Yeah… real music wars as a youth movement tried to knock the college boomers off our rock ‘n’ roll pedestals.
Fast forward to 1980 in New York, we had a great friend who had insider contacts at The Palladium. Louie was a lot older than the rest of us, but since no one really paid attention to that he was still part of our crowd. His sense of humor, energy and boomer outlook made him one of us and everyone that met the guy loved him. Especially the ladies.
Oh yeah, and one other thing he had going for him was that he seemed to be connected with just about everyone in the entertainment business.
One of his connections was in charge of the backstage area at The Palladium. Whenever a band was appearing I’d want to see, I’d call Louie, he’d make a call – and arrangements would be made for me to be let in through the stage door entrance. A backstage guy or a security guy would sneak me (and guests) past a curtain and we would grab whatever empty seats we could find.
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So when I heard KISS was playing The Palladium that night, I thought it could be interesting and maybe even fun to watch them for a few songs. After all they were one of the biggest acts on the planet at that time. Then I would sneak back out through the curtains, through the stage door and continue on with my nightlife in Manhattan.
So I called Louie. He made a call and the deal was done.
The reason for this KISS show was a payback for The Palladium allowing the band to use it as a rehearsal space to break in their new drummer, Eric Carr. Original drummer Peter Criss had left and this would be the debut of the new lineup.
On my walk to The Palladium I ran into my pal Bobby and his future wife Barbara. This was one of those kismet (had to be) moments especially for them, because Bobby had auditioned for the drummer spot. By this time we had been playing in the same rock band for a couple years and I knew he was a huge KISS fan. When word got out in music circles about the auditions the rest of us encouraged him to go for it. I’m not sure if he actually got to audition by playing with the band, but he’d sent in a tape and had already designed makeup for his character as “Metalman.”
But he never got a chance to wear it since Eric Carr got the gig (as “The Fox”).
And in case you’re wondering about the other characters:
- Paul Stanley – Starchild
- Gene Simmons – The Demon
- Ace Frehley – The Spaceman
- Peter Criss – The Catman
Since Bobby was the never-to-be Metalman, I still thought it would be cool for both of them to check out the show. So using Louie’s connection to make my connection seem cooler, I took Bobby and Barbara through the stage door with me.
The place was jam-packed with no empty seats to be found. A Louie-connected security guy led us up to the mezzanine and said we could sit on the aisle steps and watch. Guess no one really worried about fire codes and overcrowding in 1980…
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From what he told us the audience included a lot of music biz heavyweights. The only one I remember recognizing was Dick Clark, but I didn’t pay much attention to that type of star-watching. As mentioned, I wasn’t much of a KISS fan and was really there to watch the circus for about three songs, and then head out into the New York night.
But that all changed the moment KISS hit the stage.
Holy ****!!!! I had seen everyone from The Beatles and The Stones to Led Zeppelin and The Who. And when it came to theatrical rock, I thought no one could ever top the show I had seen at the Akron Rubber Bowl a few years earlier by the original Alice Cooper band.
But I had NEVER seen anything like this!
It was LOUD and in your face. The band sounded great, even though I really didn’t know any of their songs except Rock And Roll All Night and their latest, disco-influenced, I Was Made For Loving You (which I already liked!). But the show is what kept me locked in with no more thoughts of leaving after only three songs.
In their Kabuki makeup and costumes they stomped, danced and posed on high platform shoes. Simmons spit (fake) blood and when he did the fire-eating routine, I could swear my eyebrows were tinged from sitting so close. The guitars shot Roman candle blasts over the crowd and at various times the members of KISS flew through the air on wires. Bobby, Barbara and I stayed until the final notes and crowd cheers were over and all that was left was high pitch ringing in our ears.
And yeah – from that point on I’ve been a KISS fan. After this spectacle, there was no way I couldn’t be.
The next day, before I even had a chance to run out and buy KISS Alive or any other LP at our neighborhood record store (it was era when we still had them), Bobby made me a cassette of KISS songs he felt I had to have. The first track was Strutter, which I immediately recognized from The Palladium show.
I also recognized it the morning of July 3rd as a power pop way to kick off the morning. I own a copy on my digital playlist, but since I hadn’t heard it in awhile it kisses its way onto the subliminal category of Dream Songs.
Admittedly I never became a full force fan, which would place me into the category of KISS Army membership. In fact, I can’t name any song they came out with after removing their makeup in 1983 – even though I watched their unmasking in a club with my New York crowd on MTV. I also haven’t seen the band live since that show at The Palladium, but the sheer impact, showmanship and sitting close enough to actually feel the energy (and fire!) they generated on stage makes it an exciting memory.
Here’s a video of the original KISS lineup performing Strutter.
To purchase KISS Alive with Strutter visit Amazon.com
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