Category Archives: hair bands

#202 – Hold Me Now

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#202 – Hold Me Now by Thompson Twins

Thompson Twins – We were definitely into the MTV era when this song was riding high on the video charts during the winter into spring 1984. That’s when the network’s initials really meant what it provided: Music Television. And for that reason, Hold Me Now seems more of a fashion statement to me than just a catchy tune. It also stirs thoughts of a reality statement that carries a deeper message.

Let me explain that better…

MTV ran 24/7 and during the early years it was the same format as AM Radio. VeeJays played music videos, instead of spinning disks. And for the artists to make a splash – an impact – the visuals became just as important as the music.

But in reality, it’s always been that way with pop music – and real life.

Elvis’ greasy hair, sideburns and gyrations were visual magnets to teenagers and a nightmare for their parents. The same could be said about The Beatles’ mop tops and high heeled, pointy-toed boots. Along with the music, their appearances made enough of a splash to be the topics of news reports, comedian punch lines and an older generation’s scorn.

Thompson 2

A different look

Much of what made them different was how they looked.

Part of being an artist is having a recognizable image and as pop progressed into rock it seemed the coming generation has always tried to outdo its predecessor. Jimi Hendrix, Alice Cooper, The Ramones… Okay, those are only a few off the top of my head, but you know what I mean. Mention any of them and chances are good you’ll also have a strong mental visual image because they looked different.

So by the time MTV was pushing both visuals AND music into our lives 24/7 the artists that wanted to make a splash had to go all out. For your own visual think of the two biggest pop stars at that time – Michael Jackson and Madonna. Their songs alone were good enough to be hits on the radio, but add their unique images and the combination is a reason why both are still considered icons today. Mention Michael’s sequined glove or Madonna’s wedding veil and you’ll immediately “picture” the songs (Billie Jean and Like A Virgin).

You might also remember a portion of society did not like them because of how they looked.

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Hold Me Now had the same visual effect in 1984. (The) Thompson Twins were noticeable to a lot of us at first because there were actually three members instead of (two) twins. Funny. Also MTV threw this song into heavy rotation so it seemed whenever we actually looked at the television screen rather than treating it as background music, we would catch the video. And from my memory, it was part of the Big Hair Era the 80’s is still famous for.

Some liked the look – some didn’t and still don’t.

My NYC cohorts (as part of the boomer generation) were past the age of trying to shock the older generation with our looks. And I don’t remember being a big fan of 80’s music or fashion while it was happening. It all seemed more comical to me than cool. But I’m totally into creative artists expressing themselves through whatever medium they choose to work in. And during this segment of the 80’s it seemed like pop musicians were more concerned with grabbing attention visually rather than with music.

The Midnight Runners with Dexy

Looking different

They wanted to look different.

An example of what I mean would be Dexys Midnight Runners in 1983 with Come On Eileen. They wore bib overhauls and came off more as street urchins than musicians. And why am I suddenly thinking of the Broadway musical Oliver as I write this…?

Okay, there’s absolutely nothing wrong with that when you consider all the fashion trends we’ve lived through. Even Ann and Nancy Wilson from one of my favorite rock bands from the 1970’s, Heart, moved into bigger success with the 80’s MTV generation when their managers reinvented the sisters with teased hair, frilly dresses and too much makeup. I read Nancy’s book and they weren’t happy about it. They were rockers closer to Led Zeppelin than The Go Go’s, but it was standard wear if you wanted to sell records and concert tickets via MTV.

You had to sound AND look different to stand out from the crowd. If you don’t believe me, ask Boy George.

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Thompson Twins are remembered because of Hold Me Now and a look that’s somewhere between big hair and street urchin. It’s a catchy song and definitely memorable since I’ve never owned a copy, but woke up with it in my mind on April 27th. That gives it a hold in the subliminal playlist of Dream Songs.

No, look at me now!

Way different!

A lot of the girls I ran with or saw around NYC were into the Madonna look that included teased hair and worn high. Yeah, a few even wore their bras outside their shirts. And Thompson Twins included three distinct looking characters that could be called MTV fashion icons in 1984. As the music scene continued through the decade, the clothes seemed to get even more outrageous and hair on both girls and guys was teased and sprayed higher and higher.

And you know what? Not everyone liked the look. It seemed some people were more concerned about it, rather than simply hearing the music. In a visual society first impressions often make lasting opinions.

And it’s always been like that.

But the good thing about being different simply through fashion is that images are easy to change. That’s why we can look back at the 1970’s fashions and cringe (at least some of us!) but not be labeled with how we looked in the past. Leisure suits, big bellbottoms, platform shoes, droopy mustaches and… Well, I’m done cringing. They’re all long gone and I won’t be looking at any old photos from that era any time soon. I’ve changed.

Which brings me to a more important opinion.

With the benefit of hindsight, I’ll compare the general outrageousness (looking to make a splash) of the 80’s to the 1960’s. But it’s not the 1960’s of shocking society with Beatles haircuts or hippie clothes. I’m talking about the differences in looks that lead to inequalities.

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For a showbiz example (this is The Classic Rocker after all), what I’m talking about is depicted in the 1988 movie Hairspray and the later Broadway musical and film. In the story there was a segment of society that wanted to hold back – discriminate against – people because of how they looked. It’s about the struggle and fight for equal rights and not being accepted based solely on appearance. The main characters were not accepted by the powers that be. The message is racism, but it occurs on many levels. Motor Mouth and Seaweed weren’t accepted because they were black. Tracy was kept out of the “in-crowd” because she was overweight.

Some people make judgments only on appearance. But wait, am I getting too deep based on a simple 1980’s pop song that actually has nothing to do with this topic? Well, as The Classic Rocker I’m allowed an opinion – and in my opinion that’s despicable, racist and wrong. It just took Hold Me Now with a visual image that some people didn’t like to remind me of it.

Too different?

Too different?

Like Elvis in the 50’s and The Beatles in the 60’s, many pop stars of the 80’s including Thompson Twins, Dexy, Michael, Madonna and Boy George were often judged on their appearance. They were expressing themselves as artists, but some people wouldn’t listen because they didn’t like the way they looked. And using Hairspray as a fictional account for what was actually going on in real life, it was much deeper than that. Some people are too quick to judge based on first impressions. And when it comes to equal rights you can’t just change your status by changing clothes or hairstyle.

It’s a problem that rocked the 60’s and is still around today.

But other than the more important and continual campaign for equal rights, a common thread between the two decades was making a splash. The ones who appeared different were the ones that were noticed first and were either admired or scorned because of it. So when I hear Hold Me Now I have a visual image of an era when the trend was big hair – teased, shaved, weaved, braided, curled, uncombed and sprayed. I thought the visual was comical in some ways, but didn’t knock it because it was different.

It also didn’t affect how I heard the music.

In the BIG picture we’re still looking for many preconceived opinions and inequalities based on appearances to disappear from society forever. The BIG fight for equal rights should never stop until it’s won. But in a very small way, fortunately for me and other boomers we were past the stage of shocking the older generation with our looks when Thompson Twins and the others were dominating MTV. And for that reason, our 80’s photos aren’t as cringe-worthy as they could have been. At least for some of us…

Here’s the video of Thompson Twins that was in heavy MTV rotation in 1984.

To purchase Thompson Twins – Greatest Hits with Hold Me Now visit Amazon.com

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2017 – North Shore Publishing

February 9, 1964

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I was taken by complete surprise. Well, almost.

Jack Parr

Jack Parr

I had heard of The Beatles before February 9th only because my mom let me stay up late the night Jack Parr aired a brief clip during The Tonight Show on January 3, 1964. It had to be a Friday night and not a school night, but I’m not sure. And it wasn’t because we knew The Beatles were going to be on. Again, I had never even heard of them. We just enjoyed watching Jack Parr. For me it was his sense of smug humor (for lack of a better term). I always thought it was a bit risqué to watch his show because I was still a preteen and he was for adults. It reinforces my opinion that my mom was a little more with it than other parents who wouldn’t let their children stay up late to watch when Parr was host of The Tonight Show.

I also thank her and my dad for taking me to a Beatles concert. Again, I’ve heard too many stories from other young fans “under parental control” who were not allowed.

Other than Parr’s brief clip I have no memory of hearing anything else about The Beatles until February 9th. There was too much other “stuff” going on. I’ve been very clear about my recollections of this time in past Classic Rocker columns and my books The Beatles At Shea Stadium and The Beatles In Cleveland. We were still dealing with a very bleak time in our country’s history following JFK’s assassination in Dallas on November 22nd. We watched the funeral and news updates on television and heard discussions at home and in school about The Cold War and The A-Bomb. Even my neighbor had a bomb shelter and as a preteen baby boomer it was obvious things had changed very quickly.

I often describe my memories during these days as being in black and white. That probably comes from remembering and still seeing reruns of newsreels and television shows from that era being broadcast in black and white. The Beverly Hillbillies, The Dick Van Dyke Show, The Patty Duke Show. You know the ones I’m talking about, so no need to mention them all. All the shows were in black and white which undoubtedly affects my memories.

I didn’t even know anyone who owned a color television in February 1964 – not even my neighbor with the bomb shelter. But having a color television wouldn’t have made a difference. The Ed Sullivan Show was broadcast in black and white.

Ed Beatles 2

Rehearsal pre-fab

My dad, mom, little sister and I had been on a four day family vacation that started on Wednesday, February 5th. It was a driving trip to Washington, DC and we arrived home in the early evening of Sunday February 9th.  I had no plans to do anything except eat dinner and avoid doing any homework until the last minute. As we did just about every Sunday at 8 pm we all sat down in front of our only television (“The black and white one,” as John Lennon described A Hard Day’s Night at their legendary Shea Stadium concert about a year and a half later) to watch The Ed Sullivan Show.

Dad, mom and sis were on the couch. I sat on the floor with my back against the couch. I remember it as vividly as where I was when my fifth grade teacher announced to the class President Kennedy had been shot. There are a few dates you’ll always remember if you were alive at that time. These are two of the earliest for me.

It would be cool to say we watched because of The Beatles, but don’t remember it that way. We always watched Ed Sullivan. Like for many of us in the U.S. he was part of our television family on Sunday nights.

As the first performers, he announced The Beatles.

Beatles Ed Sullivan

A moment in time

For myself at that moment and for millions of others watching, our world immediately went from black and white to color. It was that dramatic. To use a comparison from my book The Beatles In Cleveland it was like the film The Wizard of Oz. Dorothy was swept away from a black and white Kansas and unexpectedly dropped in colorful Oz.

And The Ed Sullivan Show was broadcast in black and white!!

Beatles music has been listened to, analyzed, discussed, broken down, recreated, and even taught and studied in universities since. There’s no need for me to do that now. The influence is still felt over half a century later.

But it wasn’t just the music. They had an image unlike anyone else before them. You can talk about how shocking Madonna, Michael Jackson and Prince appeared twenty years later, or even more recently with Lady Gaga, Lil’ Wayne and Miley Cyrus. In February 1964 the Beatles’ “look” was shocking compared to what was considered “normal” at the time.

To put it into a baby boomer context based on our television viewing habits. No man in 1964 had hair like that except for Moe from The Three Stooges.

John Lennon MarriedInstead of letter sweaters and slacks, the Beatles wore business suits with tight pants, skinny ties and boots with pointy toes and high heels (Cuban heeled Beatle Boots). It was shocking! And I only learned their first names because they were flashed under their individual shots on the television screen. The music was lively and happy, the Beatles bounced in time and the girls screamed. Then it was over.

Well, not quite for me. Where we lived in northern Ohio, the dividing line between Eastern Standard Time and Central Standard Time in 1964 was drawn between Cleveland and Toledo. That meant we had two separate television markets airing shows an hour apart. At 8 pm EST I watched the Beatles live on The Ed Sullivan Show. An hour later at 8 pm CST I tuned into the Toledo CBS affiliate and watched it again. I did that for each of their three appearances that month.

Beatles Ed 2

Long haired rock’n roll

I was able to watch their U.S. debut on The Ed Sullivan Show twice that same night. It was also rerun later that year, but then I never saw it again until buying a bootleg videotape on 8th Street in Manhattan more than twenty years later. Now like many other fans, I own a legit DVD copy of The Ed Sullivan Show appearances and pretty much have every moment memorized.

The very next day it was also obvious things had changed.

On the Wednesday before, I had left school early for our drive to Washington, DC. There had been no mention of The Beatles in my classroom or anywhere that I can recall.

On Monday morning following The Ed Sullivan Show most of the girls in my fifth grade class had Beatles fan magazines hidden in their desks and their television debut was the main topic of conversation. The guys tried to act cool about it – or at least that’s my perception because we weren’t supposed to be attracted to them like the girls were. They were in love and lust. But I remember listening to their conversations and know some of the guys, me included, wanted to be like The Beatles. It seemed a lot more fun than kicking a ball around the playground.

I’m sure it was also within that first week one of the guys in my class came to school with a Beatles wig. I bought one myself and still have it. There were also a lot of Beatles trading cards, photos, magazines and other merchandize brought to school that would be considered valued collectors items today.

Beatles Bowing

From black & white to color

Of course, there was the music. By the Saturday following their debut on The Ed Sullivan Show I owned the LP Introducing The Beatles as a gift from my parents after listening to me beg for a week. The next Saturday (after more pleading) I had a copy of Meet The Beatles. Somewhere within that time frame I came up with the sixty cents (somewhere in that $$ neighborhood at that time) for the 45 rpm record I Want To Hold Your Hand b/w I Saw Her Standing There.

The floodgates were open and haven’t been closed since. It was February 9, 1964. It all changed that evening and nothing was ever the same again. Thank you to John, Paul, George and Ringo. It’s been a memorable journey to say the least.

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Dave Schwensen is The Classic Rocker and the author of The Beatles In Cleveland and The Beatles At Shea Stadium

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