Category Archives: Woodstock

#168 – I Want To Take You Higher

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#168 – I Want To Take You Higher by Sly & The Family Stone

 – At the risk of sounding like I’m standing alone in the middle of a large field with no one else to support my opinion, I believe every teenage guy that played an electric guitar in 1970 learned the opening riff to this song. Okay, maybe that’s too much of a general assumption, but I’m basing it on personal experience.

I fit that demographic and pretty sure I wasn’t alone.

Sly & The Family Stone were definitely not alone in a field when they took the crowd higher with this blast of gospel rock ‘n’ roll at Woodstock in August 1969. For the 400,000 people camped out at Max Yasgur’s farm in Bethel, New York – which over the decades grew to millions that claimed to be there –  the band’s performance was a festival highlight and a super charged Sunday morning wake-up call when they hit the stage at 3:30 am.

If anyone in that particular large field surrounded by people slept through it, I’ll make a general assumption they were in one of the emergency medical tents after dropping the brown acid the stage announcers warned festival-goers not to take.

How do I know this? Was I one of the thousands – later millions – who claims to have been at Woodstock?

Nope. I saw the movie.

Millions were there?

The Woodstock movie rolled through our area of northern Ohio during the summer of 1970. Most of us in my group of friends had listened to the three disc soundtrack LP, but the visuals proved to be an important part of the experience. I remember a carload of us (including my then current and future girlfriends – which is a different long story) heading to the theater decked out in our best hippie garb. In Ohio fashion sense, that just meant bellbottoms, a favorite t-shirt and probably blue-tinted round sunglasses. The girls enhanced their looks with southwestern style ponchos and yellow-tinted round sunglasses.

Yeah, we thought we looked cool.

For rockers the movie highlights included sets by The Who and Ten Years After. But the major impact for us came from Sly’s “Medley” performance of Dance To The Music, Music Lover and of course, I Want To Take You Higher. It was about 15 minutes of sheer energy and a main reason later to pick up the stereo needle on our soundtrack albums, place it back at the beginning of this song triad and listen to it again and again and again…

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It was also another reason to want to be in a band.

That was probably the biggest inspiration for my gang of friends to start planning our own outdoor music festival on the shores of Lake Erie. Now, that’s another long story that includes the transition between girlfriends at the same time, so I’ll save the results of this rock ‘n’ roll endeavor for another time. But basically it was just a group of high school friends looking for an excuse to have another party.

The preparation included forming a band that would headline this outdoor local extravaganza. Our first rehearsal was in a small room behind my parents’ garage. I had an electric guitar, but no amp. My best friend borrowed a bass guitar, but also had no amp. Our next move was to borrow an amp we could both use. We commandeered my dad’s drum set, which was vintage 1940’s big band style with a HUGE bass drum and only available because my dad had decided to focus his talent on playing the trumpet. We included another best buddy who didn’t have the talent to play anything, so we made him the singer.

And as another footnote, he really couldn’t sing. But it still gave us enough members to have a band.

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The final results didn’t improve much after this first rehearsal. We learned to play the riff from I Want To Take You Higher and… well, that was about it for that song. We’d play it, stop, look at each other, play it again, stop and repeat the process. We did the same with a couple Led Zeppelin riffs, The Rolling Stones’ Jumpin’ Jack Flash and then made plans for our next rehearsal.

Eventually we learned songs that were of the easier three-chord variety, like Blue Suede Shoes and Long Tall Sally, which in turn influenced the theme of our outdoor music festival. Instead of the hippie vibe of Woodstock, we renamed ours a “Rock ‘n’ Roll Revival” and now had a legitimate excuse not to play any song that had more than three chords.

Taking everyone higher!

But once again, I Want To Take You Higher and Sly’s performance in the Woodstock movie was the impetus to get our rock rolling. The song joined this Dream Song list on September 5th. The opening riff alone was a major jolt to my waking mind and no coffee was needed to kick start the day. But then again, I wasn’t going to skip my morning caffeine buzz just because my head was already buzzing. And since the song was currently in rotation on my digital playlist, it joins the recent memory category.

I don’t have any recent memories of Sly & The Family Stone, but they really made an impact all those decades ago. The more serious minded stoner hippie bands that stood on stage for too-long jam sessions were quite frankly mind numbingly boring for a group of 17 year old high schoolers looking for any excuse to throw a party, dance and laugh a lot. So when Sly appeared on the big screen and cut loose – it was like a rock ‘n’ roll magnet.

That’s what we were looking for – and that’s when we found it.

I Want To Take You Higher first came out in 1969 as the flip side of the band’s 45 rpm single, Stand. But I don’t remember anyone taking notice of it until Woodstock hit our local theater and the high-octane live version had us lifting up our blue and yellow round shades to get a better look.

I actually think I had the opening riff down on my electric guitar after only a few tries. It’s just too bad my borrowed amp wasn’t loud enough for anyone else to hear it.

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Here’s a video of Sly & The Family Stone performing a live version of I Want To Take You Higher (sometimes called Higher and Higher) from 1969. It’s not Woodstock but still brings the energy!

 

To purchase The Essential Sly & The Family Stone with I Want To Take You Higher visit Amazon.com

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2018 – North Shore Publishing

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August 15, 1965 – The Beatles At Shea Stadium

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– It started earlier than you might think…

sidbernstein

Sid Bernstein

During the winter of 1963 Sid Bernstein, a New York producer and entrepreneur, decided to expand his horizons by taking a course in Political Science. The instructor said if students wanted learn about democracy they need to study Great Britain, so Bernstein trekked down to Times Square every week and bought the British newspapers.

After reading updates about the government, he turned to where his real interests were – the entertainment section. He noticed the name of a pop group called The Beatles. At first the articles were small, but each week they continued to grow in size. They also included two words about their performances that caught Bernstein’s eye:

SOLD OUT!

To his producer’s way of thinking, these were the same words that described fame-predicting appearances by Frank Sinatra and Elvis Presley, two of the BIGGEST names in showbiz. Since expanding his horizons could also mean taking a chance, he located the Beatles’ manager Brian Epstein and booked the group – then unknown in the U.S. – for two shows in February 1964 at Carnegie Hall in New York.

Epstein Beatles

Brian Epstein and “The Boys”

When dealing with Epstein there were always stipulations. If The Beatles were not getting radio airplay in the U.S. by December 1963, the deal was off. It was a long wait, but as history tells us they made the deadline. I Want To Hold Your Hand broke the airwave barrier, they were scheduled for three February appearances on The Ed Sullivan Show – and Bernstein SOLD OUT both shows at Carnegie Hall.

Following the Beatles summer and fall 1964 tour of North America, Bernstein took another chance and scheduled them to appear in the brand new, state of the art Shea Stadium in Flushing, Queens. Again there were stipulations that included no advertising without a paid deposit, but Bernstein made a bold guarantee and backed it up by selling 55,600 seats through word of mouth. Once again…

SOLD OUT!

Nothing on this scale for a pop concert had ever been attempted before. Elvis had performed a handful of stadium shows leading up to his army induction, but the largest had been in front of 26,000 fans at The Cotton Bowl. The Beatles had to more than double that number to fill Shea Stadium.

Dressing Room

Away from the crowd

On August 15, 1965 The Beatles landed on top of a building at the neighboring New York World’s Fair and were delivered into Shea Stadium via a Wells Fargo armored truck. The dressing room was crowed with visitors including Mick Jagger, Keith Richards and future kingpin business manager for Apple Corp and three of the four Beatles, Allen Klein.

If only Brian Epstein had known…

Their entire visit to New York, beginning Friday, August 13th through Tuesday, August 16th, was filmed for a Beatles In New York (not the title, but the idea) television special. Only backstage and concert footage was used for the final version.

Introduced by Ed Sullivan, John Lennon, Paul McCartney, George Harrison and Ringo Starr ran to a small stage set up over second base on the baseball playing field and performed ten songs in about thirty-seven minutes. Whether anyone heard them depended on where they were seated, if they were screaming – or if they were next to someone screaming. Many of the male fans thought they sounded great. Many of the female fans don’t remember.

Shea on stage

Never before in the history of popular music…

Filmed in 35mm, the quality of the concert footage is similar to blockbuster Hollywood movies of the era. For comparison, The Monterey Pop Festival and Woodstock movies were filmed in 16mm.

The resulting television special, The Beatles At Shea Stadium, was planned for holiday (Christmas) airing in December 1965. One member of the Beatles inner circle approved the version submitted by Ed Sullivan Productions, while five others didn’t. A secret recording session took place in January 1966 to correct the sound and the special wasn’t broadcast in the U.S. until a year later. By that time fans were only weeks away from the release of Penny Lane and Strawberry Fields Forever by a mustached, psychedelic-clothes-wearing, pre-Sgt. Pepper’s Lonely Hearts Club Band.

The film has been restored, color-corrected with both the overdubbed and original audio remastered for mono and stereo. It has yet to be released.

But on television that January evening in 1967 they were still the mop-topped Fab Four riding high on the release of their summer 1965 film, Help! And they played, sang, laughed and sweated during a hot New York August night in front of a SOLD OUT audience of 55,600 fans.

It was 50 years ago on August 15, 1965.

It was the birth of stadium rock.

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2015 – North Shore Publishing