Category Archives: Cleveland

#170 – Purple Haze

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#170 – Purple Haze by Jimi Hendrix Experience

Jimi Hendrix Experience

Like chewing aluminum foil. I’ll let that roll around in your mind for a moment…

This might be difficult for younger classic rockers to grasp, but Jimi Hendrix wasn’t an instant, overnight success. His earliest records released in England during 1967 were not exactly hits, even though other rock musicians were taking notice. On May 29th he opened a concert in London with the song Sgt. Pepper’s Lonely Hearts Club Band. The Beatles were in attendance and more than impressed since the LP had been released only three days earlier. That moment has been written and talked about countless times since because Hendrix is such a legend.

But at that time in 1967 he wasn’t… yet.

On June 3rd Sgt. Pepper was released in the U.S. and organizers for the Monterey Pop Festival starting two weeks later were doing their best to coax The Beatles into performing. They turned it down, but Paul McCartney suggested Jimi Hendrix. They went for it and that’s when the legend started becoming real.

At least for the people that were there.

Let me stand next to your fire!

For many younger teenagers living near the northern Ohio metropolis of Cleveland, now home to The Rock and Roll Hall of Fame, we didn’t hear much (if anything at all) about this legendary rock ‘n’ roll event. This was before Rolling Stone Magazine started covering the hippie scene for those of us thousands of miles away and the film Monterey Pop with Jimi’s legend-making guitar burning performance didn’t even come out until December 1968. I’m pretty sure I didn’t see it until it made my university’s late night film lineup during the 1970’s.

Hendrix’s album Are You Experienced with Purple Haze was released in late August 1967. And since none of the songs were played on our reliable Top 40 AM “pop” radio stations, we pretty much had no idea who Jimi Hendrix was.

But during that same Summer Of Love, riots in Detroit forced my grandmother to get the heck out of Dodge. With army snipers on the roof of her apartment building near the Detroit River, she caught a Greyhound Bus and made it to our isolated niche on the shores of Lake Erie. When the fires simmered down we drove through the battle zone, packed up her stuff and moved her into an apartment near us.

It was around this time I started hearing rumors about underground music on FM radio stations.

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Since grandmothers are usually programmed never to say “No” to their favorite grandchildren, she allowed me to commandeer her FM stereo radio. Not long before this, FM was pretty much a wasteland for teenage pop music fans by featuring talk, easy listening music, weather and news. The older generations might have tuned in, but boomers were only within hearing range when we were stuck in a doctor’s or dentist’s waiting room playing FM stations that numbed us to near-death with background elevator muzak.

Through grandma’s radio I listened to songs by groups that were leading us from pop to rock. This included the Jimi Hendrix Experience and the songs Purple Haze, Fire and Foxy Lady. It was called psychedelic and sounded electric, heavy, soulful and very cool.

I was hooked.

In early winter 1968 mom and dad took my sister and me to New York City to visit our Radio City Rockette cousin. Thanks to a lake effect snowstorm that shut down the Cleveland airport, we boarded a passenger train for a twelve hour ride to Grand Central Station. Somewhere near Rockefeller Center between watching shows by the high kicking Rockettes, I wandered into a record store and saw Are You Experienced.

I bought it.

After an all night train ride home spending as much time looking at the LP cover as I did looking out the window, I finally had the chance to rip off the plastic wrapping and put it on the turntable of our family stereo. This might also be difficult for younger classic rockers to grasp, but a stereo in many boomer’s homes during the 1950’s and 60’s doubled as a piece of furniture. So I was a bit surprised when my parents allowed me to commandeer the stereo and move it into my bedroom for my own personal use. They didn’t mind rock ‘n’ roll (after all, they had taken me to see The Beatles), but this gave them a better chance to hear what was on their FM stations when I listened to Jimi’s guitar feedback behind my closed bedroom door.

But similar to discovering Jimi Hendrix at the age of fourteen, I realized my room wasn’t cool enough for this new music. Hendrix also had a look and my room had none.

Sometime that summer I found a psychedelic poster of Jimi Hendrix with the words, “Like chewing aluminum foil.” My first impression was that it was funny. But it was also different and seemed very cool.

I bought it.

But it needed a better display than just being hung up in my room, so I also bought a blue light bulb. Don’t misunderstand. This was not a blue light that could be paired up with a lava lamp to turn any kid’s bedroom into a hippie hang out. It was exactly what I said it was – a blue light bulb. I slid open my closet door, pushed the clothes on hangers as far to the side as possible, tacked up my Jimi Hendrix poster and replaced the regular light bulb (with a pull string to turn it on) with the blue bulb.

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I had a cool room.

When my pals came over I would open the closet door, push aside the clothes, pull on the blue light bulb string, and play Are You Experienced. Oh yeah… we thought we were very cool.

Purple Haze joined this Dream Song list on September 2nd. I still own my original vinyl album, but in the years since have added it to my digital playlist. And since I had just heard it, the song joins the recent memory list.

Like chewing aluminum foil? Yeah, since we weren’t really that cool you should know what’s coming…

During this phase of our high school careers, my best pal Kevin and I were pretty much inseparable. We were about fourteen or fifteen years old and if I wasn’t at his house he was at mine. We’d ride our bikes around town looking for great adventures and throw parties so we could talk-up the cute girls in our class. On weekends we’d sleep over at one of our houses so we could stay up all night watching the dumbest movies we could find on television.

Actually, we were pretty bright kids and really didn’t get into any trouble. But then again, even smart kids can be dumber than the dumbest…

One night with my Jimi Hendrix poster displayed in it’s (not that cool) blue light, we started debating what like chewing aluminum foil really meant. Was Hendrix trying to tell us something? Was it about the music or the experience?

There was only one way to find out.

We walked into the kitchen, took out two pieces of aluminum foil, popped them into our mouths and bit down. Maybe it had to do with having one or two metal tooth fillings that were popular with muzak-listening dentists in the 1960’s, but there is only one way to describe the sensation.

OUCH!!!!!

If you’ve ever made the claim that you’ll try anything once in your life – cross this one off your list. It was like having a jolt of Jimi Hendrix electric guitar feedback screaming through every nerve ending connecting our jaws to our brains. We couldn’t spit it out fast enough while trying to muffle our cries of agony so we wouldn’t wake up my mom and dad. It was bad enough to learn how dumb we could be without letting my parents in on the realization.

Decades later I can still dredge up the pain like a bad acid flashback – even though I’ve never taken acid. If you’ve ever wondered what it would be like to stick a live electric wire your mouth, it’s…

Like chewing aluminum foil.

To this day if Kevin and I see each other all we have to say is, “LCAF.” Believe me, the impression was lasting and we both know exactly what we’re referring to.

The legend-making part of Jimi Hendrix’s career was also a short explosion that only lasted only a few years. He died in September 1970 while I was still in high school and at a time when some rock stars were only just starting to figure out there might be a dark side to doing drugs – and teenagers learned not to chew aluminum foil.

But we didn’t stop playing his records. Like The Beatles, The Rolling Stones and a certain few other legends of the rock world, Hendrix still seems to be relevant. He is still referred to as one of the best – if not THE best – rock guitar player and innovator. He changed the music forever.

He also changed the way I look at aluminum foil. LCAF.

Have a comment?

Please use the form below – and keep rockin’!

For a live performance video of Purple Haze by the Jimi Hendrix Experience, check this out…

To purchase Are You Experienced with Purple Haze visit Amazon.com

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2018 – North Shore Publishing

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#180 – Sloop John B

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#180 – Sloop John B by The Beach Boys

 – Here’s something I’ve mulled over in my Classic Rocker mind the past few decades. I’ve been to four Beach Boys concerts and have seen a different lineup of the core five members each time.

Let me explain that better…

The Beach Boys were the three Wilson brothers, Brian, Dennis and Carl, their cousin Mike Love and Brian’s high school football buddy Al Jardine. And yeah, I know Wilson neighbor David Marks is considered an original member and played on their early albums, but by the time the band was releasing hit singles competing with The Beatles and other British Invasion groups on the pop charts, Marks had left. Also Bruce Johnston came on in 1965 to take Brian’s place in live performances and has been with the band longer than Ronnie Wood has been with The Rolling Stones.

But the first-mentioned five are the only Beach Boys inducted into The Rock and Roll Hall of Fame. So we’ll use them as the core lineup.

Now after that brief diversion, let me get back to my explanation…

On the really big “shew”!

The Beach Boys are one of the few major U.S. hit-makers outside of Motown that I remember paying attention to during The British Invasion that started with The Beatles first appearance on The Ed Sullivan Show. Because of finances as a preteen making only a few bucks every week working in the family business and mowing lawns, I had to be selective in my record purchases. Any new release by The Beatles was worth the bike ride to my local record store. Otherwise a song would need to really grab me to dig into my reserves and make a purchase.

The Beach Boys scored more than a few of those. I don’t need to list the classics since I’m assuming you’ll know them all anyway. But I’m proud to say I pretty much wore down my 45 rpm vinyl singles of I Get Around and California Girls, just to name two.

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But somewhere after the release of their classic album Pet Sounds and The Summer of Love in 1967 when Sgt. Pepper and the psychedelic music craze changed everything from pop to rock, The Beach Boys seemed to disappear. I don’t remember them making the transformation – for lack of a better term. It may have had something to do with their follow-up LP Smile not being released, but I’ll go ahead and take the blame for not paying closer attention. We were getting more into albums, so when the singles Heroes And Villains came out in 1967 and Friends the next year, I didn’t discover them until the early 1970’s.

And speaking of the ’70s…

Central Park 1971

I had a personal transformation during the summer of 1971 when I watched a television special called Good Vibrations From Central Park that featured The Beach Boys. Honestly, I didn’t even know they were still together. But the real shock was how they looked. They had somehow morphed into the Woodstock Generation by ditching the surf band striped shirts and white slacks for hippie bellbottoms, long hair and beards.

They played hits including Good Vibrations, but also a completely unexpected version of Okie From Muskogee. It was a cornball country novelty song as far as I was concerned (sorry Merle Haggard), but somehow The Beach Boys sounded and looked cool doing it. They also had a crowd of New York City hippies in Central Park singing along.

Their comeback became official later that year when they were on the cover of Rolling Stone and released the LP Surf’s Up, which I consider a classic and one of my favorites. I was back to being a fan.

So what about the core lineups? Okay…

I grew up outside of Cleveland, Ohio and can only guess I was home from college for Thanksgiving Break when I took my girlfriend to see the reinvented Beach Boys at Cleveland Music Hall on November 20, 1971. It was a smaller venue with great acoustics compared to the larger Public Auditorium next door and the band, with a horn section sounded great.

Of course Surf’s Up was featured, along with the hits.

In the smaller venue there was more interplay between the band and audience. I remember some guy yelled out, “Where’s Dennis?!” Carl answered back, saying Dennis had hurt his hand and not with them. And since Brian had stopped performing, that concert only included core members Carl, Mike and Al.

A memory from that show includes Al Jardine’s guitar strap breaking and his acoustic guitar dropping onto the stage. As the exasperated father yelled on Meat Loaf’s Bat Out Of Hell LP:

“That’s no way to treat an expensive instrument!”

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Five months later on April 28th The Boys were back in the Cleveland area at John Carroll University. I can only guess I was on spring break from college and my girlfriend had dumped me, because I was there with two of my best friends. Dennis made it to this one and joined the core lineup with Carl, Mike and Al.

Since this was a college show it was a younger and more rambunctious crowd and there was a rush to get closer to the stage. Of course we were part of this music madness. Our pal Tim must have had some open running room in front of him and picked up enough speed that by the time he reached the stage the security guys grabbed him and kept his momentum continuing through the exit door. Locked out, he spent the end of the concert in the parking lot waiting for us.

I finished the concert close enough to be part of a small group that Mike Love allowed on stage to help sing the chorus of Barbara Ann. And yeah, it was very cool.

Brian & Carl Central Park 1977

My third concert included the entire core when Brian performed with the group in New York’s Central Park on September 1, 1977. I had only moved to the city a few months before and have an almost positive memory of going to the concert alone.

Well… okay, there were about a million other people there so it was far from a lonely experience.

As a Beach Boys fan, it was a real thrill to see the reclusive Brian Wilson on stage. And according to what I just found searching the internet to confirm this date, he sang lead on Sloop John B that hot, dry afternoon. And yeah, hot is a key word in that last sentence since we were in a late summer heat wave. I still have photos somewhere showing the band as small figures on a distant stage with clouds of dust  (from the softball fields?) hanging in the air.

Then I took a break for 22 years…

By the next time I saw The Beach Boys I was doing what a lot of boomers were doing when I was rocking out to the entire core lineup in Central Park. I was more mature and settling down with a family.

Making a return to northern Ohio I was writing concert reviews for a local newspaper. I was doing a feature on The Beach Boys at The Sandusky State Theater (near Cedar Point Amusement Park for all you roller coaster enthusiasts) and decided to make it a family outing. The date was October 22, 1999 and along with my wife Debutant Deb, sons 11-year old Chaos Kevin and 4-year old Dangerous Paul, we raided my once extensive collection of Hawaiian shirts so we could all dress surf-worthy for the show.

The Beach Boys

This version only included core member Mike Love and long-time member Bruce Johnston with their backing band. They were still billed as “The Beach Boys” since Love had legally secured the name from the surviving members, Brian and Al. Dennis had been gone since 1983 and Carl since only 1998.

The two cores and replacements reproduced the hits and we had the kids up and dancing for most of the show. And I have to admit it was great for a mature Beach Boys fan, though the other core members were very missed. It wasn’t the group picture I still have in my mind.

Sloop John B joined this Dream Songs list on August 9th. Brian Wilson rightfully deserves the title genius when it comes to his contributions and innovations to the 1960’s as a composer and producer, but he didn’t write this one.

It’s an older folk song that folkie Al Jardine suggested for the group. Brian did an updated arrangement and included it on Pet Sounds.

It’s one of my favorite tracks by The Beach Boys and even though Brian and Mike took turns singing lead on the recording, it turned into one (of many) that featured Carl during their live performances. Of course I own a copy and had just heard it, so we’ll surf this one into the recent memory category.

Have a comment? Please use the form below.

Here’s the 1966 promotional film for Sloop John B. If you haven’t seen it, it’s not what you might expect…

To purchase The Very Best of The Beach Boys: Sounds Of Summer with Sloop John B visit Amazon.com

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2018 – North Shore Publishing