Category Archives: Cleveland

#199 – Leave It To Beaver Theme Song

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#199 – Leave It To Beaver Theme Song

 – The television sitcom Leave It To Beaver portrayed the television image of Middle America in the late 1950’s and early 60’s. Everything was perfect. The family unit included a nice house, a mom and a dad, and two kids. Dad supported the family; mom took care of the family and any problems the kids were in could be solved by the family within a half hour episode.

Were things really that simple? Maybe on television, but not in real life.

The 1960’s, as many of us remember the decade, was simmering in the background. The show was broadcast into our living rooms each week in glorious black and white beginning October 4, 1957 until signing off on June 20, 1963. Elvis was still pre-army when viewers first met the Cleaver family and when the final episode aired we were only five months away from JFK’s fateful trip to Dallas.

In May 1963 Bob Dylan released his second album, The Freewheelin’ Bob Dylan, with songs about civil rights and nuclear war. In August Dr. Martin Luther King declared “I have a dream” in Washington D.C. and went on to be named Time Magazine’s Man Of The Year. And The Beatles were gearing up for a televised surprise attack on our senses that came on February 9, 1964.

Along with many other factors including The Space Race, The Cold War and The Vietnam War, our generation was in for a change. A BIG change. The sitcoms – and many are considered classic and still very entertaining – were far from being reality shows for the era.

The Cleavers

Leave It To Beaver was one of the moving picture postcards of The American Dream delivered into our living rooms every week. As referred to above, it was broadcast in black and white. But when you think about it, there really was no “black and white” on television during these years. Except for African Americans appearing as guest stars or supporting players, the first black leading character on a network series didn’t happen until 1965 when Bill Cosby starred in I Spy with Robert Culp.

As a member of the younger edge of baby boomers (I was five years younger than Jerry Mathers, who played Theodore “The Beaver” Cleaver), Leave It To Beaver was one of my weekly looks at the outside world. But it really didn’t seem that much different from where I was growing up in northern Ohio. School, friends, girls (not always the same as “friends”), dealing with teenagers and respecting adult authority were about as deep as things got. I was fortunate that my parents were always more open than some of the others. My mother was from Detroit and they both enjoyed taking me on weekend excursions to other big cities such as Cleveland, New York and Chicago.

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In all honesty, that’s where I’d see minorities. But the cities to me were exotic places with energy, excitement and adventures on every block and didn’t seem to exclude anyone because of color, sex or religion. As a young visitor in those days before the race-related riots of the 1960’s, I was never exposed to any inner city problems. Like the Cleavers and their social circle in Leave It To Beaver, it was life in a protected bubble. But these youthful real world experiences in big cities helped me form the opinion there were no reasons why we all couldn’t – or shouldn’t – live together.

Not The Cleavers

So when I write about the dramatic changes that still make the 1960’s the most talked about and studied decade of the Twentieth Century, The American Dream and The American Reality on how the 60’s played out serve as bookends. Start with Leave It To Beaver and end with the film Woodstock and you’ll understand why Boomers are so passionate about this decade of change.

For the first generation to be accused of having television as an adult authority figure, sitcoms were our windows to the outside world. And just like race, sex and religion, what we learned from television went a long way in defining how we look at the world – and how the world looks at us.

One of my favorite (and funniest) personal examples happened more than twenty years after Leave It To Beaver faded off into rerun land. I was living in New York City and breaking into the comedy biz. Before ending up with my career “behind the scenes,” I did stand-up comedy. But once again in all honesty, I lacked the necessary edge that in my opinion makes seasoned NYC comedians the funniest. After one particular bleak performance on stage at a famous comedy club, a couple of my black comedian friends (while laughing) told me I was too “white bread” to be truly funny. I was too Ricky Nelson from Ozzie and Harriett, which is another television postcard of 1950’s and 60’s American Dream.

And you know what? I laughed with them because it was true. There was no way around the stereotyping. But looking back, even my friends didn’t get it right. I was more Theodore “The Beaver” Cleaver in the 60’s than the cool Ricky Nelson from the 50’s.

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The Leave It To Beaver Theme Song (actual title; The Toy Parade) is a classic example of the catchy tunes that lured viewers to their television sets and can still set off nostalgic memories for the boomer generation. I’ll even go out on a limb and say most of us can hum it all the way through (there are lyrics, but never heard on the show) just like we can sing I Want To Hold Your Hand and She Loves You. This particular TV tune waxed nostalgic in my waking mind on May 9th. Since it doesn’t fit the classic rock requirements to be on my digital playlist, I can’t remember the last time I heard it and The Toy Parade falls onto the subliminal side of the Dream Song List.

Eddie Haskell

One comic element of Leave It To Beaver that has stayed real for me through the decades is the supporting character Eddie Haskell. If I were to ever list my all-time favorite television characters, he would have to be in the Top 10. Played by Ken Osmond who later left showbiz to become a police officer, Eddie Haskell embodies the heart, soul and devious mind of every wise guy kid who ever stirred up any type of trouble and tried to schmooze his way out of it by being overly polite and agreeable toward whatever adult authority was coming down on him.

My dad, who had a wonderful sense of humor and could make me laugh until I cried, would compare my friends and me to Eddie Haskell whenever we tried to talk our way out of whatever predicament we had gotten ourselves into. And I also used it to describe my son to anyone that might remember the legendary TV name.

Since he was born in 1995, I’m sure Paul has no idea who Eddie Haskell is. But when someone from my generation gushed over how nice and polite he was while growing up, I reminded them of this iconic television character. They knew immediately what I was talking about. Kids can still be typical kids before the BIG changes of adulthood and no different than we were growing up in the 60’s. And similar to when we started asserting our independence while moving into our teenage years, there were many times at home when I felt I was talking to Eddie Haskell in all his American Dream wise guy glory.

The only glitch in the process was that I had grown out of my Eddie Haskell phase. I’ve reverted back to being The Beaver.

The theme song arrangement changed during the years, with the final season using a “swing” style. Below is the opening sequence to Leave It To Beaver from season four, which is the one that scored on this list.

If you’re a dedicated fan, you can purchase the complete Leave It To Beaver series on DVD from Amazon.com. Also separate seasons and episodes are available through the link.

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2017 – North Shore Publishing

Beatles Program

#207 – Green Tambourine

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#207 – Green Tambourine by The Lemon Pipers

The Lemon Pipers

The Lemon Pipers

– Like a lot of music we were listening to as teenagers in late 1967 going into early 1968, it’s tough to come up with a classification for this song. I considered it psychedelic, which was a trend that was definitely happening at the time. But after doing a quick online surf to find out what – if any – residue was left behind by this song in the annals of Classic Rock, it is given credit for inventing a category that had never been used before to describe a musical genre:

Bubblegum.

Lemon Fruitgum

Package of bubblegum

Going from psychedelic to bubblegum was a musical personality split comparable to sharing vinyl turntable space with Jimi Hendrix and The 1910 Fruitgum Company. It didn’t happen in a sane world. But looking back at our journey through the 1960’s I can see the “Y” in the road. Sitars, jingle-jangle tambourines and over-echoed vocals were part of the soundtrack for The Summer Of Love in ’67 and were still happening when Green Tambourine hit No. 1 on the music charts in February 1968. But it already seemed outdated in some ways. Pop music was evolving into the heavier sounding rock music and bubblegum was about as cool as a military crew cut in Haight-Ashbury.

Of course what did I really know about the hippie haven district in San Francisco? I was a 14 year old kid in Ohio and only knew what I heard on the radio or read in magazines. And since no one had come up yet with the term bubblegum for some of the new music we were listening to, it seemed as if the hippies from the summer of ’67 were still happening.

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In my location of the world we hadn’t been exposed to hippies outside of the media lifelines I just mentioned above. The Beatles had changed their appearances with mustaches and colorful clothes for Penny Lane and Sgt. Pepper, but a lot of us couldn’t follow the trend. Mainly because we were still too young to grow decent facial hair and school dress codes strictly forbid it, along with hippie attire.

San Francisco hippies?

San Francisco hippies?

In fact, these creatures of psychedelia were so rare in our neck of the woods, to spot one was comparable to a rare bird sighting in the wild and untamed outdoors. It was around this time that we would visit family in Saginaw, Michigan and all pile into a car as tourists to drive past the “Hippie House.” I remember it was a purple house with bright symbols painted on the sides and doors. It might even have had an orange or yellow roof, but those details have been lost in the haze of years since. I’m not sure the Ohio family contingent ever even caught a glimpse of a legitimate hippie outside, but the Michigan relatives assured us they truly did exist.

I’m pretty sure the closest proximity hippies to us in northern Ohio were The Lemon Pipers. I say this because they were touted as being a band from Cleveland. It wasn’t until many years later I found out they were actually a group of students from Miami University. But forget about visions of palm trees and bikinis. This was the northern based school in Oxford, Ohio.

Closer – but not Cleveland.

I’m not going to say this song had any impact on me. It didn’t. It had a catchy tune and we heard it on the radio. And since it came out during my first year in high school, I’ll assume we danced to it somewhere.

But it was more the local connection that made a lasting impression.

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I remember watching The Lemon Pipers perform Green Tambourine on the Cleveland based “teen music” television show Upbeat. When the program first started in 1964 it was comparable to Dick Clark’s American Bandstand out of Philadelphia. The original title was The Big 5 Show because it aired every Saturday at 5 pm on Channel 5 in Cleveland. The host was Channel 5 weatherman Don Webster.

The show featured an impressive lineup every week that – again from memory – included pop stars such as Stevie Wonder, The Lovin’ Spoonful, Paul Revere and The Raiders, The Yardbirds, The Jefferson Airplane and Otis Redding’s final performance. When the show was syndicated into different markets, the local aspect was removed and retitled Upbeat.

Don Webster "Monkee'ing" around on Upbeat

Don Webster “Monkee’ing” around on Upbeat

The Lemon Pipers looked like San Francisco based hippies. But I’m sure Don Webster told us they were from Cleveland (or maybe just from Ohio). Either way, they didn’t look like anyone else in my neighborhood. I wonder if they had a “Hippie House” we could’ve driven by on a tourist outing. Then again, since they were still college students we would’ve just been driving by their dorm.

But if this song stands as a first “Y” in the roads leading to bubblegum or rock, I took the route forged ahead by Jimi Hendrix and left The 1910 Fruitgum Company trail for the younger teens and preteens. It also wasn’t long after this that Upbeat disappeared from my regular viewing schedule. As a newly minted high school teenager with friends, dances, sporting events and the possibility of girls being around all three, Saturday afternoons and evenings were not meant to be spent sitting in front of a television.

Green Tambourine “jingle-jangled” onto this Dream Song list on April 8th. Though I never owned a copy in 1968, nostalgia got the best of me during an online shopping spree and the song is now on my digital playlist. I had just heard it, so “listen while I play” it into the recent memory classification.

To watch The Lemon Pipers lip-sync Green Tambourine during what I’m pretty sure is actually their 1967 or ’68 appearance on Upbeat (it reads 1969 in the title, but by that time they were long past plugging the song for more sales) check out the video below.

 

To purchase The Best of The Lemon Pipers with Green Tambourine visit Amazon.com

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2016 – North Shore Publishing