Category Archives: Beer

#173 – Uncle Albert/Admiral Halsey

Standard

#173 – Uncle Albert/Admiral Halsey by Paul and Linda McCartney

Paul & Linda

– There’s a short section of road along the south shore of Lake Erie that I drive almost every day. It’s about seven or eight miles from where I’m currently holed-up and for some reason, more often than not, I’m reminded of Uncle Albert/Admiral Halsey.

This is a bit of a mind game for me because that doesn’t happen anywhere else. Yeah, certain places might remind me of certain songs, but this is a constant. I make a slight curve, glance up a short hill of mowed grass and regardless of whatever one of the thousands of songs on my playlist is coming through the car speakers, the title of this hit from the 1971 album Ram will flash through my brain.

I know… strange.

Smile Away 4 the camera!

In trying to put my memories together I know the album was released that May, less than a month before I graduated high school. I’ve never owned a vinyl copy, but had an 8-track that I played so often the cover photo of Paul holding the horns of a ram showed serious signs of wear and tear by the time I graduated college four years later. By that time, 8-tracks were relegated to either ancient history or collector’s items. It’s now on my digital playlist – which is a current technology that fools me into thinking I’m not that ancient – but I hadn’t heard it in awhile.

So when I woke up with the song playing through my mind on August 25 it immediately went into the subliminal category of Dream Songs. And I guess that makes it a double-whammy when it comes to mind games (and yeah, I was thinking of the John Lennon album as I wrote that) because I also know I’ll drive past that mowed hill of grass within the next day or two and whammy! Uncle Albert/Admiral Halsey will be subliminally traveling with me again.

Since the song wasn’t released as a single until later that summer I can only guess it was already receiving radio airplay in advance, or I had propped my state-of-the-art portable 8-track player on the passenger seat of my mother’s car (since I didn’t have my own), using the cigarette lighter as a power source. If Uncle Albert/Admiral Halsey was playing all those decades ago while – by chance – I was cruising along this piece of road, it must have made quite the mental impression.

I have no other explanation why that happens. But there is another memory…

————————————————————————

20% OFF Author Signed Copies!

The Beatles At Shea Stadium

The Story Behind Their Greatest Concert

20% OFF Retail Price with FREE Shipping (Continental U.S. Only)

Signed by the author and only through the website – BeatlesSheaStadium.com

————————————————————————

There was bit of a red flag feeling that went up with this song. The Beatles had been the most consistent hit-making band since I was a preteen in 1964. The Rolling Stones had been around almost as long, but were only just moving into their Golden Era off the LP Let It Bleed and released the month before Ram, Sticky Fingers. Led Zeppelin had also become a favorite, but both groups were still in the rear view mirror when it came to The Beatles.

Two thirds of writers

With three major songwriters competing for spots on their albums, you knew there wouldn’t be a dud in the bunch. John Lennon and Paul McCartney regularly supplied number one hits and George Harrison had come into his own as a writer. The winter before he seemed to pass the other two as a solo artist with the classic LP All Things Must Pass.

John had become the Working Class Hero and Paul once again demonstrated his talent with his first self-titled album and the single Maybe I’m Amazed.

And though boomers continued to hold out hope for a Fab Four reunion after Abbey Road and Let It Be, Paul’s second LP Ram (with his new writing and performing partner, wife Linda) really made it clear there was a major separation between him and his former mates as songwriters.

But we should have seen it coming…

When you listen to Abbey Road, the actual final Beatles record (Let It Be was recorded earlier and released later) it was obvious then. Harrison’s Something and Here Comes The Sun, and Lennon’s Come Together are mainstays in Beatles Best Of collections, near the top in Beatles song rankings and highlights in the decades later LOVE show in Las Vegas and the CD.

————————————————————————

Classic Rock Logo

Follow The Classic Rocker!

Then visit Dave’s author page on Amazon.com

————————————————————————

McCartney’s main contributions to the album (other than song snippets with Lennon’s on the side two Medley) were Maxwell’s Silver Hammer and Oh, Darling! Don’t get me wrong – I love both. But they’re more light-weight pop songs and when compared to the before-mentioned Lennon and Harrison classics they never seemed to rank as high on the Beatles Hit Parade.

There’s no doubt McCartney deserves every award and accolade he’s received. But when the hard rockers were taking over in the early 1970’s he seemed to be moving a few steps back into the pop category. Uncle Albert/Admiral Halsey has always been a favorite, but releasing it as a single during Spring 1971 didn’t help raise his cool factor.

Rock and rollers

To put it into perspective, as mentioned I was graduating high school. At our graduation parties where dancing and 3.2% beer were legal and common for 18-year olds in Ohio at that time – do you think we were rocking out to Uncle Albert/Admiral Halsey or Brown Sugar, Gimme Shelter and Whole Lotta Love?

No need to answer. If you’re a first generation Classic Rocker, I’ll rest my case.

Ram was a huge hit in 1971, along with just about everything involving any of the Beatles during this era. Uncle Albert/Admiral Halsey may have been too pop for much of the Woodstock Generation and too close on the heels of the bubble gum music fad that drove many of us away from AM radio, but McCartney was still writing great tunes and rocking out. One of them, and undoubtedly my favorite from the album, is Too Many People, which came in at #261 on this Dream Song list. It’s rare when an artist has two songs on this list – let alone two songs from the same album (other than a Greatest Hits Collection). It just another example of McCartney’s ability to write catchy tunes.

Oh, there’s one other lasting memory…

My dad had a favorite uncle. He was much older and lived in Michigan, but they were always close. And of course his name was Uncle Albert. The first time my dad heard this song coming from my transistor radio at our family bakery, he stopped working (for a brief moment), looked at me, smiled and said, “Uncle Albert?” Yeah, I’ll always have that memory.

Have a comment? Please use the form below – and keep rockin’!

Since I don’t know if the McCartney’s ever performed the song live or made an official video, here’s something I’ve found online. The song is heard over family home movies, which will give you an idea of what Paul and Linda were doing following the breakup of The Beatles and before the mega-success of their group Wings.

 

 

To purchase Ram with Uncle Albert/Admiral Halsey (along with Too Many People and other great tracks) visit Amazon.com

——————————————————————————–

Twitter

Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2018 – North Shore Publishing

 

 

Advertisements

#178 – Sir Duke

Standard

#178 – Sir Duke by Stevie Wonder

 – Motown was everywhere in the 1960’s. If your transistor radio could pick up a Top 40 station, regardless of where you were located, you heard the hits coming out of Detroit scoring big-time on the music charts. Even in the midst of The British Invasion deejays would spin new releases by The Supremes, Temptations and Four Tops as often as they did The Beatles and The Dave Clark Five.

My claim to being a pop music know-it-all and future Classic Rocker didn’t fully gel until Ed Sullivan introduced us to The Beatles on February 9, 1964. But the roots had already been digging in. When I was about nine or ten years old I had a friend who lived across the street. And he had something I didn’t:

A teenage brother.

Per tradition when it comes to teenagers dealing with younger siblings and their immature friends, we as little kids were not allowed to go in his room or touch any of his stuff.

And of course as little kids, that’s exactly what we would do when he wasn’t home.

The 12 year old genius

A magnet for us would be his record player and collection of 45 rpm disks, usually scattered around his bedroom floor. The ones I remember most were Big Bad John by Jimmy Dean (1961) and Fingertips Part 2 by Little Stevie Wonder, released on Motown’s Tamla label in 1963. He was billed as “The 12 Year Old Genius,” which told us he wasn’t a teenager either.

On the few occasions we were caught red-handed in his room and subject to firsthand demonstrations of Big Time Wrestling moves until we could break away and run out of the house screaming for parental intervention, I never thought of using this age gap as a self-defense weapon. Why the heck were little kids banned from this treasure trove of infectious music when the teenager himself was a fan of The 12 Year Old Genius?

I answered that for myself a few years later when as a teenager I ordered my little sister to stay out of my room and never touch my stuff. If these age gap rules weren’t followed, her punishment would be the same Big Time Wrestling moves I had learned the hard way while listening to Big Bad John and Fingertips Part 2.

And in case you’re wondering about the title, the live recording was too long to fit on one side of a 45 rpm vinyl. So like the classic Isley Brothers’ rocker Shout, Fingertips was edited into two sections. Part 1 was actually the A-side of the single. But thanks to Stevie’s hyper-excited close to the live performance and his “Goodbye, goodbye” ending chorus that we hoped would go on forever, deejays played the B-side and that’s the title that hit number one on the music charts.

————————————————————————

20% OFF Author Signed Copies!

The Beatles At Shea Stadium

The Story Behind Their Greatest Concert

20% OFF Retail Price with FREE Shipping (Continental U.S. Only)

Signed by the author and only through the website – BeatlesSheaStadium.com

————————————————————————

As time will do with all of us, we grew older over the years. But unlike with my circle of teenage friends during the mid to late 1960’s, Stevie Wonder was making hit records. He also dropped “Little” from his billing and by the end of the decade he was a mature artist blazing a trail through funk and soul music. I guess that also earned him enough rock ‘n’ roll cred that he flew directly into my realm of fandom via a rock concert. It was during my final year as a teenager when he opened for The Rolling Stones during the legendary Exile On Main Street Tour in July 1972.

This was four years before the release of his mega hit double LP Songs in the Key of Life with the song Sir Duke, but his creativity had already been taking him in that direction. His latest album prior to The Stones’ tour was Music of My Mind and his next single would be Superstition.

We’ll get more into that concert experience in a moment, but first…

Songs in the Key of Life

Sir Duke joined this Dream Song list on August 12. I’ll call it Big Band Funk since it was a tribute to Duke Ellington, Count Basie, Louis Armstrong (Satchmo) and others mentioned by name in the song and stands as one of the many highlights from Songs in the Key of Life. But since my vinyl copy is stored in the Classic Rocker Archives and I can’t recall hearing it since my son Paul’s junior high jazz band performed the song as an instrumental during a school program, it funks its way into the subliminal category.

Of course I had been a Stevie fan since Fingertips Part 2, but once he entered the Superstitious era I appreciated his genius even more. It had become a Christmas tradition that I would be gifted with an album. It started with Beatles ’65 in 1964 and Rubber Soul the next year (which I hijacked and started playing a couple weeks before). I remember The Stones’ Let It Bleed made the list, along with George Harrison’s All Things Must Pass and The Concert For Bangladesh.

In 1976 it was Songs in the Key of Life. The entire collection of songs, along with Sir Duke made both LP’s mandatory listening throughout the winter.

But now let’s return to the summer of 1972…

A new era

At the time Stevie Wonder seemed to be a strange choice to open shows for The Rolling Stones. With their roots in the blues, it was never a surprise when artists like B.B. King, Muddy Waters or The Ike and Tina Turner Review kicked off the concert experience. But Stevie Wonder didn’t seem that far removed from his 1960’s Motown hits and the once descriptive adjective “Little” before his name.

As I’ve mentioned in an earlier Classic Rocker, my pals and I saw the Exile On Main Street Tour at the Akron (Ohio) Rubber Bowl on July 11th. It was outdoor, festival seating – meaning you arrived early to find a good seat and stake claim to it. By the time we got to the outdoor stadium we were relegated to space halfway up in the stands and about a fifty-yard rush to the left side of the stage. Fortunately it was the first concert I had ever been to that had huge screens on both sides of the stage and we had close-up views of everything happening under the spotlights.

Also from our vantage point, we had no problem seeing a lot of what was happening below us on the football field that was jammed packed with fans.

————————————————————————

Classic Rock Logo

Follow The Classic Rocker!

Then visit Dave’s author page on Amazon.com

————————————————————————

Keep in mind this was 1972 and things were different. The concert scene had been going through some recent changes…

The screaming teens that had turned Beatles and DC5 appearances into short pop music events had matured into The Woodstock Generation. If you didn’t at least try to look like a hippie with longer hair, bellbottoms and concert t-shirt, you probably looked out of place. Most Stones fans were also old enough to purchase alcohol, (3.2% beer if you were at least 18 in Ohio) and the smell of marijuana wafting through the air was as much a part of the scene as the music.

But that didn’t mean this entire scene was all that acceptable to the older generation.

One of my most vivid memories of this concert happened during Stevie Wonder’s opening set. We had all read about the violence and mayhem that followed The Stones on this tour. There were stories of violence and injury reports at almost every stop and there was no reason why Akron would be different.

Stevie and Mick Exiled on Main Street

Sometime during Stevie’s opening set a large contingent of policemen gathered at the end of the football field facing the stage. We all noticed – and all started watching. Then forming in a long line, they pushed and shoved their way through the crowd like they were zeroing in on a certain group. Again, we were all watching – only this time everyone started booing the cops.

About midfield they stopped and – apparently – tried to drag out a few hippies. We could only speculate it was a drug bust and it took everyone’s attention away from what was happening on stage. We could see it turning into a brawl and fans near the action were throwing bottles and whatever at the cops. I distinctly remember seeing blood on the top of one officer’s bald head.

Eventually the cops retreated. And as far as I remember, there were no arrests – at least on the field during the concert. The fans cheered as the cops withdrew and all eyes and ears went back to Stevie Wonder. And they stayed that way after the sun went down, the stage lights went up and the images of Mick and Keith kicking into Brown Sugar were projected onto the large screens at both sides of the stage.

Have a comment? Please use the form below.

Here’s a video of Stevie Wonder performing Sir Duke.

 

To purchase Songs in the Key of Life with Sir Duke visit Amazon.com

——————————————————————————–

Twitter

Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2018 – North Shore Publishing

They say it’s your birthday (again)!!

Standard

11885210_10206750047483724_1164378672389296806_n – Guess I should have saved my past birthday posts after the number of years writing The Classic Rocker. It would’ve been like another mini timeline of where, what and what the heck was I thinking! With today being this year’s birthday, here’s the experience (and it was a good one!)…

This really happened and even I wouldn’t dare make this one up.

Today is my birthday. Last night at 11:30 pm I’m standing in line to buy beer. No one in front of me was carded. I got to the counter and the guy asked for my ID. I told him I was “flattered” and it was my birthday.

I also checked to make sure there were no hidden cameras and I wasn’t being “punked.”

The guy said something about my hair (still got it!) and something else. I wasn’t really listening because I was pumped up and psyched-out about this newsworthy anti-aging event. I gave him my driver’s license.

Seriously – his eyes popped out and he goes, “Holy shit!!

He asked about health tips and I told him to only drink light beer. But then he rang up the beer and charged me for it?! I reminded him it was my birthday! He said I still had 30 minutes before the big day, so I (happily) paid up.

I’m good for another year… ha!!

——————————————————————————–

Twitter

Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2016 – North Shore Publishing