Category Archives: 1967

#205 – She’s A Rainbow


#205 – She’s A Rainbow by The Rolling Stones

Satanic Majesties Cover – Was it just me, or did everyone know the album Their Satanic Majesties Request was already outdated when it was released in December 1967? I don’t mean that as any kind of anti-Stones thing since I’m a huge fan of the group. But seriously, the psychedelic Summer Of Love had hit auto drive with Sgt. Pepper’s Lonely Hearts Club band more than six months earlier and by Christmas shopping season boomers were coasting into the pre-Woodstock era.

The pop/rock music scene was all over the place as we entered 1968 and The Stones would play a major role as they morphed into “The Greatest Rock ‘n’ Roll Band In The World,” according to Mick Jagger’s self-proclaiming introduction kicking off one of the greatest live albums of all time, Get Yer Ya Ya’s Out. But with this release at the end of 1967 they were setting themselves up to have their rock and roll guitar licks thrown back in their faces by The Who, The Doors, Cream, Iron Butterfly and Jimi Hendrix. I didn’t even mention The Beatles since they were in a class by themselves. They hit their own speed bump with Magical Mystery Tour as their Christmas product that year, but they were the ones that set the standard with Sgt. Pepper in the first place. They could be excused even when the follow-up LP (in the U.S.) filled up side two with months old psychedelia (Strawberry Fields Forever) but also included future mega classics like I Am The Walrus and Fool On The Hill.


Back on track

Lucky for all of us The Stones got back on track in May 1968 with Jumpin’ Jack Flash. But at the tail end of Flower Power they gave us Their Satanic Majesties Request with She’s A Rainbow. I’m not going to say it’s a bad song, but along with the album it doesn’t go down as one of the band’s highest moments.

On second thought, it was probably the result of some higher moments. One of the reasons the album didn’t make it into the actual soundtrack of The Summer Of Love was because of the group’s various drug busts, court appearances and jail time. Guess you could say the legal itinerary disrupted their scheduled recording dates and deadlines.

I remember seeing the album in stores that winter and picked it up only to watch the 3D photo on the cover. When you moved it around The Stones’ heads would turn. That was cool for a couple times, but then just as boring as any child’s game and definitely not as cool as the Sgt. Pepper cover.

We also heard the music that way.


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The album scored on the charts, but dropped out of sight fast. I never met anyone in my life that actually owned a copy until I went to college years later. One of my best pals was a Stones freak and owned every album, including the early ones before Satisfaction and Get Off My Cloud pushed them ahead of the other British Invasion acts, but still second tier to The Beatles. I wrote earlier about a road trip I made with college pals from Northern Ohio to New Orleans, through Texas and back in three days with Satanic Majesties as one of our few 8-tracks. We listened way more than a few times and dug it, but after that weekend as a captive audience in a Vega station wagon, my immediate reaction was similar to the music charts.

The album had been a hit for a few days and then done and gone. But not forgotten…

She’s A Rainbow joined this Dream Song List on April 17th. And as mentioned above, I’m a big Stones fan so – of course – I own a copy (but not the album). I had just heard it the day before, so this one goes into the recent memory list.

Steel Wheels Tour

Steel Wheels Tour

Though She’s A Rainbow is probably the best known song from the album, I rank 2000 Light Years From Home as one of my favorite all-time Rolling Stones songs. So it was a thrill to see them perform it live…

After about a decade of hard feelings between Mick Jagger and Keith Richards, The Stones regrouped for a new album and tour in 1989 both titled Steel Wheels. Since their solo careers had not reached the same heights as The Stones you could say they were watching each other’s backs (and bank accounts).

I was living in New York City and when it was announced they would play the legendary Shea Stadium not once or twice – but for six concerts – my pals and I joined forces to score tickets. In those ancient times of rock and roll there were no online sales. You went to the nearest Ticketmaster in a neighborhood record store and hoped the line moved fast enough to purchase seats before all the outlets working in combination sold-out.

After the first two concerts on October 10 and 11, they would play four shows in Los Angeles and then back to Shea for four more. With a few of us working Ticketmaster outlets in Manhattan and Queens, we grabbed blocks of seats for three Shea Stadium shows.


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Of course every song at a Stones concert is a highlight and these shows were like a greatest hits rundown. Steel Wheels was a popular LP, so even when they played the new songs we listened. Based on Stones’ concerts I had seen in 1972 and 1975 I never would’ve expected a song from Their Satanic Majesties Request. So when 2000 Light Years From Home was played between Paint It Black and Sympathy For The Devil it really came out of nowhere. Wait… I’ll rephrase that.

With the fog and strobe lighting stage effects it could’ve been from outer space. It was a very psychedelic musical and visual trip back to 1967. All that was missing was a drug bust.

Here’s a video of the live version from the Steel Wheels Tour with added 3D effects.

When The Rolling Stones end a show, no one working today outside of Paul McCartney has a catalog of rock standards that can match. Following Sympathy For The Devil they worked the crowd into a frenzy with Gimme Shelter, It’s Only Rock ‘n Roll, Brown Sugar, Satisfaction and (encore) Jumpin’ Jack Flash.

Are you kidding me?? My head almost exploded just typing out the titles of those songs. Put those on your playlist one after another and for dedicated Classic Rockers it’s impossible to sit still.

And it was also impossible to sit still at Shea Stadium in 1989.

For two of the concerts we were in the middle (mezzanine) section. But for one of those classic rock ‘n’ roll nights we were in the upper deck facing the stage. And anyone that’s ever been in the upper deck of a stadium during an important sporting event or rock concert knows, the steel structures act differently in that higher atmosphere.


Know how to close!

Once The Stones started bringing in the big guns to close the concert, everyone was on their feet and acting like they were Jumping’ Jack Flash. The effect made the upper deck bounce up and down like we were standing on the end of a diving board.

I knew what it was like to stand on the end of a diving board, but I had never felt this effect in the upper deck of a huge baseball stadium until that night. It was really intense, but none of us were about to sit down. But since we were seriously bouncing around so much it was hard to stay balanced and I remember my best pal Chris grabbing onto the back of my jacket to keep me from disaster. I’d grab my girlfriend (at the time) and we all felt like we were on an amusement part ride.

Honestly, I was glad he grabbed me. A few times it felt like we’d rock ‘n’ roll over the railing.

After the concert we were walking to catch the train back to Manhattan and I thanked him for hanging onto me. Then I asked why he would’ve saved me but left my girlfriend (at the time) to bounce around on this major league scale trampoline. “Because I can’t stand her,” he said. We laughed, but as guys we both knew he wasn’t lying.

When she dumped me a few months later (she wanted a wedding ring for Christmas and I probably gave her a Stones album) I knew what he meant. She was gone but we were still buddies. Sort of like Mick and Keith, it was good to know he had my back.

It doesn’t seem The Rolling Stones ever made an “official” music video for She’s A Rainbow.

I searched around online and found one that’s a bit strange, it’s labeled “1966” (release wasn’t until December 1967), but includes the song with video snippets from the band’s entire career. Included are shots of Brian Jones who was still the band’s master musician at this point, but would soon be spiraling out of control and eventually, out of the band and out of this world.


To purchase Their Satanic Majesties Request with She’s A Rainbow and 2000 Light Years From Home – which are also both on a lot of Rolling Stones compilation releases – visit



Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on

Copyright 2016 – North Shore Publishing

#207 – Green Tambourine


#207 – Green Tambourine by The Lemon Pipers

The Lemon Pipers

The Lemon Pipers

– Like a lot of music we were listening to as teenagers in late 1967 going into early 1968, it’s tough to come up with a classification for this song. I considered it psychedelic, which was a trend that was definitely happening at the time. But after doing a quick online surf to find out what – if any – residue was left behind by this song in the annals of Classic Rock, it is given credit for inventing a category that had never been used before to describe a musical genre:


Lemon Fruitgum

Package of bubblegum

Going from psychedelic to bubblegum was a musical personality split comparable to sharing vinyl turntable space with Jimi Hendrix and The 1910 Fruitgum Company. It didn’t happen in a sane world. But looking back at our journey through the 1960’s I can see the “Y” in the road. Sitars, jingle-jangle tambourines and over-echoed vocals were part of the soundtrack for The Summer Of Love in ’67 and were still happening when Green Tambourine hit No. 1 on the music charts in February 1968. But it already seemed outdated in some ways. Pop music was evolving into the heavier sounding rock music and bubblegum was about as cool as a military crew cut in Haight-Ashbury.

Of course what did I really know about the hippie haven district in San Francisco? I was a 14 year old kid in Ohio and only knew what I heard on the radio or read in magazines. And since no one had come up yet with the term bubblegum for some of the new music we were listening to, it seemed as if the hippies from the summer of ’67 were still happening.


In theaters with the documentary Eight Days A Week

The Beatles At Shea Stadium – Restored and Remastered

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In my location of the world we hadn’t been exposed to hippies outside of the media lifelines I just mentioned above. The Beatles had changed their appearances with mustaches and colorful clothes for Penny Lane and Sgt. Pepper, but a lot of us couldn’t follow the trend. Mainly because we were still too young to grow decent facial hair and school dress codes strictly forbid it, along with hippie attire.

San Francisco hippies?

San Francisco hippies?

In fact, these creatures of psychedelia were so rare in our neck of the woods, to spot one was comparable to a rare bird sighting in the wild and untamed outdoors. It was around this time that we would visit family in Saginaw, Michigan and all pile into a car as tourists to drive past the “Hippie House.” I remember it was a purple house with bright symbols painted on the sides and doors. It might even have had an orange or yellow roof, but those details have been lost in the haze of years since. I’m not sure the Ohio family contingent ever even caught a glimpse of a legitimate hippie outside, but the Michigan relatives assured us they truly did exist.

I’m pretty sure the closest proximity hippies to us in northern Ohio were The Lemon Pipers. I say this because they were touted as being a band from Cleveland. It wasn’t until many years later I found out they were actually a group of students from Miami University. But forget about visions of palm trees and bikinis. This was the northern based school in Oxford, Ohio.

Closer – but not Cleveland.

I’m not going to say this song had any impact on me. It didn’t. It had a catchy tune and we heard it on the radio. And since it came out during my first year in high school, I’ll assume we danced to it somewhere.

But it was more the local connection that made a lasting impression.


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I remember watching The Lemon Pipers perform Green Tambourine on the Cleveland based “teen music” television show Upbeat. When the program first started in 1964 it was comparable to Dick Clark’s American Bandstand out of Philadelphia. The original title was The Big 5 Show because it aired every Saturday at 5 pm on Channel 5 in Cleveland. The host was Channel 5 weatherman Don Webster.

The show featured an impressive lineup every week that – again from memory – included pop stars such as Stevie Wonder, The Lovin’ Spoonful, Paul Revere and The Raiders, The Yardbirds, The Jefferson Airplane and Otis Redding’s final performance. When the show was syndicated into different markets, the local aspect was removed and retitled Upbeat.

Don Webster "Monkee'ing" around on Upbeat

Don Webster “Monkee’ing” around on Upbeat

The Lemon Pipers looked like San Francisco based hippies. But I’m sure Don Webster told us they were from Cleveland (or maybe just from Ohio). Either way, they didn’t look like anyone else in my neighborhood. I wonder if they had a “Hippie House” we could’ve driven by on a tourist outing. Then again, since they were still college students we would’ve just been driving by their dorm.

But if this song stands as a first “Y” in the roads leading to bubblegum or rock, I took the route forged ahead by Jimi Hendrix and left The 1910 Fruitgum Company trail for the younger teens and preteens. It also wasn’t long after this that Upbeat disappeared from my regular viewing schedule. As a newly minted high school teenager with friends, dances, sporting events and the possibility of girls being around all three, Saturday afternoons and evenings were not meant to be spent sitting in front of a television.

Green Tambourine “jingle-jangled” onto this Dream Song list on April 8th. Though I never owned a copy in 1968, nostalgia got the best of me during an online shopping spree and the song is now on my digital playlist. I had just heard it, so “listen while I play” it into the recent memory classification.

To watch The Lemon Pipers lip-sync Green Tambourine during what I’m pretty sure is actually their 1967 or ’68 appearance on Upbeat (it reads 1969 in the title, but by that time they were long past plugging the song for more sales) check out the video below.


To purchase The Best of The Lemon Pipers with Green Tambourine visit



Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on

Copyright 2016 – North Shore Publishing

August 15, 1965 – The Beatles At Shea Stadium


– It started earlier than you might think…


Sid Bernstein

During the winter of 1963 Sid Bernstein, a New York producer and entrepreneur, decided to expand his horizons by taking a course in Political Science. The instructor said if students wanted learn about democracy they need to study Great Britain, so Bernstein trekked down to Times Square every week and bought the British newspapers.

After reading updates about the government, he turned to where his real interests were – the entertainment section. He noticed the name of a pop group called The Beatles. At first the articles were small, but each week they continued to grow in size. They also included two words about their performances that caught Bernstein’s eye:


To his producer’s way of thinking, these were the same words that described fame-predicting appearances by Frank Sinatra and Elvis Presley, two of the BIGGEST names in showbiz. Since expanding his horizons could also mean taking a chance, he located the Beatles’ manager Brian Epstein and booked the group – then unknown in the U.S. – for two shows in February 1964 at Carnegie Hall in New York.

Epstein Beatles

Brian Epstein and “The Boys”

When dealing with Epstein there were always stipulations. If The Beatles were not getting radio airplay in the U.S. by December 1963, the deal was off. It was a long wait, but as history tells us they made the deadline. I Want To Hold Your Hand broke the airwave barrier, they were scheduled for three February appearances on The Ed Sullivan Show – and Bernstein SOLD OUT both shows at Carnegie Hall.

Following the Beatles summer and fall 1964 tour of North America, Bernstein took another chance and scheduled them to appear in the brand new, state of the art Shea Stadium in Flushing, Queens. Again there were stipulations that included no advertising without a paid deposit, but Bernstein made a bold guarantee and backed it up by selling 55,600 seats through word of mouth. Once again…


Nothing on this scale for a pop concert had ever been attempted before. Elvis had performed a handful of stadium shows leading up to his army induction, but the largest had been in front of 26,000 fans at The Cotton Bowl. The Beatles had to more than double that number to fill Shea Stadium.

Dressing Room

Away from the crowd

On August 15, 1965 The Beatles landed on top of a building at the neighboring New York World’s Fair and were delivered into Shea Stadium via a Wells Fargo armored truck. The dressing room was crowed with visitors including Mick Jagger, Keith Richards and future kingpin business manager for Apple Corp and three of the four Beatles, Allen Klein.

If only Brian Epstein had known…

Their entire visit to New York, beginning Friday, August 13th through Tuesday, August 16th, was filmed for a Beatles In New York (not the title, but the idea) television special. Only backstage and concert footage was used for the final version.

Introduced by Ed Sullivan, John Lennon, Paul McCartney, George Harrison and Ringo Starr ran to a small stage set up over second base on the baseball playing field and performed ten songs in about thirty-seven minutes. Whether anyone heard them depended on where they were seated, if they were screaming – or if they were next to someone screaming. Many of the male fans thought they sounded great. Many of the female fans don’t remember.

Shea on stage

Never before in the history of popular music…

Filmed in 35mm, the quality of the concert footage is similar to blockbuster Hollywood movies of the era. For comparison, The Monterey Pop Festival and Woodstock movies were filmed in 16mm.

The resulting television special, The Beatles At Shea Stadium, was planned for holiday (Christmas) airing in December 1965. One member of the Beatles inner circle approved the version submitted by Ed Sullivan Productions, while five others didn’t. A secret recording session took place in January 1966 to correct the sound and the special wasn’t broadcast in the U.S. until a year later. By that time fans were only weeks away from the release of Penny Lane and Strawberry Fields Forever by a mustached, psychedelic-clothes-wearing, pre-Sgt. Pepper’s Lonely Hearts Club Band.

The film has been restored, color-corrected with both the overdubbed and original audio remastered for mono and stereo. It has yet to be released.

But on television that January evening in 1967 they were still the mop-topped Fab Four riding high on the release of their summer 1965 film, Help! And they played, sang, laughed and sweated during a hot New York August night in front of a SOLD OUT audience of 55,600 fans.

It was 50 years ago on August 15, 1965.

It was the birth of stadium rock.



Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on

Copyright 2015 – North Shore Publishing