Category Archives: 1966

#171 – A Summer Song

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#171 – A Summer Song by Chad & Jeremy

 – Being a Classic Rocker is not always an exact science. Especially when the archeological dig through our minds lack video or photographic evidence from the world of pop and rock, which was once considered disposable.

If you’re not familiar with what I’m alluding to, the eras of what we consider now as pop culture during the 1950s and ’60s were thought to be nothing more than a passing fad. Many live television shows were just that – live for that moment and then gone forever. Television studios could save money by taping shows in advance of airing and then reuse that same film for the next broadcast. So a lot of what we might remember exists only in our memories.

We’re lucky when a program like The Ed Sullivan Show was a national hit, filmed for airing in all time zones and saved for later repeats. Otherwise, we might not even have these performances by Elvis, Buddy Holly, The Beatles, The Rolling Stones and many others from the ’50s and ’60s to watch again and again.

This is the dilemma I faced when trying to find exact information, including video and photographic evidence, of my personal television debut. And that’s frustrating because I think of it as a worthy (personal) pop culture moment since it happened in a Dick Clark Production with Chad & Jeremy.

So to begin this archaeological dig through my mind…

Chad & Jeremy were always one of my favorite British Invasion acts on the (Cuban) heels of the Beatles kicking things off in early 1964. I’ve mentioned in earlier Classic Rockers that as a preteen I didn’t have the funds to splurge on every great record that hit the charts, so after spending on the Beatles’ latest I had to be selective. One I couldn’t resist was the duo’s Yesterday’s Gone. I loved it then and still do.

Jeremy & Chad with Laura Petrie

Though the Beatles and other groups might have been more selective on what television shows they appeared on, Chad & Jeremy seemed more accessible. Along with the usual must watch television variety shows like Ed Sullivan, Hullabaloo and Shindig, they guest-starred (with speaking roles) on The Patty Duke Show and The Dick Van Dyke Show.

So yeah, I knew who these guys were. I didn’t confuse them with Peter and Gordon, like some of the other kids had an annoying habit of doing.

The summer of 1966 was huge for me. I turned thirteen in June – finally a teenager – the music was great and I earned enough money in my parents’ bakery to have a decent record collection. I also went to my first concert, which was The Beatles at Cleveland Stadium.

Like I said… huge.

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But also being a teenager meant having more freedom than when I was just a “kid.” Now, this is where it morphs into not being an exact science, but sometime in either July or August I was allowed to spend a week living on my cousin’s boat at the popular amusement park, Cedar Point, in Sandusky, Ohio. You might know it now as America’s Roller Coast for it’s outlandish collection of HUGE roller coasters and other thrill rides, and to us in the 1960’s it had that same reputation. It was one of the coolest places on earth to a thirteen year old and I would be staying there with my fifteen year old cousin John with nothing more to do than ride rides, swim on the beach (where we learned to surf on wooden “pizza boards”) and roam around with no parental supervision.

Like I said… cool.

The place to be!

One of our favorite rides at that time was the go-cart track. This was very different than you might be picturing during an immediate archaeological dig through your mind. There were no loud gas-powered motors. The track was a large oval with raised curves and electrical strips imbedded into the track. The go-carts had connectors (brushes) underneath and were powered by electricity. When the guy running the ride switched on the power, we’d race around the track using the cart’s accelerator and (sometimes) the brake. When the power was turned off, that’s where we stopped.

It was a popular ride and always had a line of wannabe racers. Since John and I were living on the boat docked in the park’s marina, we’d run in as soon as the gates opened so we could race around at least a few times before it became too crowded. We followed our plan that morning and though we weren’t first in line, we were pretty close.

It was a nice day, sun was out and the sky was blue. The ride was right next to the beach, which I’ve always considered to be one of the nicest beaches on Lake Erie and we could watch boats and people swimming while we waited.

I mentioned the sun and blue sky because if you were going to film anything there really wouldn’t be a need for “studio lighting.” I’m not sure when I noticed there were television cameras set up alongside the track but being a typical thirteen year old I was more concerned about when we would get on the ride. I also remember we waiting a bit longer than what should have been “opening” time. But since we had a good place in line we weren’t about to leave.

Sort of like this – but not really.

Then a guy who seemed to be in charge of the ride asked, “Who wants to ride go-carts?” Before I knew it, John had grabbed my arm and raised it up in the air with his. Obviously he had been paying better attention than me. We were both selected along with about six or eight others and were let in to choose our go-carts.

We drove around for awhile, stopping when the power was shut off and then starting again. After a bit we were told this would be filmed for a television special and before it had a chance to sink in, Chad & Jeremy walked in through the exit gate and sat in two empty go-carts.

Yeah… very cool.

The kids left watching from the sides of the track looked pretty excited as we drove go-carts with Chad & Jeremy for about an hour (if I remember correctly) while the cameras filmed us. At one point we were stopped and I was next to Chad (if I remember correctly). With all my thirteen year old British Invasion inspiration and some unfounded need to sound English, I looked at him and said, “Hullo.”

Yeah… not very cool. At least he answered, “Hello.”

That was cool.

After they had enough film, we ended our marathon go-cart ride. The cameras were moved to the beach and Chad and Jeremy lip-synced a song. This is where video would help. I’ve always thought they sang A Summer Song, but my memory might have been influenced by the time of year. After some online research I learned they were heavily promoting their latest song Distant Shores at that time in 1966 so it might be that one instead.

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But going through my waking mind on September 1st was A Summer Song, which is what stirred this archeological mind dig in the first place. Being a C&J fan of course I own a copy and had just heard it, so it goes into the recent memory category of Dream Songs.

After the excitement of riding go-carts for television cameras, John and I found out Dick Clark Productions was at Cedar Point filming a television special. A lot of different areas were blocked off, but we found out – and saw on television a couple months later – that Paul Revere and The Raiders performed Hungry at the Pirate Ride and The Vogues lip-synced Five O’Clock World while riding in a golf cart along the Cedar Point midway.

Again… very cool.

Dick Clark bringing the action!

I don’t remember the name of the special, but I’m sure it was connected to one of Clark’s programs either American Bandstand or Where The Action Is. It was airing during fall 1966 and we watched, knowing it would be pretty exciting to see ourselves on television. An all too brief go-cart sequence (in black and white) was shown at the very beginning of the special announcing that Chad & Jeremy were featured artists. During this opening segment I remember seeing my cousin John zip by and just as my go-cart came onto the screen…

You could see me only from the neck down.

It was my national television debut, so it was still pretty cool.

But it could have been cooler.

As I said at the beginning of this rambling adventure, a lot of video from the 1960s has been lost and apparently this is one of them. Over the years I’ve occasionally been inspired to search online for any written record, video footage or photos from this Dick Clark Special and have found almost nothing. At one point there was a glimpse of hope when I found a title and air date, but never made a note of it. In other words, this slight bit of information has been lost to memory and I wasn’t able to dig it up again for this version of The Classic Rocker.

Yesterday’s gone, but C&J still cool

About five or six years ago during one of these inspired searches, I somehow found an online contact for Chad & Jeremy. Don’t ask me how, but it might have had something to do with an upcoming appearance they were making at a Beatles fan conference. Since I have written a couple books on the Beatles and been a guest author at a few of these events, maybe that’s how this connection was made.

The contact answered my query and thought it was an interesting story. He said he would ask Chad & Jeremy if they remembered anything about this and get back with me.

Yeah… okay…

But a few days later I was surprised when I received an email from this contact. He said he’d had the chance to ask. One or both said they had a memory of driving go-carts for a television special and… Well, that’s it. They had no photos, video or anything more than I did – which is a memory that’s still pretty vivid even though it took a deep archeological dig into my mind to find it.

Have a comment?

Please use the form below – and keep rockin’!

At least I didn’t have to dig too far to find of video of Chad & Jeremy performing Summer Song.

And to make it very cool – the duo is introduced by Dick Cark.

 

To purchase The Very Best of Chad & Jeremy with A Summer Song visit Amazon.com

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2018 – North Shore Publishing

 

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#172 – I’m Not In Love

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#172 – I’m Not In Love by 10cc

 – Okay, I know 10cc is a band from England. Since I just had to look up that last gem of knowledge online, I also know sometimes there were four guys in the band and sometimes there were only two. One of them (Eric Stewart) was an original member of Wayne Fontana and The Mindbenders and scored a number one hit in 1965 with Game Of Love. After Wayne split the scene, his backing group released their own hit Groovy Kind Of Love in 1966.

Now that this selected bit of trivia is out of the way…

I’m Not In Love doesn’t remind me of any of that. Maybe the 10cc two-person edition comes closest, except in my memory it’s not two English rock stars singing, but instead two college buddies trying to be funny without any talent or concept on how to carry a tune. There’s a big difference.

And believe me, I’m baffled by this.

Duo 10cc

Not my friends’ lack of talent, but the memory that has stayed with me for so long. It was just a brief clip – a slight moment in time – that should have faded away almost immediately. But for some reason an image of these two buddies pops into my head by just the thought of this song title.

I don’t even need to hear the song.

And speaking of hearing this song, I can’t remember the last time that happened. Strange, since the brief memory clip referred to above is also decades old but seems still fresh. Since I don’t own a copy of I’m Not In Love it fell immediately into the subliminal category of Dream Songs when I woke up with it stirring the other old memory in my mind on August 31st.

It reminds me of a particular episode in college and I have a general idea of when the song was released. But I saw the date when checking out the above trivia on 10cc and was able to pinpoint it to May 1975. And even though we’re more than four decades removed from that year when I was living only two doors down from my two pals in our college frat house, I still picture in my mind both these guys as young twenty-something’s.

Wow… that means I’m thinking of my college pals from decades ago as being younger looking than my kids. That should create a real shock next time I see them in person.

Anyway, here we go with a brief and lasting memory of a moment in time…

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I won’t in anyway talk myself up as some kind of Romeo. But college girls were just as important to me as my college major and to be honest, maybe even more important to a lot of other guys also. If there had been a college major in Hugh Hefner back in the 1970’s, I’m sure those classes would have maxed-out long before Accounting, Finance and even Basket Weaving.

Not like this…

College classes were written in stone. In other words, you knew where and when you had to be in the classroom if you wanted to pass and eventually graduate with anything other than a Hugh Hefner Major. My relationships with college girls never seemed to be written in stone and was mostly determined by being in the right place at the right time.

On one particular night that I semi-remember in spite of the many decades removed, I was sort of half-dating someone. Nothing serious, which is the reference to half-dating. She was coming by my room that evening so we could walk to the library together to study.

However…

An hour or two before she arrived, I met another girl that caught my attention. Where or how I again, don’t really remember. I’m not even sure if we actually dated later, but my two frat house buddies saw me hanging out with her. Later they also saw me hanging out with the girl I was half-dating and walking with to the library.

And then…

After walking my library half-date back to her dorm I met another girl who really grabbed my attention. We wound up actually dating for about a year after. And of course – on this same night – my two buddies saw us hanging out together.

So…

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It actually looked like (and I guess it could be said) I’d had three semi-dates with three different girls that same night. As I mentioned earlier, don’t consider me to be some kind of Romeo – and definitely not a Hugh. But for one night I happened to be at the right place at the right time – three separate times.

My pals had no idea what actually happened, but just to be perfectly clear I’ll fill you in briefly about each of my three dates:

  1. Talking
  2. Studying
  3. Talking

…more like this!

Not exactly the G-rated activities a bragging Romeo would admit to or Hugh Hefner would write about. My three-date night could have been an episode on The Adventures of Ozzie and Harriett, but I will admit it was fun and a bit confusing at times.

Since I had learned in my college career not to take courses with a start time written in stone before noon, I was still sleeping when my roommate left and obviously did not lock the door behind him. Sometime between snores and REM (rapid eye movement) sleep, I was awoken by my two (goofball) buddies serenading me with a talentless, off-key a-capella version of I’m Not In Love.

Yeah, they thought they were funny by goofing on my assumed Romeo activities the night before while I just though they were annoying. Well… maybe a bit funny, but that didn’t come out until later. At the moment I might have had a few choice words for them and maybe emphasized it with a thrown pillow, but those details have been lost over the decades.

All that’s left is a brief moment in time when my buddies destroyed the 10cc version and left their own as a lasting memory. I won’t say that’s a bad thing. The original song still sounded pretty cool waking me up this time. It just wasn’t as funny… or annoying.

Here’s a video of 10cc (and not my goofball pals) performing I’m Not In Love.

 

To purchase The Best of 10cc with I’m Not In Love visit Amazon.com

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2018 – North Shore Publishing

#176 – I’d Do Anything

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#176 – I’d Do Anything from the Broadway musical Oliver!

February 9, 1964

– Here’s a little remembered fact about baby boomers. We weren’t all raised on rock ‘n’ roll. Many parents of young teenagers that went wild over Elvis in the 1950’s were also raising infants who would be converted into Beatlemaniacs only eight years later. This older generation, that included the “bobby-sockers” who swooned over Frank Sinatra in the 1940’s, was just as shocked over the rebelliousness of rock ‘n’ roll as many boomer parents (or grandparents) were about rap music decades later.

So a lot of them didn’t listen. And as infant boomers in the household, we didn’t hear a lot of rock ‘n’ roll until we were old enough to discover it for ourselves.

Popular music was family-friendly. Sinatra, Rosemary Clooney, Bing Crosby and other “mainstream” singers were having hits. And to make my point even clearer, Patti Page had a number one record in 1953 with How Much Is That Doggie In The Window and I’ll bet most boomers born in the 1950’s can still sing it.

But before we took over our own vinyl turntables with disks by Elvis and The Beatles (and many others), we heard our parents’ record collections. In my case it included the above-mentioned singers, jazz, big band, movie soundtracks and Broadway show tunes.

February 9, 1964 Headliners

This was also the music that was popular on television. In the 1950’s and 60’s variety shows earned high ratings for family viewing. On Sunday nights the most influential primetime host, Ed Sullivan, featured the widest variety of them all.

Most of these shows treated rock ‘n’ roll singers as little more than novelty acts for the youngsters. Though Sullivan may have used that billing to schedule everyone from Elvis to The Beatles, appearances on his show could make their careers more than just a passing fad.

If boomers wanted to see the biggest names in rock ‘n’ roll, we watched The Ed Sullivan Show. And while we watched, he also made sure to present acts everyone else in the family could enjoy.

As mentioned in past Classic Rockers, I was well versed in Broadway musicals thanks to my mother – a member of the Frank Sinatra bobby-sock generation. But my first exposure to I’d Do Anything from the musical Oliver! occurred the same night Ed Sullivan introduced The Beatles to U.S. audiences on February 9, 1964.

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I’d Do Anything was introduced to this Dream Song list on August 17th. And as proof my digital playlist is as varied as one of Sullivan’s programs, I own a copy from the 1968 movie soundtrack and had just heard it. So place this one into the recent memory category.

So why would a Classic Rocker have this Broadway show tune mixed in with The Beatles, The Rolling Stones, Led Zeppelin and others that proved not to be just passing fads?

I’ll get to that in a moment, but first here’s a 1964 fact about this song and a then-future teen idol.

When we watched for our favorite group on The Ed Sullivan Show, it was necessary to watch the entire program. We never had a clue exactly when they would appear. On February 9th Sullivan told us The Beatles “Would appear now and again later in the second half of our show,” which kept us tuned in for the entire hour. On a weekly basis that meant we’d also see comedians, animal acts, plate spinners, acrobats and opera singers while waiting for The Dave Clark Five or The Animals.

Davy Jones as The Artful Dodger

Between the Beatles two sets on their debut night, Sullivan introduced the Broadway cast of Oliver! to perform two songs. The first was I’d Give Anything For You featuring Davy Jones as The Artful Dodger and English singer Georgia Brown as Nancy (who sang As Long As He Needs Me).

Little did we know that two and a half years later Davy Jones would become one of The Monkees. And during an interview years after that, he talked about watching The Beatles from the side of the stage and thinking how much fun that would be as a career. Little did he know

But the real credit for this Oliver! classic making our Dream Songs list goes to my son Paul.

We learned at (his) very young age that Paul loved Broadway musicals. His first exposure came when he was about four years old and we took him to see the local high school production of Joseph and the Amazing Technicolor Dream Coat. He sat on my lap the entire time to see over the adults seated in front of us and it was obvious to me he was mesmerized. Days later he was singing the songs – after only hearing them that one time. Musically gifted? As a proud and supportive dad I definitely say yes.

Two years later the high school staged Oliver! and the same thing happened. So before we made a long drive to Florida for a spring vacation, I bought the Broadway cast CD and we listened constantly. On the fun(ny) side (for father and son anyway) his mother almost lost her mind hearing it over and over and over as we sang along. And after each time we’d hear I’d Do Anything, he’d call out from the back seat (since he was still too small to ride in the front):

Play it again!” Being the proud and supportive dad, I always did.

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So my memory is not of Davy Jones on The Ed Sullivan Show, but instead our son Paul as a five or six year old musical prodigy serenading us on a 20+ hour drive to Florida. And adding to the memory bank about the influence this music had on him, he has gone on to graduate from a well-respected Conservatory of Music and onto a career in musical theater. This past year he made the full circle by starring in Joseph And The Amazing Technicolor Dream Coat. But since he’s in his early twenties and over six feet tall with leading man looks, it’s highly doubtful we’ll ever see him as the youngster Artful Dodger in any revival of Oliver!

The Classic Rocker with Davy Jones

And finally as a footnote for this Classic Rocker’s personal memories about waiting for The Beatles and watching Davy Jones as The Artful Dodger singing I’d Do Anything on The Ed Sullivan Show, I guess you could call this another type of circle.

The first concert we took Paul to – as an infant – was by The Monkees.

I had interviewed Davy Jones for a newspaper column I was writing at the time and being a nice guy, he invited us back stage after the show. We had time to talk and take photos, which was also a thrill for my wife Debutant Deb, who still views Davy as her teen idol from the ’60s. And yeah, we have a photo of him with infant Paul who I know will complete another circle some day soon when he makes his Broadway musical debut.

Have a comment? Please use the form below.

Here’s a video of Davy Jones and the cast of Oliver! performing I’d Do Anything on The Ed Sullivan Show

 

To purchase the original Broadway cast recording of Oliver! with I’d Do Anything (sorry, but Davy Jones wasn’t part of the original cast and not on this one!) visit Amazon.com

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2018 – North Shore Publishing

 

August 15, 1965 – The Beatles At Shea Stadium

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– It started earlier than you might think…

sidbernstein

Sid Bernstein

During the winter of 1963 Sid Bernstein, a New York producer and entrepreneur, decided to expand his horizons by taking a course in Political Science. The instructor said if students wanted learn about democracy they need to study Great Britain, so Bernstein trekked down to Times Square every week and bought the British newspapers.

After reading updates about the government, he turned to where his real interests were – the entertainment section. He noticed the name of a pop group called The Beatles. At first the articles were small, but each week they continued to grow in size. They also included two words about their performances that caught Bernstein’s eye:

SOLD OUT!

To his producer’s way of thinking, these were the same words that described fame-predicting appearances by Frank Sinatra and Elvis Presley, two of the BIGGEST names in showbiz. Since expanding his horizons could also mean taking a chance, he located the Beatles’ manager Brian Epstein and booked the group – then unknown in the U.S. – for two shows in February 1964 at Carnegie Hall in New York.

Epstein Beatles

Brian Epstein and “The Boys”

When dealing with Epstein there were always stipulations. If The Beatles were not getting radio airplay in the U.S. by December 1963, the deal was off. It was a long wait, but as history tells us they made the deadline. I Want To Hold Your Hand broke the airwave barrier, they were scheduled for three February appearances on The Ed Sullivan Show – and Bernstein SOLD OUT both shows at Carnegie Hall.

Following the Beatles summer and fall 1964 tour of North America, Bernstein took another chance and scheduled them to appear in the brand new, state of the art Shea Stadium in Flushing, Queens. Again there were stipulations that included no advertising without a paid deposit, but Bernstein made a bold guarantee and backed it up by selling 55,600 seats through word of mouth. Once again…

SOLD OUT!

Nothing on this scale for a pop concert had ever been attempted before. Elvis had performed a handful of stadium shows leading up to his army induction, but the largest had been in front of 26,000 fans at The Cotton Bowl. The Beatles had to more than double that number to fill Shea Stadium.

Dressing Room

Away from the crowd

On August 15, 1965 The Beatles landed on top of a building at the neighboring New York World’s Fair and were delivered into Shea Stadium via a Wells Fargo armored truck. The dressing room was crowed with visitors including Mick Jagger, Keith Richards and future kingpin business manager for Apple Corp and three of the four Beatles, Allen Klein.

If only Brian Epstein had known…

Their entire visit to New York, beginning Friday, August 13th through Tuesday, August 16th, was filmed for a Beatles In New York (not the title, but the idea) television special. Only backstage and concert footage was used for the final version.

Introduced by Ed Sullivan, John Lennon, Paul McCartney, George Harrison and Ringo Starr ran to a small stage set up over second base on the baseball playing field and performed ten songs in about thirty-seven minutes. Whether anyone heard them depended on where they were seated, if they were screaming – or if they were next to someone screaming. Many of the male fans thought they sounded great. Many of the female fans don’t remember.

Shea on stage

Never before in the history of popular music…

Filmed in 35mm, the quality of the concert footage is similar to blockbuster Hollywood movies of the era. For comparison, The Monterey Pop Festival and Woodstock movies were filmed in 16mm.

The resulting television special, The Beatles At Shea Stadium, was planned for holiday (Christmas) airing in December 1965. One member of the Beatles inner circle approved the version submitted by Ed Sullivan Productions, while five others didn’t. A secret recording session took place in January 1966 to correct the sound and the special wasn’t broadcast in the U.S. until a year later. By that time fans were only weeks away from the release of Penny Lane and Strawberry Fields Forever by a mustached, psychedelic-clothes-wearing, pre-Sgt. Pepper’s Lonely Hearts Club Band.

The film has been restored, color-corrected with both the overdubbed and original audio remastered for mono and stereo. It has yet to be released.

But on television that January evening in 1967 they were still the mop-topped Fab Four riding high on the release of their summer 1965 film, Help! And they played, sang, laughed and sweated during a hot New York August night in front of a SOLD OUT audience of 55,600 fans.

It was 50 years ago on August 15, 1965.

It was the birth of stadium rock.

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2015 – North Shore Publishing