Category Archives: Help!

#181 – Windy by The Association

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#181 – Windy by The Association

 – This one turned into a real memory workout for me. I’m not talking about the song. I know Windy came out in late spring 1967 just before the psychedelia of Sgt. Pepper and The Summer of Love. I remember that. What I’m talking about is my brief association with The Association.

I’ll get to that in a moment, but first the song…

Windy joined the Dream Song list on August 7th. The group had about a half dozen big hits and this was one of them. But it’s one I don’t own and hadn’t heard in awhile. In fact, the only Association song in my digital collection is Along Comes Mary. And to make another admission – I still don’t understand the lyrics to that one. But in this case of The Classic Rocker Countdown, that doesn’t count for anything. In my waking mind that morning the song was Windy and it joins the subliminal memory playlist.

Now onto the association part of this Association tale…

Also The Association

I grew up in a small Ohio town on the shores of Lake Erie. Next to us was a small city called Lorain. Like many small towns and cities in the 1960’s before enclosed shopping malls became the rage, Lorain had a pretty cool downtown area with lots of stores, restaurants and diners, and three movie theaters. In 1965 when I was twelve years old I took a bus with my older (by a year and a few months) cousin Johnny and my best pal Kevin to Lorain to see The Beatles movie Help! in color on a giant screen in the giant Palace Theater.

If you were going to see the movie for the first time, THAT was the way to see it.

Afterwards we hit a local diner and then on to the record store to buy the Help! soundtrack LP. We were practiced at catching the last Greyhound Bus traveling along Lake Road and could be home – playing our new albums – before 11 pm on a summer night.

Great memories.

By the summer of 1967 John (we dropped the “ny” by now) was old enough to have a much-coveted driver’s license. This didn’t make our bus travel completely obsolete, but when he could coax his parents into letting us joy ride in the jeep used at their family boat yard (remember, we were on the south shore of Lake Erie), our teenaged world grew a little larger.

We found out The Association would be playing at a local club in Lorain and decided we had to be there.

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This music venue was basically a large warehouse type building called Big Moose. I’m not sure how they came up with that name, but through a little research I’ve learned it used to be a roller rink and was once called The Lorain Moose Lodge. Big Moose? Well, I guess that fits better than calling it Little Moose.

Maybe we only paid 50 cents?

I also don’t know how promoters pulled it off, but this strange named club brought some big name performers to our neighboring small city. During that summer of 1967 I was taking guitar lessons at a local music store from a young guy I still remember because he greased his hair back like Elvis. He still came off as cool, even though the rest of us had taken to combing what little hair we were allowed by school dress codes down into mop tops over our foreheads.

He was a nice guy and a good player who taught me the riff from I Feel Fine and the lead guitar solo from Journey to the Center of the Mind by The Amboy Dukes. It’s just that he had a retro look – before the term retro was cool.

During one lesson told me about seeing an English band the week before at Big Moose. He pulled out a package of photos he’d taken of the guitar player wearing a Union Jack shirt and swinging his arm around like a windmill.

Yeah… he had seen The Who in Lorain, Ohio.

On the evening of July 21st, John picked me up in the jeep and we headed out to see The Association. I’m pretty sure tickets were a dollar. What I’m actually sure of was that my mom said I had to be back by 10 pm. Are you kidding me? I was fourteen and ready to hang out, but no argument seemed to work. We had close relatives visiting and I’m guessing it looked like she practiced more responsible parenting if I was burdened with a curfew.

We were both bummed, especially John since he was old enough to stay out later. Too bad he was already committed to being burdened with me.

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I can still dredge up some of the excitement I felt walking into the Big Moose. Other than dances at my junior high school, church basement and the YMCA at our local shopping center, it was the first time I had ever been to a real live music club. My first concert had only been the summer before when we saw The Beatles at Cleveland Stadium, but my parents went with us. This was my first real teenage outing as a teenager.

Big Moose in 2018

The place was dark, huge and loud. There were two stages at opposite ends of the “warehouse” so the live music was continuous. The opening band was called The Broken Bricks and they were from our high school. They had played most of our YMCA dances that year and it was very cool to see them as professional musicians. Wow… I really wanted to be one of those guys.

Then out of the blue I was spotted by some of the cool girls from my class. This was also a big deal since we had only just graduated junior high and here we were now associating with an older crowd. Well, maybe I can’t put it that way when talking about myself. We were still only fourteen and this was a group of the more popular girls who already had their sights set on the older high school guys.

They were cute, funny and ran over to me with a “What are YOU doing here?” kind of attitude. We were all friends so we talked and might even have danced together for a song or two. I probably felt cool for about five minutes before they shifted their attention back to the older guys and cousin John was back to be burdened by me.

The next band to play that evening was The James Gang.

Since they were from Cleveland, which was within an hour bus ride, I had heard of them. But don’t get too excited because it wasn’t the lineup that went on to fame with the songs Funk #49 and Walk Away. Joe Walsh didn’t join the group until the next year.

By the time they finished the stage on the opposite side of Big Moose was set up for The Association. It was announced they would play two sets, split by an intermission. But since we were pressed for time thanks to my parental enforced curfew, John and I could only be there for the first.

I can still picture the band playing Along Comes Mary because one of the members, Terry Kirkman, played a flute-type (recorder?) during the instrumental break. We also got to hear their mega hit, Cherish – written by Kirkman – right before the intermission.

So what about Windy?

The song had hit number one on the national charts earlier that month. And since it was their latest hit and the song everyone would wait to hear, I can only assume it was played during their second set. I don’t know for sure since I was home by that time.

But here’s what really has me curious about The Association performing at Big Moose in Lorain, Ohio. It didn’t make any sense when it came to their touring schedule.

While dredging around the band’s website for past tour dates I found they had opened the mega Monterey Pop Festival on June 16th. Then they played at The Anaheim Convention Center (also California) on August 26th.

The only date listed between these two concerts is Big Moose in Lorain, Ohio on July 21st. That was a long trek – almost 3,000 miles – for a one night stand in front of an audience where some of us had curfews. But at least I can say I was there – and still able to make the trek home in time to make my mom’s parenting skills look respectable.

Have a comment? Please use the form below.

Here’s a video of The Association – the lineup I saw – performing Windy in 1967.

To purchase The Association Greatest Hits with Windy visit Amazon.com

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2018 – North Shore Publishing

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August 15, 1965 – The Beatles At Shea Stadium

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– It started earlier than you might think…

sidbernstein

Sid Bernstein

During the winter of 1963 Sid Bernstein, a New York producer and entrepreneur, decided to expand his horizons by taking a course in Political Science. The instructor said if students wanted learn about democracy they need to study Great Britain, so Bernstein trekked down to Times Square every week and bought the British newspapers.

After reading updates about the government, he turned to where his real interests were – the entertainment section. He noticed the name of a pop group called The Beatles. At first the articles were small, but each week they continued to grow in size. They also included two words about their performances that caught Bernstein’s eye:

SOLD OUT!

To his producer’s way of thinking, these were the same words that described fame-predicting appearances by Frank Sinatra and Elvis Presley, two of the BIGGEST names in showbiz. Since expanding his horizons could also mean taking a chance, he located the Beatles’ manager Brian Epstein and booked the group – then unknown in the U.S. – for two shows in February 1964 at Carnegie Hall in New York.

Epstein Beatles

Brian Epstein and “The Boys”

When dealing with Epstein there were always stipulations. If The Beatles were not getting radio airplay in the U.S. by December 1963, the deal was off. It was a long wait, but as history tells us they made the deadline. I Want To Hold Your Hand broke the airwave barrier, they were scheduled for three February appearances on The Ed Sullivan Show – and Bernstein SOLD OUT both shows at Carnegie Hall.

Following the Beatles summer and fall 1964 tour of North America, Bernstein took another chance and scheduled them to appear in the brand new, state of the art Shea Stadium in Flushing, Queens. Again there were stipulations that included no advertising without a paid deposit, but Bernstein made a bold guarantee and backed it up by selling 55,600 seats through word of mouth. Once again…

SOLD OUT!

Nothing on this scale for a pop concert had ever been attempted before. Elvis had performed a handful of stadium shows leading up to his army induction, but the largest had been in front of 26,000 fans at The Cotton Bowl. The Beatles had to more than double that number to fill Shea Stadium.

Dressing Room

Away from the crowd

On August 15, 1965 The Beatles landed on top of a building at the neighboring New York World’s Fair and were delivered into Shea Stadium via a Wells Fargo armored truck. The dressing room was crowed with visitors including Mick Jagger, Keith Richards and future kingpin business manager for Apple Corp and three of the four Beatles, Allen Klein.

If only Brian Epstein had known…

Their entire visit to New York, beginning Friday, August 13th through Tuesday, August 16th, was filmed for a Beatles In New York (not the title, but the idea) television special. Only backstage and concert footage was used for the final version.

Introduced by Ed Sullivan, John Lennon, Paul McCartney, George Harrison and Ringo Starr ran to a small stage set up over second base on the baseball playing field and performed ten songs in about thirty-seven minutes. Whether anyone heard them depended on where they were seated, if they were screaming – or if they were next to someone screaming. Many of the male fans thought they sounded great. Many of the female fans don’t remember.

Shea on stage

Never before in the history of popular music…

Filmed in 35mm, the quality of the concert footage is similar to blockbuster Hollywood movies of the era. For comparison, The Monterey Pop Festival and Woodstock movies were filmed in 16mm.

The resulting television special, The Beatles At Shea Stadium, was planned for holiday (Christmas) airing in December 1965. One member of the Beatles inner circle approved the version submitted by Ed Sullivan Productions, while five others didn’t. A secret recording session took place in January 1966 to correct the sound and the special wasn’t broadcast in the U.S. until a year later. By that time fans were only weeks away from the release of Penny Lane and Strawberry Fields Forever by a mustached, psychedelic-clothes-wearing, pre-Sgt. Pepper’s Lonely Hearts Club Band.

The film has been restored, color-corrected with both the overdubbed and original audio remastered for mono and stereo. It has yet to be released.

But on television that January evening in 1967 they were still the mop-topped Fab Four riding high on the release of their summer 1965 film, Help! And they played, sang, laughed and sweated during a hot New York August night in front of a SOLD OUT audience of 55,600 fans.

It was 50 years ago on August 15, 1965.

It was the birth of stadium rock.

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Dave Schwensen is The Classic Rocker and author of The Beatles At Shea Stadium and The Beatles In Cleveland. Visit Dave’s author page on Amazon.com.

Copyright 2015 – North Shore Publishing